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Jude and Sue, accompanied by their children and Little Father Time (now re-christened “Jude”) arrive at Christminster on Remembrance Day, which marks the end of the academic year. As they witness the festive procession, Jude’s past failures haunt him, exacerbated by encounters with old acquaintances who ask about his scholarly pursuits. He delivers a candid speech, reflecting on his aspirations, distractions, and societal limitations. Sue notices Phillotson in the crowd. Lodging proves challenging, exacerbated by Sue’s revelation of their unmarried status. Little Father Time’s unchildlike despair adds to Sue’s woes; he laments the fact that he and his half-siblings were ever born. Sue and the children struggle to secure new accommodations, delaying sharing their predicament with Jude until the next day.
Sue and Jude try to soothe Little Father Time’s distress over their family’s situation. Little Father Time argues that, without the children, Jude and Sue would not struggle to find housing. The following morning, Sue leaves briefly only to return with Jude and discovers a horrifying scene: Little Father Time has hanged Jude and Sue’s children, then himself, leaving a note that reads, “Done because we are too menny” (273). The doctor attributes the act to a troubling trend among the new generation, who have been overwhelmed with nihilism since birth. In her grief, Sue questions their fate and her past choices, feeling culpable for the tragedy. Jude, too, is shattered. At the burial, Sue’s anguish prompts her to unearth the coffins, desperate for a final glimpse of her children. She reflects on their earlier ideals, now seemingly punished by fate. Jude brings her to her lodgings and calls the doctor. Sue delivers a stillborn baby.
Jude and Sue, struggling with their grief and guilt, settle in Beersheba. Sue, tormented by a sense of divine retribution, seeks solace in religion, while Jude remains skeptical. Sue’s newfound religious fervor drives her to contemplate returning to Phillotson, whom she now believes she never truly left. Arabella visits and Sue refuses to be identified as Jude’s wife. Sue leaves abruptly, and Jude finds Sue in church, where she interprets their children’s deaths as divine punishment. Despite Jude’s plea to stay, Sue insists on leaving, convinced that it is her duty to return to Phillotson.
Phillotson, informed of the children’s deaths, encounters Arabella, who reveals Sue’s religious transformation and belief in her marital duty to him. Saddened yet hopeful, Phillotson writes to Sue, expressing his desire for her return. Sue announces to Jude that she plans to return to Phillotson, citing duty over love. Despite Jude’s pleas, Sue remains resolute. At the cemetery, Sue bids Jude farewell, acknowledging their shared missteps. She suggests Jude remarry Arabella.
Sue arrives at Phillotson’s house in Marygreen, greeted by an attempted kiss that she recoils from. Despite her evident distress, the wedding is set for the next day, with Sue to stay at Mrs. Edlin’s. Sue’s destruction of her nightgown alarms Mrs. Edlin, who advises against the marriage. Phillotson discusses his intentions with Gillingham, contemplating the possibility of exercising strict governance over Sue. Despite doubts raised by Mrs. Edlin, Phillotson proceeds with the wedding. The ceremony unfolds amid Sue’s visible reluctance, leaving Phillotson conflicted yet resigned. He tries to mitigate Sue’s fears of intimacy by offering to respect her privacy.
Arabella seeks refuge at Jude’s lodging, claiming to be without anywhere else to go. Too kind to refuse, Jude accommodates her in the attic. Arabella reports Sue and Phillotson’s marriage. Jude is distressed and, a few days later, Arabella offers to gather updates about Sue. She returns swiftly, informing Jude that Sue burned her favorite nightgown to forget him and stating that Sue believes Phillotson is her only husband. Arabella argues she feels similarly about Jude. Jude, numbing his pain with alcohol, is led deeper into despair by Arabella, who sees an opportunity to regain his affections. An inebriated, Jude, haunted by memories of Sue, is unwittingly guided by Arabella to her father’s house.
Arabella manipulates Jude into remarrying her by keeping him in her father’s house, supplying him with alcohol, and orchestrating a continuous party for several days. Finally, Arabella states that Jude promised to remarry her while he was drunk. Though Jude initially refuses, eventually, feeling pressured to uphold his honor, he agrees to marry Arabella again. They head to the church where Arabella proudly declares their marriage as rectifying past mistakes. Jude, bitter over sacrificing his happiness for his honor, drinks.
Jude and Arabella clash as Jude falls ill. Arabella resents nursing him, wishing for a husband to provide for her instead. Jude longs for Sue, asking Arabella to write her, despite her protests. Suspecting Arabella never sent the letter, Jude, weak and ill, ventures to Marygreen to see Sue. Despite a passionate moment, Sue resists Jude’s pleas to flee with him, urging him to leave. He departs, walking to Alfredston in the rain and revisiting the Brown House and other landmarks. From Alfredston, Jude takes the train back to Christminster.
Arabella greets Jude at the station, where he reveals his visit to Sue and his desire for death. Walking home, Jude sees mocking specters of past intellectuals. At Marygreen, Sue confides in Mrs. Edlin about Jude’s visit and her enduring love. She resolves to atone by consummating her marriage with Phillotson, despite her repulsion. Sue confesses to Phillotson, who forgives her, requesting she refrain from further contact with Jude. Sue complies, reluctantly accepting Phillotson’s embrace. Mrs. Edlin ponders the ironic resemblance between weddings and funerals.
Months pass, and Jude’s illness wanes before resurging. Reflecting on his unrealized dream of Christminster, he learns that universities are becoming more inclusive. Arabella offers to have Sue’s visit, but Jude refuses. Mrs. Edlin visits and reveals that Sue and Phillotson consummated their marriage, and that Sue experienced it as penance. Jude mourns that Sue has given up her earlier ideas. Physician Vilbert arrives, and Arabella flirts with him. She subtly poisons Jude’s wine with Vilbert’s tonic, contemplating remarriage.
As Remembrance Day festivities once again commence, Arabella leaves Jude alone. She joins the revelry, flirting with men, while Jude, near death, recalls Sue’s defilement. Jude dies alone, lamenting his existence. Arabella, enjoying the festival, curses his timing upon finding him deceased. She delays reporting his death, mingling with Physician Vilbert at the boat races. Jude’s funeral is attended only by Arabella and Mrs. Edlin. Mrs. Edlin hopes that, despite Sue’s perpetual misery and aversion to Phillotson, she has found peace and forgiveness. Arabella insists Sue will find neither until death reunites her with Jude.
The final part of Jude the Obscure completes the tragedy and secures the victory of social constraints over the individual, of simplistic categories of relationships over the nuances of human emotions, and of the predominance of education and religion despite their hypocrisies. Sue, for all of her previous idealism, cannot bear the deaths of her children at the hand of Little Father Time, embarking on a life of penance that, at least on the outside, looks like a conventional marriage. Jude, too, no longer strives against his circumstances. He falls ill and abuses alcohol, remarrying Arabella along the way.
A brief exchange in this section demonstrates how recognizing The Complexity of Relationships has consequences that range from the inconvenient to the tragic. Unable to lie when questioned by a potential landlady, Sue
impulsively told the woman that her husband and herself had each been unhappy in their first marriages, after which, terrified at the thought of a second irrevocable union, and lest the conditions of the contract should kill their love, yet wishing to be together, they had literally not found the courage to repeat it, though they had attempted it two or three times. Therefore, though in her own sense of the words she was a married woman, in the landlady’s sense she was not (268).
This is not the sort of disclosure that secures respectable housing; the landlady, knowing this information, cannot maintain her own respectability if she lets the family stay. Ironically, The Individual’s Struggle against Social Constraints is made more difficult when that individual—in this case, Sue—wishes to present herself in an authentic way. Though lying is generally agreed to be wrong, the act would have enabled them to find lodging more quickly.
The figure of Little Father Time, the unnamed child who is unsettlingly perceptive and disturbingly mature-looking, gives the lie to The Hypocrisy of Education and Religion—particularly religion. He is all too aware that the moral codes which value certain behaviors over others have had deadly effects, and also of his own “troubling” presence. He goes so far as to declare to Sue that, “I think that whenever children be born that are not wanted they should be killed directly, before their souls come to ’em, and not allowed to grow big and walk about!” (270). Implicitly, his words evoke doctrines of original sin and ideas about inherited wrongdoing, along with anxieties about overpopulation and a lack of resources. This is another dimension of the complexity of relationships, as Little Father Time disrupts families wherever he goes.
The tragic climax of the narrative, the murder-suicide of Jude’s children, creates a crisis that destroys most of the characters’ willingness to continue to fight against the conventions and the ideas that constrain them. Sue, who for most of the novel has rejected religion, sees in her situation a divine punishment that can only be met with penance and renunciation, including remarrying Phillotson and finally being intimate with him. Jude’s life is also destroyed; his intellectual aspirations return as mocking phantoms, and he dies forgotten amid the academic celebrations at Christminster. The bleak nature of the novel’s ending suggests the intractability of the problems it dramatizes: No easy solutions exist for undoing social prejudices and social coercion; even acts of government meant to expand the horizons of young men like Jude fail to guarantee that they will be able to pursue their ambitions. The world in which Jude, Sue, and the others might have been able to live lives on their terms remains out of reach at the novel’s end; the Arabellas and Physician Vilberts appear to have won the day.



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