73 pages 2-hour read

Into That Darkness: An Examination of Conscience

Nonfiction | Biography | Adult | Published in 1974

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Themes

Individual Responsibility as the Foundation of Morality

Content Warning: This Themes section references acts of genocide, racial violence, and murder that were perpetrated under the Nazi regime and that are discussed in Into That Darkness.


Almost everyone implicated in the crimes at Treblinka whom Sereny interviews shirked personal responsibility for those crimes. Sereny’s implied argument is that Treblinka was possible because of the capacity of people like Stangl to convince themselves that they weren’t personally responsible for their actions. People around the Stangls are quick to say that despite his positions at Sobibor and Treblinka, he wasn’t responsible for the murders there. In Sereny’s final argument, decisions of right and wrong ultimately occur at the individual level, leaving every person accountable for their actions.


One of the main ways the people implicated in Nazi crimes shirked responsibility was by charging the person above them with their responsibility. Stangl often did this with Christian Wirth, who was directly above him both in the T4 euthanasia program and in Aktion Reinhardt. In his stories about Wirth, Stangl paints him as the mind and driving force behind the atrocities. He doubtlessly was that, but of course, it was Stangl who would implement and optimize Wirth’s policies. Stangl rationalizes that since the idea to exterminate the Jews or euthanize the disabled wasn’t his own, he wasn’t responsible for executing those ideas.


This rationalization originated in Stangl’s police training. He explains to Sereny that according to his training, a crime is defined as an intentional action by a perpetrator against a victim. All four elements—perpetrator (subject), victim (object), action, and intent—are required for something to constitute a crime. He explains that by that definition, his role at Treblinka wasn’t a crime: “if the ‘subject’ was the government, the ‘object’ the Jews, and the ‘action’ the gassings, then I could tell myself that for me the fourth element, ‘intent’ […] was missing” (407). In Stangl’s mind, it is the intent, not the action, that is immoral and makes a crime; since he lacked the hatred behind someone like Wirth’s intent, Stangl rationalizes that it ultimately wasn’t him who meant the Jews harm.


There is also a social aspect of morality in Sereny’s framework. While not ultimately responsible for Stangl’s moral corruption, social factors undoubtedly shaped that corruption. The Stangls’ vacation outside of Sobibor in 1942 encapsulates how pernicious this social aspect can be. After learning what Sobibor was, Theresa was distraught by her husband’s position there. However, when she raised her concerns to her hosts, she was met with the same attitude of shirking individual responsibility that she’d found in Stangl: “We’ve known about [the true purpose of Sobibor] since the beginning. But you must calm yourself; it is dreadful, but there is nothing to be done. We are convinced that your husband is a decent man” (339). The hosts were just as concerned about shielding their own consciences from guilt as they were to affirm that Stangl was a good man and that they weren’t associating with a monster. This type of passing responsibility on to another is socially acceptable, which makes it easier for people like Stangl to do.


In Sereny’s final argument in the epilogue, morality is based on individual decisions between right and wrong. The conglomeration of these actions forms the social aspect of morality, which amplifies the character of those actions, whether good or bad. In times of widespread moral corruption and lack of accountability, the individual needs to act as a corrective.

Avoidance of Guilt

Almost all the people Sereny interviews who were implicated in the Holocaust display an almost limitless capacity for avoiding their guilt. This avoidance takes three main forms: manipulation of memory (whether conscious or unconscious), rationalization, and deference of responsibility.


Most of the time this avoidance of guilt isn’t intentional; instead, these people truly remember the past in a way that absolves their guilt. Almost everyone Sereny interviews for the book remembers themselves favorably—both SS guards and prisoners: “A few—a very few—of those I met showed no wish to hide, embellish or change the past in any way […] Even fewer—and for very different reasons—had no need to do so” (450). With hundreds of thousands of lives on his conscience, Stangl displays the most disturbing capacity to remember or explain the past in a way that frees him from responsibility. He consistently exaggerates events and fabricates stories to show that he had no choice in his crimes. For example, he claims that his superior, Globocnik, threatened his family to force him to accept his assignment to Treblinka. In his telling, there was no room for choice: “‘No, he had me flat: I was a prisoner’” (365). Stangl convinces himself that he was powerless to resist.


Theresa Stangl provides the most lucid, self-aware account of her rationalization. Her knowledge of Stangl’s role makes her, at least morally, guilty of complicity in his corruption. Yet, it was that very knowledge that threatened to destroy their family and her image of her husband as an honorable, good man. Consequently, she takes any excuse to discredit her knowledge. As she finally explains to Sereny, “‘If my thinking—as I know now […] was illogical, then it was because that was how I wanted, how I needed, how I had to think in order to maintain our life as a family and […] my sanity’” (1001). Her extraordinary capacity for denial stems from her need to maintain her image of herself and her husband as good people.


In their interviews with Sereny, Stangl and other former SS men constantly implicate those above them as the ones truly responsible for the crimes they perpetrated. The most common scapegoat is Christian Wirth, the virulent antisemite who directed the Aktion Reinhardt extermination camps and conceived many of the psychological tactics and operational methods used in those camps. Franz Reichleitner, who assumed control of Sobibor after Stangl, absolves both Stangl and himself from responsibility in Sobibor’s operations, foisting the blame on Wirth instead: “‘your husband has absolutely nothing to do with that. That’s all Wirth. You don’t think, do you, that he would allow anyone to rob him of the pleasure of doing away with the Jews?’” (340). Men like Stangl and Reichleitner use men like Wirth to convince themselves that, since they didn’t conceive the crimes they committed, they weren’t responsible for them.

Monsters Are Created, Not Born

Sereny argues that moral monsters such as Stangl aren’t born: they’re created. She traces his moral corruption from Stangl’s first years in the Austrian police through Hartheim and finally to Treblinka. Over the course of that trajectory from the police to Treblinka, Stangl became incrementally accustomed to greater and greater moral corruption; once he accustomed himself to one atrocity, he could then be corrupted further. Except for the true sadists among the SS, such as Kurt Franz, the men assigned to run such camps likely wouldn’t have consented to perpetrate their horrors if they hadn’t first become numb to human suffering in the T4 euthanasia program.


In Stangl, each moral corruption paved the way for the next. Sereny identifies his first corruption as agreeing to renounce his religion when the Gestapo took control of the Austrian police. In Austria and Germany, the Catholic Church was a symbol of respectability and status; furthermore, Theresa was a devout Catholic. The humiliation of renouncing his religion set the bar of what Stangl would sacrifice for his ambition. Soon thereafter, he tolerated hearing German policemen gleefully describe torturing men Stangl admired from his former department. This very human mixture of ambition and fear for his safety was at play in almost every crucial moral decision Stangl made, resulting in his moral corruption.


The other side of seeing the human in Stangl is identifying the weaknesses that would gradually grow into his moral corruption. These seeds were apparent in his ambition and his selective passivity that he displayed in his early life. Both Stangl and his wife often frame his crimes not as choices but as things foisted on him as a passive victim. Stangl often displays and expresses a fatalistic attitude about events and his inability to change them. However, by his own telling he was only selectively passive: He avidly pursued his ambitions despite adversity and only adopted a “passive” attitude in retrospect to rationalize the moral sacrifices he made for his ambition.

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