I Want to Die but I Want to Eat Tteokbokki

Baek Sehee, Transl. Anton Hur

51 pages 1-hour read

Baek Sehee, Transl. Anton Hur

I Want to Die but I Want to Eat Tteokbokki

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

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Themes

Content Warning: This guide contains discussions of the source text’s depictions of depression, anxiety, disordered eating, domestic and family violence, and suicidal ideation.

The Non-Linear Nature of the Therapeutic Process

Sehee’s goal in writing her memoir is not to present an open-and-shut account of depression management, but to depict the non-linear nature of the therapeutic process. She suggests that, for some individuals with dysthymia, some amount of depression might remain a recurring issue, but that progress is always possible. 


Sehee and her psychiatrist begin their sessions with an in-depth examination of the way that her low self-esteem impacts both her personal and professional lives. The psychiatrist argues that Sehee’s “unrealistically high standards” are impossible to meet and construct a distorted self-image (26). Increasing self-esteem through realistic expectations, acknowledgement of the inherently flawed nature of the self, and meaningful reflection become Sehee’s first real steps in the therapeutic journey. That she is initially successful in both better reflecting on her triggers and her experiences, and that she makes progress in the area of self-esteem, speaks to the power of the therapeutic process to reshape self-image and self-concept. Sehee takes the kind of “small steps” prescribed by her therapist, which lead to better interpersonal outcomes and less emotional distress.


Sehee does, however, experience periods of serious regression. She makes a new friend and is initially intentional about the way that she interacts with this friend, but she falls back into old, unhealthy patterns when she recommends a book, and the friend’s response to it is tepid. Sehee berates herself for lashing out at the friend and initially feels as though she has failed in one of the first key steps along her therapeutic path. The psychiatrist, however, encourages Sehee to see this backslide both as a natural consequence of the imperfections that characterize human nature and a teaching moment. Everyone, the psychiatrist explains, has flaws. Sehee must embrace her own flaws and forgive them in her friends and colleagues. Sehee’s response also becomes the catalyst for more self-reflection and an opportunity to increase self-understanding. Through her moment of regression, Sehee is able to dive even deeper into the source of her low self-esteem and provide herself with the emotional tools to (potentially) avoid this kind of backslide in the future.


The way that Sehee chooses to end her memoir further supports her argument that the therapeutic process is non-linear and that individuals seeking treatment for depression cannot expect to proceed neatly through a set of delineated steps. The final chapter is a series of reflective essays in which Sehee reflects on various aspects of her life. She reveals that she has also honed her personal philosophy. She no longer sees sadness as something that “happy” people can avoid. Sadness is part of life and is, at times, rooted in experiences that are actually difficult, even traumatic. Everyone experiences moments of both sadness and happiness, and she cannot expect to entirely avoid unhappiness. 


She also describes another set of backslides, noting that the end of her memoir does not detail the “end” of treatment. That Sehee is still in the midst of a healing journey subtly reinforces the idea that psychiatric conditions are best viewed through the framework of management rather than as distinct episodes that have both starting and ending points.

The Impact of Long-Term Depression on Personal and Professional Lives

Mental health memoirs help humanize psychiatric conditions and provide their readers with a realistic account of what it is like to live with dysthymia (PPD) and other disorders. Sehee’s stated goal is both to affirm the experiences of readers living with dysthymia and to help demystify the condition for those who are unfamiliar with it. She notes early in the memoir that Bipolar disorder and other mental illnesses with more “extreme” symptoms and greater emotional volatility are easier to identify, diagnose, and recognize. She hopes that her memoir will show her readers that long-term depression, even when not characterized by outsized symptoms, can still have a devastating impact on a person’s professional and personal lives.


Sehee’s depression impacts her romantic relationships. She does not initially understand why, in spite of having had many partners, she struggles to maintain romances and is often deeply unhappy when she is in a relationship. The psychiatrist helps her to understand that she hyper-attaches to her partners when what she really needs is a relationship in which she, an introvert, is able to maintain healthy boundaries and have time to herself to recharge, process, and rest. Sehee’s unhealthy attachment patterns are part of her low self-esteem and fear of judgment and abandonment. Since her condition went so long undiagnosed, Sehee developed relationship patterns rooted in depressive symptoms that were emotionally damaging and failed to meet her needs.


Sehee also struggles in friendships as a result of her dysthymia. She does not have a stable self-concept, meaning she lacks a fixed understanding of her own personality. She looks to others for validation of her interests. When she meets her new friend, she describes the way that she begins to read the books they like, watch the films they enjoy, and adopt their other likes and dislikes. When she recommends a book that her new friend does not find as compelling as Sehee does, she interprets her friend’s lack of interest as criticism. She feels rejected and lashes out. This experience represents the pattern that characterizes many of Sehee’s friendships: She seeks validation in the form of interests that are entirely aligned, and then becomes angry when she does not receive it. She realizes that she is perceived as hostile. She and the psychiatrist work together to help Sehee rely less on other people for validation and to be more confident in her own identity and interests.


Sehee also struggles at work because of her depression. She is hyper-attuned to potential criticism, and often judges herself for faults that she assumes others find in her, with little evidence to suggest that anyone else actually shares her criticism. When another group at her office assumes a leadership role in the social media management Sehee had been in charge of, she worries excessively that the new team’s work is superior to hers. Although no one compares the new team’s posts unfavorably to hers, she is still sure that her coworkers are secretly judging her. She admits to her psychiatrist that “Nothing frightens me more than the thought of someone mocking me,” but she cannot see that no one is as critical of her as she is (38). In these ways, her depression distorts her perception and impacts her life both socially and at work.

Therapy as Collaborative Self-Authorship

Sehee’s memoir employs an unusual format: Much of it unfolds in the form of therapy transcripts, allowing readers a direct window into the therapeutic process. Sehee’s use of this format allows her to present therapy as a distinct kind of dialogue, one in which the therapist models self-reflection to the patient, and then the therapist and the patient work together to redefine the patient’s sense of self, identifying and abandoning cognitive distortions and establishing healthier behavioral patterns. Throughout the memoir, she depicts therapy as collaborative self-authorship. 


During their first few sessions in particular, Sehee both explains her symptoms and tells the psychiatrist stories about her daily life. During their more clinical conversations, the psychiatrist explains the nature and origin of Sehee’s symptoms and contextualizes them within the broader scope of their diagnosis. Sehee learns that her low self-esteem, which she assumed was an accurate reflection of her lack of inherent self-worth, is actually a common symptom of dysthymia.


This kind of process allows Sehee to reframe much of what she knows about herself and begin to approach both her life and her own identity with more understanding. The psychiatrist also, during the portion of their session in which Sehee shares stories of work and her relationships, asks Sehee a series of questions in response to the information that she provides. These questions are meant to encourage Sehee to reflect more objectively, but they also become a powerful model for her going forward: During their initial visits, it will be the psychiatrist asking Sehee these questions, but the ultimate goal is for Sehee to be able to take an emotional step back from a triggering experience and then ask those questions herself


During a point in their conversation when the subject of Sehee’s constant self-observation and self-criticism comes up, the psychiatrist tells her, “It’s as if you’re keeping yourself under CCT surveillance” and that “forgetfulness can be liberating” (40). In this moment, the psychiatrist helps Sehee to focus on the problematic nature of her habits rather than on the emotional responses that create those habits. They hope to raise Sehee’s awareness and to encourage her to engage in this process on her own going forward.


Sehee wants to be “perfect” and berates herself for any small moment of imperfection. The psychiatrist points out to Sehee that perfection is unrealistic and that neither she nor anyone else in the world is truly perfect. During a conversation in which Sehee describes having too many drinks and being sure that her drinking companions judged her at the end of the night, the psychiatrist offers up another, more plausible explanation: “Maybe they were simply concerned for you” (50). 


During this and other therapeutic moments, the psychiatrist encourages Sehee to abandon her cognitive distortions and give herself more grace. The psychiatrist hopes that Sehee will begin to develop a more realistic understanding of herself by spending less time trying to guess what kind of criticism is being leveled at her, and more time assuming that her friends and colleagues like, enjoy, and respect her. The psychiatrist thus helps guide Sehee to create a more nuanced self-image.

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