51 pages 1-hour read

I Want to Die but I Want to Eat Tteokbokki

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 13-15Chapter Summaries & Analyses

Chapter 13 Summary: “Epilogue: It’s Okay. Those Who Don’t Face Darkness Can Never Appreciate Light”

Sehee recounts feeling completely unable to appreciate or acknowledge the good things that happen to her. Even when she has a moment of real accomplishment, she ignores or discounts it and instead focuses on difficult events or her own troubled emotional state. She realizes that these feelings are rooted in low self-esteem and wishes that she sought less validation from people around her. She also feels terrible that sometimes validation from other people becomes boring to her, even though she seeks it constantly. 


During those moments of boredom, she feels the additional burden of guilt for not appreciating someone else’s praise. Sehee is tired of having unhealthy relationships because of her unhealthy orientation towards other people. She recognizes it is not just her interactions that are problematic: Because she does not love herself, she cannot love others. She continues to struggle with “this goddamn self-esteem” because with better self-esteem, she is sure that many of her unhealthy patterns would cease (152).


Sehee’s psychiatrist apologized for not providing her with an exact action plan for how to combat her low self-esteem, but she knows that ultimately she is responsible for doing the therapeutic work herself. She has been doing that work but is dismayed by the way that she continues to cycle through periods of happiness and periods of depression. Reading the finished manuscript of the memoir heightens those feelings of dismay, and she struggles not to sink into despair. 


She buoys herself by deciding that her goal is to “love and be loved,” and to move through the cycles of life with more grace (153). She realizes that lightness and dark are part of the same broader construct, and that it is impossible to experience one without the other.

Chapter 14 Summary: “Psychiatrist’s Note: From One Incompleteness to the Other”

They elected not to read a draft of the manuscript and waited until it was published. Upon reading it, they were deeply embarrassed that they had not been more helpful and that their commentary sounded dry. Nevertheless, they realized that Sehee’s account of her work in therapy was much more vivid and life-like than their own session notes. They are sure now that this memoir is important because it gives a realistic, honest look at the therapeutic process. They hope that this kind of formatting will be especially useful to readers who are themselves struggling with their mental health. They wish to communicate the idea that progress is possible for everyone.

Chapter 15 Summary: “Postscript: Reflections on Life Following Therapy Summary”

The Poison of Cheer


Sehee recalls that her mother had low self-esteem and was critical of both herself and others. She leveled much of her criticism at her children, and Sehee feels that she and her sister were bound to struggle with anxiety, self-esteem, and the tendency to be hyper-critical. She also realizes, as an adult, that her mother wanted her daughter to have the qualities that she herself lacked and then judged them when they fell short of her expectations. 


Sehee understands that many of her adult problems are rooted in childhood. She also reflects on how unhelpful her mother was when Sehee reached out about her low self-esteem, depression, and anxiety. Her mother told her to just cheer up and stop thinking her bad thoughts. Others have echoed this sentiment numerous times in her life, and each time someone said it, it was unhelpful. 


Sehee argues that empathy is a better way to approach low self-esteem and mental health struggles in others and that self-acceptance is a better way for individuals battling low self-esteem to manage their feelings. She wants her readers to understand that “Being imperfect is alright and being awkward is okay” (160). This advice, she thinks, is much better than telling someone to “Cheer Up.”


Turning My Gaze


Whenever Sehee feels depressed or anxious, she adjusts her attitude and refocuses her energy on something more positive. This one small step can alter an entire day and buoy her out of a negative feedback loop.


A Life’s Work


Sehee argues that it is easier to find good writing than good people. She thinks that being a truly good person is difficult, even for her. She is often troubled by her hypocrisy but struggles to be as accepting as she knows she should be. She is trying harder to accept flaws in both other people and in herself.


The Question of Love


Sehee has always been motivated by love and hopes that love continues to guide her actions. She thinks that love produces better actions, better relationships, and even better writing.


Solitude is a Very Special Place


Solitude is a critical part of Sehee’s routine. Especially as an introvert, she finds that she needs quiet time alone to escape the emotional noise of everyday life.


Suffering and Consolation


Sometimes, when an individual is suffering, it is best not to ruminate on the cause of their distress. During these situations, Sehee recommends reading. Reading can be an important, powerful source of escape.


A Life With No Modifiers


Sehee wishes that modifiers and qualifications were less important in culture. She feels, for example, that when people find out that she has a creative writing degree, they expect her to be a better writer. This establishes expectations that create anxiety. She also judges other people based on their “modifiers,” their qualifications, and this tendency also upsets her. She decides to delete her work and school information from Facebook and to stop asking people where they obtained their degrees.


Dream


Sehee has a dream about her family. In it, they are happy. As she tries to remember it, however, it fades.


Grandmother


Sehee’s feelings for her grandmother are complex. Although she loves her, they do not often have much to say to each other, and it isn’t very interesting where her grandmother lives. She hopes that what she feels for her grandmother is closer to love than pity.


Cliched and Stupid Lies


Sehee feels shame after running into her company’s CEO and responding to his question about her ambition for the year with the goals of remaining healthy and editing a best-seller. She does not even like best-sellers, and wonders why she said what she did.


My Aunt


Sehee’s grandmother is in town for routine medical care. Her aunt does not help, and Sehee wonders why. Then, she recalls the years of assistance and emotional support that her aunt provided when Sehee and her siblings were young and decides not to judge her for her present behavior.


My Dogs, My All


Sehee has three dogs, Boogie, Suji, and Juding. Juding is nearing the end of his life, but her other dogs are young. Juding’s impending death breaks her heart, and then she berates herself for always worrying and focusing on negatives rather than positives.


Togetherness


Sehee has come to the realization that it is better not to shut other people out. She used to maintain emotional distance between herself and others, but therapy helped her to be both more open and more authentic in her interactions. She has enjoyed the companionship and camaraderie this change has introduced into her life.


A Very Dark Time


Sehee is constantly at war with herself. She wants to be “bright and honest,” but cannot always access her authentic self (187). She feels that she must always pay attention to her persona, and this leads her to act in a way that she finds dishonest. She wishes that she could be more comfortable with who she is underneath the façade that she presents to others.


Fiction


Sehee worries that her only true talent is making other people feel bad about themselves.


Buried, and Kept Buried


Sehee thinks that a person’s attitude is more important than their character.


Romanticism and Cynicism


Sehee knows that she shouldn’t judge a person based on one, single moment or action, but she often does. She finds that she vacillates between romanticism and cynicism, and that this action helps her to forget the “lukewarm boredom of life” (192). She fears this boredom more than anything, because she feels that numbness is the worst possible state of being.

Chapters 13-15 Analysis

Sehee’s final set of chapters begins with yet another series of backslides during which she recounts struggling to put into practice much of what she and her psychiatrist have discussed. She notes: “I look down on myself so much that I try to gain self-validation through the eyes of others” (151), even though she and her psychiatrist have discussed how and why not to engage in this behavior numerous times. The Non-Linear Nature of the Therapeutic Process remains evident even through the end of the memoir, and this is a self-conscious choice on the part of the author. Although she does offer moments of hope and at times demonstrates meaningful progress in her ability to engage in self-reflection and objective self-observation, she ends the memoir still very much in the process of her therapeutic journey. She makes this choice to communicate to the reader that if they, too, are struggling to manage depression, they should know that it might be a lifelong battle. Sehee has not presented a neat, step-by-step account of how to “beat” depression, but rather an honest look at how to live with it.


She also, during her discussion of the backslides that she experiences during this point in her treatment, acknowledges some real insight that she has gained so far. She notes the way that cycles of light and darkness characterize life and that it is impossible to experience one without the other. Here, she uses a metaphor to acknowledge that individuals managing psychiatric conditions (and even those who are not) cannot expect to be happy all of the time. Realistic expectations, she has come to realize, can help her not to feel so let down by difficult days or weeks.


During this section, Sehee includes a chapter written by her psychiatrist, reflecting Therapy as Collaborative Self-Authorship. This is an unusual choice, and it helps both to humanize psychiatry as a field (psychiatrists are often perceived as cold) and to allow the psychiatrist to reinforce some of their most important ideas. The psychiatrist feels that their transcripts provide an accurate, honest account of the therapeutic process. This depiction helps readers who might be either considering therapy or actively engaged in therapy sessions manage their own expectations of therapy: Like Sehee, they should expect non-linear progress rather than an easy-to-follow rubric for how to leave depression behind entirely. The fact that the psychiatrist cannot solve problems through simple answers or instructions also reinforces that therapy involves active commitment from the patient and a willingness to collaborate.  


The psychiatrist also notes the way that Sehee’s transcripts humanized the therapeutic process. They argue that this kind of formatting is more important than other, drier accounts of therapy. The psychiatrist here affirms some of the broader public discourse surrounding mental health memoirs: These narratives offer a more in-depth window into mental health, mental illness, and the treatment of psychiatric conditions. They help readers to put faces to conditions, and they destigmatize everything from diagnoses to medication.


The memoir ends with a long series of short essays during which Sehee further reflects on her life, her mental health, and the therapeutic process, offering further insight into The Impact of Long-Term Depression on Personal and Professional Lives. They speak to her assertion that writing helps her to clarify her thoughts and emotions and to respond to her triggers from a place of more meaningful, objective reaction rather than the emotional dysregulation, which is often her first response to a difficult event. They fall into three categories: Sehee reflects on her own experiences with dysthymia; she analyzes the impact that relationships have had on her, taking care to try to understand the people around her; and she shares the pieces of wisdom that she has accumulated along her therapeutic journey. 


These essays often meander. They lack direction and traditional essay structure. Sometimes she includes only bits and pieces of particular stories. As in other places in the memoir, the form speaks to the content: Sehee’s essays are fractured because they reflect the difficulty of the reflective process. Sehee continues to experience both progress and regression, and although she does her best to be objective in her reflective writing, her emotional distress still impacts her thought processes. These kinds of essays both introduce readers unfamiliar with dysthymia to the way that it impacts cognition and the emotional response system, and affirm the experiences of readers who may recognize a reflection of their own disjointed thoughts in Sehee’s.


Although they do lack traditional organization, there are important pieces of analysis contained in the essays. In one piece where Sehee discusses her mother, she comes to the realization that it is always better to approach depression with grace and compassion. She notes the disutility of telling people experiencing depression to “cheer up” and advises her readers against doing so. She affirms and validates her own need for solitude, demonstrating a newfound willingness to meet her own needs rather than perform extraversion because she believes it is what other people want to see in her. She ends with a moment of hope that she will be able to experience her emotions and not give in to the numbness that depression causes, demonstrating her continued commitment to managing her depression.

blurred text
blurred text
blurred text

Unlock all 51 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs