66 pages 2-hour read

Immortal Consequences

Fiction | Novel | YA | Published in 2025

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide contains descriptions of graphic violence, death, mental illness, substance use, emotional abuse, and physical abuse.

Part 3: “Unprecedented”

Part 3, Chapter 12 Summary: “Olivier”

After the ceremony, Headmaster Silas gathers the students and explains the new rules: the Decennial is a competition with four trials, two nominees from each House, and one winner. Elimination can occur at any stage. In his dorm room, Olivier hides from Emilio how much a sense of the Forgetting is encroaching on him. Wren bursts in, enervated by Silas’s announcement, and Olivier offers her his enchanted whiskey.


Irene and Masika arrive uninvited, using magic to appear. The group discusses their suspicions about Silas’s rule change and agree to exchange information. Olivier calls them the “unfortunate acquaintances” and, to his surprise, the others adopt the name. August enters to return Olivier’s notebook. Seeing Wren is intoxicated, he offers to escort her to her room. One by one, the others leave. Olivier drinks to oblivion and Emilio contemplates him sadly before he exits.

Part 3, Chapter 13 Summary: “August”

August helps a drunk Wren into the corridor. She confronts him about the friction between them, admitting she cannot truly hate him. August dismisses her confession as intoxication. He uses relocation magic to move them both to her room.


Before he goes, Wren asks if he will stay at Blackwood if he wins the Decennial. August does not answer. Privately, he considers his plan: If he wins, he will leave Blackwood for good.

Part 3, Chapter 14 Summary: “Wren”

Wren has a nightmare of a car crash. Confused, she wakes to find two figures in her room. Before she can react, they drug and abduct her. She wakes alone in a hedge maze, lost. Masika comes across her and casts a cloaking spell to hide them from a prowling, multi-eyed monster, explaining they are inside the first trial of the Decennial.


They find Liza Mendez, a terrified nominee who reports seeing a malevolent version of herself. This monster returns, attacks Liza, and Wren and Masika run. The maze itself reacts, and thorned vines seize Wren and drag her through a hedge, separating her from Masika.

Part 3, Chapter 15 Summary: “Irene”

Irene hides in the maze from a monster. She extends her cloaking spell to cover Olivier and Emilio. Together they attack the creature but it stabs Irene and snares Olivier in vines. The students feel real pain for the first time since their mortal deaths as the trials suspend magical healing. The maze conjures a sword into Emilio’s hand, and he kills the monster.


Irene cuts Olivier free and orders them to go on without her. She follows a corridor and meets two other nominees, Georgia and Carter, as black smoke billows after them. They sprint, but Irene trips on a root, hits her head, and loses consciousness.

Part 3, Chapter 16 Summary: “Wren”

The hedge spits Wren into a new section of the maze that preys on her trauma. A replica of August appears, who taunts her for feeling guilt about an “accident” in her past. The maze provides a dagger, but the replica pins her with magic and tries to suffocate her.


Wren is saved when someone stabs the replica: August. When she sees him, Wren demands proof he is himself but they agree that she needs to act on trust. A well-lit path opens in the hedge. Wren pockets the dagger, and they proceed together.

Part 3, Chapter 17 Summary: “Masika”

Alone in the maze, Masika has a flashback about her connection to a previous girlfriend, Catherine. She recalls the day she found rambling notes written by Catherine in blood, referencing “The Soulless One” (159). The maze mimics Catherine’s voice and lures Masika toward a dead end, where a monster kills another nominee, Nick Aronson. Before he disintegrates, Nick silently pleads with her to run.


The monster turns on Masika. She kills it with a surge of powerful magic. The hedge opens a new path, and she steps through, the mention of The Soulless One still in her thoughts.

Part 3, Chapter 18 Summary: “Emilio”

Emilio and Olivier find Josie and Tristan Abbot fighting replicas of themselves. The illusions fuse into a single doppelgänger of Olivier that speaks to Emilio’s deepest doubts. When remote magic has no effect, Emilio masters his fear and destroys it with his sword.


As they head for what looks like an exit, vines drag at Josie and Tristan. A gust shoves Emilio and Olivier through a gap in the hedge, which seals behind them. They land before an archway marking the maze’s exit.

Part 3, Chapter 19 Summary: “Irene”

Irene wakes in pain. She fights her way through the hedges and staggers beneath the archway into Bonestrod Hall, where she joins the other nine survivors. Headmaster Silas announces that Nick Aronson and Liza Mendez did not survive the first trial.


Silas reveals the Decennial’s purpose: to choose a leader for the Ascended who can face the Demien Order. He confirms that pain in the trials is real and fatal wounds are final. He requires all 10 survivors to sign a binding soul vow, a magical contract enforcing secrecy. Once they have signed, he welcomes them to the next stage.

Part 3 Analysis

This part opens with Silas’s explanation that 12 students, including the six main characters, will compete in the Decennial. The students’ reaction to this announcement develops Adolescent Rule-Breaking as a Transition into the Adult World. While most students, conditioned by institutional dogma, react with fear, the six students’ critical analysis of this event is a sign of their special disruptive potential within the narrative. The scene in Chapter 12 shows six students gathered together after this announcement, a shift which illustrates The Tension between Collaboration and Competition. Although the Decennial seeks to set the students against each other in competition, this scene is the beginning of real bonding and teamwork between the six, as they coalesce around their common challenges.


The first trial forces each nominee to confront the conflict between self-preservation and collective responsibility. The loose alliance between the six is immediately tested, revealing the characters’ core moral frameworks under pressure. Irene Bamford embodies the philosophy of ruthless individualism; she repeatedly chooses to abandon her peers, concluding that trust is a fatal weakness in a zero-sum competition. Her solitary path is a direct enactment of her belief that ambition requires the severing of communal ties. In stark contrast, Emilio Córdova’s instinctive decision to help Josie and Tristan, even at great personal risk, showcases an ethics rooted in empathy and mutual aid. August and Wren’s dynamic further complicates this moral landscape. While they are positioned as rivals, August’s choice to save Wren from her doppelgänger is an act that defies the logic of competition, showing that they have a deeper connection.


The introduction of the Decennial trials marks a significant narrative and thematic turning point, as the novel enters its mystery-quest phase. This is connected to the motif of Pain and Healing as, before the first trial, the students exist in a state of post-mortal invulnerability. This invincibility defines their purgatorial existence at Blackwood, separating them from the consequences of their mortal lives. The maze trial shatters this reality. Irene’s experience of a stab wound that inflicts real, non-healing agony is a pivotal moment that re-establishes mortal-like stakes. This shift from invulnerability to visceral pain changes the Decennial from a showcase of magical prowess into a fight for survival. The suspension of magical healing strips the characters of their supernatural advantage, forcing them back into a state of physical consequence. This encourages the reader to be invested in the trials and the dangers facing the characters.


The narrative structure of these chapters, a rapid succession of limited third-person perspectives, mirrors the disorienting and psychologically invasive nature of the maze itself. By shifting focus between Wren, Irene, Masika, and Emilio, the narrative isolates each character within their own subjective experience of terror. This fragmentation prevents the reader from gaining a comprehensive view of the trial, thereby immersing them in the same uncertainty the nominees feel. The maze preys upon the deepest insecurities and unresolved traumas of its inhabitants. It weaponizes memory, conjuring replicas that exploit Wren’s guilt over a past accident and Masika’s haunted history with Catherine. This serves to deepen the theme of Memory as the Essence of Human Experience by demonstrating that the characters’ most profound vulnerabilities are psychological. Their pasts, emotions, and relationships—the very elements that constitute their humanity—are systematically targeted and turned against them while in the maze. To survive, they must learn to overcome their secret fears, a character arc based on personal resilience and self-knowledge. The maze trial also functions is an extended metaphor for Blackwood Academy and the students’ need to navigate its ambiguous morality. The students are abducted in the night, a direct contradiction of Headmaster Silas’s promise of a formal letter, signaling the first of many institutional betrayals. The trial’s design, with its shifting paths and psychological traps, mirrors the opaque and contradictory rules that govern the academy, and which will become a parallel, larger form of trial as the novel proceeds.

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