53 pages 1-hour read

In the Veins of the Drowning

Fiction | Novel | Adult | Published in 2025

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Part 2, Chapters 9-17Chapter Summaries & Analyses

Content Warning: The section of the guide features cursing and depictions of sexual content and violence.

Part 2: “The Surface”

Part 2, Chapter 9 Summary

Imogen dreams of a woman floating on the sea’s surface and a starving monster lurking below. The monster rushes to the surface with unquenchable hunger for the woman. When Imogen wakes on board a ship headed for Varya, she becomes nauseous. Agatha informs her it is a symptom of the blood bond. She will be sick for a few days until it settles. In the meantime, she must remain close to Theodore or the sickness will be worse.


Agatha’s lover, Commander Lachlan, isn’t fond of Imogen. He suspects she’s trying to take advantage of Theodore to make herself queen. Imogen learns that the blood bond is synonymous with marriage outside of the isle of Seraf, meaning she and Theodore are wed. She also learns he has a fiancée he’s supposed to meet upon returning to Varya.


When Agatha learns that Imogen will see the Mage Seer to have their bond severed, she protests vehemently. Even Lachlan insists the bond be severed at the castle instead of the Mage Seer’s hut. When Imogen asks, Agatha informs her that she nearly died when she was sent to the Mage Seer’s hut to have her blood bond with Lachlan severed. The draught turns the blood black and forces it out through the nose, eyes, and mouth. The pain of the severance is even worse than forging the bond. Theodore assures them he plans to send a retinue of guards and a palace healer with Imogen, but Agatha still begs him to keep the severance in the palace where he can look after Imogen with his healing magic. He refuses and dismisses Lachlan and Agatha from the room.


While Theodore heals Imogen’s thigh wound, he explains he cannot go with her to the Mage Seer’s hut because he will be meeting his fiancée, the daughter of the Empress of Obelia. He explains that the third condition of their bargain, the task of his choosing, hinges upon a prophecy she will receive at the Mage Seer’s hut. Imogen states that she did not escape Nemea only to become a prisoner to another king’s whims. If he wishes her to retrieve a prophecy for him, she has terms of her own. He agrees to negotiate after she gets some rest.

Part 2, Chapter 10 Summary

Theodore provides Imogen with a dress that fits much better than King Nemea’s had. Imogen’s night is filled with sleep made restless by separation sickness. When Theodore doesn’t return the following day, she searches for him. Lachlan is tasked with looking after her. During their time together, Imogen questions him about Agatha. He wants to rekindle their romantic relationship, but Agatha is hesitant. When Lachlan tells Imogen that Theodore is busy looking over his marriage contracts, she has an odd flareup of jealousy that Lachlan informs her is because of the blood blond.


At Imogen’s request, Lachlan tells her a story Theodore finds embarrassing. When he was a new king, he took the ship they’re on and hosted a pleasure cruise full of his men and beautiful women. Though it was relatively tame, Theodore is embarrassed about how he wasted the crown’s resources on such a thing. Imogen finds this ridiculous and deems Theodore “duty-bound to his core” (114).


Theodore arrives, and Lachlan suggests they hug if they get too nauseous, as the blood bond settles quicker with proximity. In privacy, Imogen asks Theo if he’s eager to meet his bride. He simply states it’s a matter of political duty. Imogen doesn’t understand how he is content simply fulfilling a duty rather than chasing his own desires. When Imogen goads Theo into complimenting her dress, he admits she’s beautiful but that her purpose and power mean more to him. This rankles Imogen.


Theo informs her that he believes she is the daughter of the Great Goddess Ligea and that she will help him track down and kill King Nemea’s water deity, Eusia. Theo recognized Imogen at Fort Linum because she looks like the sculptures of Ligea. Imogen is reluctant to believe his theory, but Theo assures her she will learn the truth when she visits the Mage Seer. He believes hunting down Eusia is her divine duty, but Imogen doesn’t care about duty—only freedom to pursue her own desires for once. When she begins crying, Theo is rendered speechless and offers an embrace that Imogen rejects.

Part 2, Chapter 11 Summary

Nearly two days later, the ship reaches Panos Port. The bond between Imogen and Theo still hasn’t settled, which confuses and worries Agatha and Lachlan. As they near the dock, Imogen notices humanoid forms moving in the water that look to be decaying yet alive. Imogen unwittingly begins to climb the rail as if to jump in before she is restrained by Theo, who informs her the creatures are nekgya—creatures that hunt sirens. They used to be spotted rarely, but the waters around Varya have recently become infested.


Because the bond still hasn’t settled, both Theo and Imogen would be sick if they separated. Theodore reluctantly decides she must attend his meeting with Empress Nivala instead of visiting the Mage Seer. Agatha asks Theo if he will go with Imogen to the Mage Seer if the bond doesn’t settle. He assures her it will, but Imogen detects underlying panic in his features.

Part 2, Chapter 12 Summary

When they arrive at Theo’s castle, Imogen notices the yearning between Lachlan and Agatha and urges Agatha to rekindle things with him. Theo’s Chancellor, Eftan, greets them. Agatha requests rooms near Lachlan, and Theo discreetly informs Eftan that Imogen will be staying in his chambers. The palace dressmaker, Antheia, visits to take Imogen’s measurements for a wardrobe.


Imogen offers Theo her engagement ring as payment for rescuing her from King Nemea, telling him that every relationship she’s ever had—aside from Agatha—has been based on transactions. Theo refuses the ring, informing her that there will be no more transactions between them. On the way to the meeting, Imogen notices a statue of the Great Goddess Ligea that significantly resembles herself and nearly cries because the truth might chain her to a divine duty.

Part 2, Chapter 13 Summary

Imogen and Lachlan attend the meeting between Theo, Empress Nivala, and her daughter Princess Halla—who is the antithesis of Imogen. They negotiate for hours. Imogen learns the blood offering—Leucosian binding—required by Varya’s marriage traditions allows those descending from the Great Gods to share power. While this is true for Imogen and Theo, Princess Halla’s family does not descend from the gods, so she would not share Theo’s power. The Empress decides the firstborn child of Theo and Halla will be her heir and moves the wedding timeline up. Rather than a two-month engagement, she demands the wedding take place in a fortnight. Eventually, the jealousy caused by the bond prompts Imogen to dismiss herself from the room. To ensure Theo doesn’t get sick, Lachlan suggests they all take a break and go for a stroll in the gardens.


During the walk, Halla speaks with Imogen. Leaving her homeland for Varya has been intimidating, but Halla appreciates the comfort her mother and Theo have provided her. Halla asks what Theo is like and Imogen describes him as observant, caring, and gentle. When Empress Nivala calls for them to return to negotiations, Imogen refuses to join them. In privacy, Theo bargains with her: He will come with her to the Mage Seer if she returns for the meeting. Imogen points out that he’s reneging on his promise not to bargain. Chastised, Theo tells her he will visit the Mage Seer with her, but she need not return to the meeting with him.

Part 2, Chapter 14 Summary

Imogen returns to the meeting anyway. Afterward, Theo and Imogen pack and saddle horses for their journey. Theo, now in a sour mood, tells Imogen that he is doing his best to retain control of himself and keep his distance, but he is increasingly drawn to her. Agatha and Lachlan see them off. Agatha tells Imogen that the severance ritual is dangerous, and she fears Imogen will not survive if she doesn’t let Theo help her. Lachlan hints that Theo is just as scared as Imogen is about the Mage Seer but doesn’t disclose why.


Because Imogen doesn’t know how to ride a horse, she shares the saddle with Theo. The forced proximity causes attraction to stir between the two. At Imogen’s prying, Theo admits he’s visited the Mage Seer only once. To dispel the tension between them, Imogen suggests they share their gripes with each other aloud. Theo complains about her passivity in life—how she accepts her circumstances instead of fighting against them. In return, Imogen calls him self-righteous and callous because he lacks empathy for people like her but has never experienced true powerlessness before. She believes his sense of duty doesn’t allow him to see nuance. Imogen tells Theo that she has courage, just not the form he seeks, and insults him by claiming he “could use a Godsdamned fuck. A good, long one” (165).


Afterward, they both feel worse. Theo shares his bottle of wine, which he admits comes from the vineyards he gardens. Lightheartedly, Imogen mentions the story Lachlan shared about his ship parties, which prompts Theo to admit that, back then, he would have bedded Imogen and “[thanked her] for tearing [him] to ribbons with those pretty talons of [hers]” (168).

Part 2, Chapter 15 Summary

They eventually stop at a caretaker’s cottage for the night. When one man there offers to help Imogen down from her horse, intense jealousy flares through the bond, and Theo warns the man not to touch his wife. As they wash at the well, Imogen admits that unlike Theo, who had his period of frivolous debauchery, she has always been afraid. The darkness of Fort Linum terrified her, but she’d brave it each time she accidentally stayed late in the study because she wanted the comfort of her room. Imogen notices Theo is less surly outside the palace, free from his responsibilities. As they unload the bedrolls from their horses, Imogen spots four of Nemea’s ships off the coast.

Part 2, Chapter 16 Summary

Instead of sleeping, Imogen and Theo travel a few more hours to get a lead on Nemea. As they travel, Imogen asks for Theo’s help in learning to control her power. She then mentions seeing a necklace around Princess Halla’s neck during the marriage negotiations that matches Imogen’s ring from Evander. Theo deems it a coincidence.


After a few hours on horseback, they reach a vineyard, where they lay out bedrolls to sleep. Imogen asks him about a stained-glass Siren she noticed on his ship. Theo tells her about his father, who fell in love with a Siren that sunk one of his ships. He then immortalized her likeness in a stained-glass window on his new one. Because he was expected to have an heir, he married Theo’s mother but kept the Siren as his mistress and flaunted her around at court. One day, the Siren disappeared in what they assume was a nekgya attack, and Theo was born a year later. When Imogen calls their love story tragic, Theo states “when the blood of the Great Gods runs through your veins, you don’t get to have what you want” (181). His father thought so, but it made him callous and indulgent. Theo has tried to be his opposite, but Imogen has called him the same things.


Theo helps Imogen use her power to curl nearby vines around her hand. The lesson brings them closer. Before they become intimate, they are interrupted by a distant scream. They rush to the source, where they discover a Siren lying on the shore with one wing partially severed and crying for her daughter. While Theo heals her, Imogen rushes into the water to save the woman’s daughter from the nekgya.


A nekgya emerges and speaks with the same strange voice that spoke to Imogen just before she drowned Evander. The nekgya tells Imogen they are bound in blood and words and cannot harm each other; the dead bodies of her kingdom are reanimated by the power she receives from Imogen. Imogen realizes with horror that the nekgya is Eusia.

Part 2, Chapter 17 Summary

Imogen delivers the girl to her mother, mind reeling at her discovery. She heals the daughter, drawing onlookers’ curiosity about her magic. Theo is forced to reveal she is their queen, his blood-bound wife, and shares in his magic. He seals the declaration by kissing Imogen to protect her from the superstitious and zealous villagers, who might harm her if they don’t understand her magic’s origins.


In the privacy of a hut they’ll stay in for the night, Imogen grapples with the fact that she has sustained Eusia’s terrible kingdom of nekgya. She blames herself, but Theo blames Nemea for using her since she was a child. While he once believed Imogen cowardly and weak, he now sees the bravery it took for her to survive Nemea’s cruelties.


After two days of travel, they arrive at a rocky coastline separating the mainland from a cluster of islands. They must wait until sunrise, when the Mage Seer will appear to part the waters and allow their crossing. Theo becomes uneasy and reluctantly explains his history with the Mage Seer to a persistent Imogen. Though his father had weak magic, Theo’s was strong. Seven years ago, his father brought them to the Mage Seer to transfer what little magic he had to Theo, but the spell took his life. In his grief, Theo stole a bottle of the Mage Seer’s poison and drank it after leaving the hut. He survived only because he was found by an older couple—Hector and Antonia—who nursed him back to health.


Imogen decides she will go inside the Mage Seer’s hut alone to spare him the painful memories, but Theo is determined to accompany her. They share a kiss that nearly turns into more before it’s interrupted by sunrise and the arrival of the Mage Seer.

Part 2, Chapters 9-17 Analysis

This section expands on the magic system and lore of the novel while also developing the relationship between Theo and Imogen. The side effects of the blood bond, which are supposed to settle after two days, last much longer for them. In the meantime, Imogen and Theo experience forced proximity to avoid becoming physically ill from separation. This forced proximity is central to developing the theme of Choosing Between Self and Duty and serves as the primary force developing their romance.


On one hand, this theme is exemplified through the controlling nature of the bond. What initially represented a necessary, temporary sacrifice for freedom from Seraf has now shackled Imogen to yet another king. She is dependent on being near him and forced to obey him in his kingdom while unable to be separated because of the bond. Imogen makes her distaste for this known:


I will not live another life like my last, honoring the whims of a king who wishes to use me. I bent the knee to you, yes, but it will cost me nothing to denounce you and leave your kingdom with my blood still running through your veins […] if you treat me like I am some palace maid to be ordered about (106).


Nonetheless, the bond exemplifies the more beneficial aspect of this theme by forcing Imogen and Theo to confront their differing ideologies. Initially, Imogen complains about being unable to “find a single crack in his facade” nor “knock him off his frustratingly perfect balance” (113). Lachlan, however, claims she’s already done so, as Imogen continues to represent the opposite of everything Theo stands for. When Theo admits he’s not particularly eager to meet his new bride because “it’s an advantageous match for [his] kingdom and fulfills what is required of [him]” (116), Imogen challenges this thought process by asking: “And you are your kingdom? There’s nothing you need that it doesn’t?” (117). Theo doesn’t have an answer; he can’t fathom what he might want that doesn’t correlate directly to the duty he owes his kingdom.


This challenge is immediately turned back on Imogen. When Theo implies her purpose and power are to track down and kill Nemea’s water deity, Eusia, Imogen cannot fathom how his issues with Eusia might be her responsibility, for she responds as follows:


‘You want me to want to go on a mortal hunt for a powerful deity, because it’s my divine duty […] And what could possibly be more rewarding than fulfilling it? Who wouldn’t want to die a hero in service of one’s king? I have no desire to be like you—[…] To scrape myself empty for others and call it noble’ (119).


It isn’t until Imogen discovers she’s the daughter of the Great Goddess Ligea that she realizes she’s no longer capable of avoiding her responsibilities. This reality becomes even more apparent with the introduction of the nekgya in this section, which eventually leads to the discovery that Imogen is bound to Eusia and the reason the nekgya have grown into the threat they are. She acknowledges her role in this at the end of the section: “It’s because of my cowardice, my selfishness, that these people live in fear. It’s because of me that they’re killed and taken” (191). Likewise, as Theo grows to care for Imogen, he admits that he’s losing control of himself. The closer he is drawn to Imogen, the further he is pulled from his duty.


Cassidy continues to build upon the symbolism of Sirens through artful depictions of the creatures. On Theo’s ship, Imogen encounters a stained-glass window that pictures a Siren hovering over a rocky shore and a vine-covered ship. Unlike the depictions she witnessed in Seraf, “there was nothing ominous” in this portrayal, “rather, she looked like she had been… adored” (109). This represents that Imogen will be received differently in Varya; perhaps she’ll even have luck in Finding Belonging. The hatred she saw directed toward her kind growing up will not be as common in Theo’s homeland.

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