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Upon arriving at The Deerslayer Inn, an exhausted Frank takes a nap. He awakes hungry and heads downstairs to see if he can satisfy his hunger. By this time, it is night and the kitchen at the inn is closed, as are many of the other dining establishments around town. Frank once again checks his messages which include a series of short messages from the increasingly distraught and panicking Markhams. Frank calls Sally and asks her to come meet him, this time in Manhattan the following evening, where Frank will be dropping off Paul with Ann. Sally agrees this time.
Frank makes small talk with the inn’s chef, Charmayne, a younger woman who is guarded in her demeanor toward Frank. At first, Frank is only interested in seeing if he can get her to give him food, but then he invites her out for a drink at a bar down the road, which she accepts. As Frank waits for Charmayne, to change clothes, he notices a book of short stories he wrote in the 60s sitting on a bookshelf. It appears not to have been opened for a long time and is covered in dust.
When Frank sees Charmayne out of her uniform, he realizes that she most likely took his drink invite as a prelude to a sexual encounter. While Frank recognizes that he may have indeed intended her to take his invite as such, his mood and resolve have changed dramatically, and he wants nothing to do with a one-night stand encounter. it occurs to Frank finally that he does not know where Paul is. He begins to worry and feel guilty, and when it is time to escort Charmayne to the bar, he abruptly breaks off the plans with her. Sitting in the shadows on the big porch of the inn, Paul witnesses this. Another conversation between Paul and his father ensues, during which Paul casually mentions that he thinks Ann has a boyfriend and is cheating on Charley. Frank and Paul converse further, and Paul directs most of the conversation. There seems to be another breakthrough here, as Paul guardedly begins to open up to his dad.
Before leaving the inn the following morning, Frank and Paul hope to get some breakfast at the restaurant there, but it is packed and neither wants to spend time waiting. Instead, they try another place in town, a grease-pit, diner type establishment. Before leaving the inn, Frank checks his messages and calls Ted Houlihan. Ted reveals to Frank that he has sold his house, despite Frank’s threats of litigation. Disgruntled, Frank mulls over calling the Markhams to notify them, but he decides against it and begins the day with his son. While at the diner, Paul continues to open up to Frank. Their conversation is free-flowing, and Paul seems to have developed a genuine interest in Self Reliance. The breakfast overall is a development that makes Frank feel as though the trip is turning out to be what he intended it to be. He and Paul are bonding, and Frank is starting to earn his son’s trust.
They leave the restaurant and walk toward the Baseball Hall of Fame. They notice picketers out front chanting “shooter,” which does not ring a bell to Frank. He is unsure what their cause is. To avoid breaking the picket line, Frank brings Paul around the side of the building where the famous Doubleday Field sits. He brings Paul into the stands, and while they hang out there, old-timers file onto the field. It turns out to be a fantasy baseball camp, which makes Frank feel as though he has let Paul down. Frank decides that he’s had enough of this and heads toward the entrance of the hall of fame. He notices batting cages and brings Paul over to them. In an attempt to be a role model, Frank enters the cage and puts the machine on the fastest pitching setting. He has a miserable time with it. He misses the first two pitches without even swinging, then manages to foul a ball straight up on the final pitch. Paul heckles Frank, which grates on him. Frank challenges his son to try it himself. Paul does not want to do it, which angers Frank, and he becomes a bit physical with Paul. He gets right up in his son’s face and accidentally scrapes at the boy’s ear, causing it to bleed. Paul finally agrees to enter the cage, and on the third pitch, he leans his head out over the plate and is hit directly in the eye.
Paul immediately drops to the ground, and the scene is chaotic. Frank is distraught and panicking. Onlookers witness the incident and call the EMS. When they arrive, they stabilize Paul and tell Frank that his son must be taken to Oneonta where there is a hospital. As all this transpires, Frank is approached by a man who knows him. It turns out it is Irv, Frank’s long-lost stepbrother.
At the tail end of Frank’s conversation with the chef Charmayne, just after he rescinds his invitation for a drink because he needs to find his son, she says to him, “I assume you’ll find your son…Or he’ll find you” (325). Char’s comment carries a deeper significance than she intends. In many ways, the trip Frank has planned is for precisely this purpose. Frank sees it as a rescue mission. However, the mission involves both Frank and Paul finding each other. This process begins to gain momentum immediately after Charmayne departs for the bar across the street. When Paul witnesses Frank turn down the drink with Charmayne, he knows that it is because Frank prioritizes his duty as father. Paul opens up to Frank and gives insight into how he has been thinking. Frank realizes that Paul is embarking on the bridge from childhood to adulthood known as adolescence. Frank says, “The first adult conversation a man can have with his son is one in which he acknowledges he doesn’t know what’s good for his own child and has only an out-of-date idea of what’s bad” (329). The old answers—the ones that children are asked to accept from their parents almost as the word of the divine—are no longer sufficient. As Paul loses that childhood innocence, Frank understands that his role as a father will also change, and he will soon need to come to terms with the fact that his son is now becoming his own man.
As quickly as things improved between Frank and Paul, they just as quickly grow tense again. Frank wants Paul to remain in an elevated mood because this makes Frank feel that he is succeeding at doing his job. Frank mistakenly associates his son’s mood with his performance as a dad. The apparent successes of the night at the inn and the following morning’s breakfast are short-lived. Paul’s mood changes back, and he once again becomes snide and antagonistic toward Frank. This exasperates Frank, who says, “Children, who sometimes may be angels of self-discovery, are other times the worst people in the world” (358). The frustration apparent in the comment belies a flaw in Frank’s personality. Frank has experienced major trauma in his adult life, and his response over time has been to detach himself emotionally. He approaches life stoically and strives to keep an even keel. He sees this as a successful strategy, as it prevents him from being hurt emotionally. When Paul acts up, Franks misses the simple fact that in this regard, Paul is not like him. Frank resents the emotional rollercoaster, and this resentment builds until it climaxes with the batting cage incident. When Frank accosts Paul and effectively prods him into the cage, it is as though Frank is not mad at Paul; he is mad at the way life inevitably drives people’s most important loved ones—their children—away from them.



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