50 pages 1 hour read

Infinite Country

Fiction | Novel | Adult | Published in 2021

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Chapters 19-23Chapter Summaries & Analyses

Chapter 19 Summary

The narrative shifts from the omniscient narrator to Karina, who narrates in the first-person singular. She is a graduating high school senior who voices great resentment about being labeled “undocumented.” She also heaps scorn on fellow students who follow through on their suicidal ideation—which she views as primarily a way to get attention—as well as the school administration for bringing in counselors after a suicide and expecting parents to attend sessions on suicide prevention as well. At the same time, she has also suffered from panic disorder since her freshman year. Thanks to her mother’s limited grasp of English, she lives her school life apart from her home life.


Karina reports that, following the election of Donald Trump as President of the United States, she and her brother have experienced an increase of anti-immigrant verbal attacks. She recounts her efforts to become fully Americanized, with a good deal of success—while Nando struggled and became marginalized. At the same time, she lost her grasp of Spanish and her sense of her Colombian heritage. Despite leaving when she was a child and her efforts to portray herself as a North American, she senses a rootedness in Colombia. She describes the same scene Mauro remembered, standing above the pristine lake when she was quite young, and says, “How could I possibly remember anything. But the pictures and scents come from a place deeper than recall” (130).


Also on her list of resentments is her little sister Talia, of whom she is admittedly jealous. She believes Elena loves her most because of her absence. Karina writes, “[…] I sensed our mother saw Talia as her lost treasure, something she lived her whole life in hope of reclaiming” (131).

Chapter 20 Summary

The narrator is now Nando, the middle child and the one American citizen in Elena’s household. Nando relates stories of how the bigotry of bullies has impacted him personally. First, a girl who finds him attractive is warned away by someone he does not even know who threatens to have his family deported and calls him “latrine.” In a prior incident, when he tried to complain about the treatment he received, he was chastised by the principal and then beaten and sexually harassed by a carload of bullies. Though he shared the story with his sister, to whom he is addressing this chapter, he kept the story from his mother. 

Chapter 21 Summary

The omniscient narrator returns in this chapter to tell the reader that Aguja has delivered Talia to her next appointed stop in Chiquinquirá, where he is supposed to leave her to find her way to Bogotá. The two hide his motorbike and descend from the roadway to spend the cool night alongside the Rio Bogotá. Lying together on the riverbank, they spoon to keep warm. They engage in a philosophical discussion about whether Talia will be happier in the United States than in Colombia and about how she might permanently change.


After Aguja falls asleep, Talia thinks of her father and the stories he used to tell her to help her sleep. She wonders if she, as Aguja suggested, is truly a child of Colombia even though she is legally an American. If so, she decides, her mother Colombia has failed her: “This land, with all of its beauty, still manages to betray itself, she remembered her father saying. […] it was no mystery why she turned her back on it just as her parents had done before her” (140).


Talia rises, goes to the river, and bends down to touch the water. She takes a smooth stone; her father said such stones have been touched by souls of the dead “traveling between worlds” (141).

Chapter 22 Summary

After the night on the riverbank, Talia and Aguja wait for the basilica to open so Aguja can light a candle for his mother. In theory, Talia is waiting for a bus that will travel the rest of the way to Bogotá. After visiting the basilica, Aguja returns to her with a gift pouch containing a scapular of the Virgin Mary—identical to his own—which he bestows upon her for good luck. Then he talks her into riding with him on his motorbike the rest of the way to Bogotá.


Before leaving, Aguja calls his girlfriend, whom he lives with, and lies about where he has been over the previous day. He tells her he will be home soon. Talia borrows his phone to call her father, who does not answer.

Chapter 23 Summary

This chapter follows the progression of Mauro’s life, beginning with his recognition of the strange phone number calling him, then going backward in time to an experience in which he worked for a wealthy man with several children. The father is a typical know-it-all, the mother is helpless, and the children are lethargically bored, all a world away from his own experience and his own family.


Mauro sells Perla’s laundry after her death on behalf of Elena, her next of kin. In preparation for Talia’s departure, Mauro replaces Perla’s lost statue of the Virgen de Chiquinquirá with a new one that he had blessed by a priest. He prepares gifts for Karina and Nando. Even as he waits, hoping Talia will find her way home, he mourns the emptiness of his apartment once she will be gone for good. He attends AA meetings regularly, fearing that he might return to drinking with no one left in Colombia.

Chapters 19-23 Analysis

The shift from the relatively toneless omniscient narrator to the strident, angry voice of Karina is quite stark. Her attitude bursts forth from the page when she says things like, “There is more to the story of me, but this is what you need to know for now” (127). Engel’s intent seems to be to make the reader aware of Karina’s intelligence, her bitterness, and her despair. Meanwhile, the irony of the way bullies treat Nando is that he is not an immigrant but an American citizen. Engel uses this irony to demonstrate the ignorance of those who attack Nando and his family.


The first three chapters introduce the three children of Elena and Mauro and their very different inner worlds. Karina is a whip-smart, driven, Americanized young woman with no possible future and full of resentment. Nando is a sensitive, artistic young man who lives in an ironic world far beyond his control. Talia is a mystic dreamer who yearns to drag the mythic world into the real world and transform it.


Mauro’s long, abiding hope is for his family to reunite, and in this section, he sees that he is about to achieve his dream. Ironically, succeeding in getting his family together in New Jersey means he will be alone in Colombia.

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