Keep Your Friends Close

Lucinda Berry

50 pages 1-hour read

Lucinda Berry

Keep Your Friends Close

Fiction | Novel | Adult | Published in 2023

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Themes

Content Warning: This section of the guide includes discussion of graphic violence, addiction, mental illness, illness, emotional abuse, and child abuse.

The Corrosive Power of Secrets in Friendships

Keep Your Friends Close portrays the characters’ friendships as unstable constructs built upon a foundation of secrets and lies. The novel argues that when friendships prioritize social performance over authentic connection, they become transactional arrangements in which secrets serve as currency, inevitably corroding trust and creating the possibility that intimacy can be leveraged for betrayal.


The opening epigraph notes that friendships are “made of shared secrets” (xv), Even minor deceptions and unspoken resentments create fractures in the core relationships. Whitney’s decision to hide her husband, Colin’s, gambling relapse from Kiersten is the first significant lie, born from a desire to protect her image rather than seek support. This omission establishes their friendship as one that prioritizes appearance over sincerity. Kiersten’s jealousy of Whitney’s growing closeness with Jade compounds this instability, revealing the possessive, competitive nature that can emerge in close friendships. Rather than communicating openly, the friends allow secrets and resentment to fester, treating their relationship not as a source of strength but as social territory to be defended. This concealment renders true intimacy impossible and paves the way for more significant betrayals.


Jade’s affair with Colin represents one such betrayal, as she sacrifices friendship for personal desire and financial gain, viewing her friends as obstacles or tools in her quest for a new life. However, by saving Kiersten’s secret for the final chapter, the novel positions it as an even worse breach of trust. Desperate to fulfill the parental ideal her social standing demands, Kiersten uses Whitney’s embryo to become pregnant without her knowledge. This act is the story’s most extreme violation, as well as the one that most explicitly reveals how the pressure to perform a perfect life can lead someone to compromise their morals and undercut their relationships. The novel illustrates that when secrets become the currency of friendship, bonds become fragile and potentially toxic, creating an environment where paranoia and betrayal flourish until the relationships collapse under their own deceit.

The Performance of Motherhood and Social Status

Keep Your Friends Close critiques upper-class motherhood as a competitive performance in which social status is valued above genuine maternal connection. The novel argues that this obsession with maintaining a flawless public image creates a toxic environment in which jealousy, moral compromise, and violence thrive beneath a veneer of perfect domesticity.


This theme is established through the rigid, performative structures the women build around their lives. The West Hollywood Moms’ Club is not a support group but rather an exclusive social club with strict membership criteria and nondisclosure agreements. It is also a stage on which the mothers compete. The club’s lavish “moms’ night out” (6), complete with designer gowns, epitomizes this culture. The event is a spectacle for displaying wealth and success, reducing motherhood to a series of photo opportunities and calculated social maneuvers. It suggests a social environment where maternal identity is curated and commodified, existing only to be seen and judged.


The awards doled out for various motherhood-related behaviors and traits, though ostensibly tongue-in-cheek, reinforce the competitive ethos while tacitly revealing its dysfunction. Jade, for instance, recalls that Brooke did not see the humor of her award, “Most Likely to Give Their Child an Anxiety Disorder” (106). Brooke’s unhappiness speaks not only to the personal jab at her mental health but also to the broader reality: that the way the women relate to their children actually is unhealthy. This idea finds its most extreme expression in Jade, who fabricates a cancer diagnosis for her daughter, Lily, to manipulate her friends and gain sympathy. In this transactional world, Jade weaponizes her child’s health, turning it into a prop for her own social gain. This deception reveals the moral vacuum at the heart of their community, where women sacrifice the bond between mother and child for status and clout.


Even outside mother-child relationships, the relentless pressure to perform erodes the characters’ empathy and moral integrity. The women constantly pass judgment on one another’s choices; Whitney, for example, dismisses Brooke’s emotional crisis, calling her “a tough person to be around” (29). Her judgment is particularly harsh given the role that maternal feeling itself plays in Brooke’s downward spiral. Brooke repeatedly describes the agony that separation from her child causes her: During the custody hearing, for instance, she reflects, “You couldn’t just do this to another person. You couldn’t rip a woman’s child away from their mother. It was inhumane. Beyond cruel” (205). Although mothers themselves, the other women in her social set do not understand her despair, reinforcing the central claim: that in striving for an image of maternal perfection, they have forgotten what motherhood actually means.

The Unreliability of Perception in a World of Deceit

Through its fragmented narrative structure, Keep Your Friends Close demonstrates that perception is deeply unreliable in a world saturated with deceit. By employing multiple, biased first-person narrators, the novel illustrates how truth becomes subjective—easily distorted by secrets, jealousy, and personal trauma. This structure challenges the reader to constantly re-evaluate events and motivations, suggesting that objective reality is nearly impossible to grasp when every account is a performance.


The discrepancy between the characters’ internal realities and how others perceive them is central to this theme. Brooke, for instance, is viewed by the group as dangerous and erratic. Her social media rants and emotional outbursts are seen as proof that she is capable of violence. While this ultimately proves true, Brooke’s own narration reveals that she is not the cartoonish villain the other women imagine. Rather, she is a desperate mother pushed to her limit; her behavior, though increasingly harmful and obsessive, is a result of the trauma of her wife Abby’s betrayal and the subsequent kidnapping of her son. This narrative gap underscores how easily people misread motives and pass judgment without an understanding of the underlying truth, rendering any single character’s perspective incomplete and untrustworthy.


The unreliability of each narrator is further evidenced in their conflicting accounts of the night Kiersten died. Jade omits her violent confrontation with Kiersten, while Whitney hides the extent of her own secrets and crumbling marriage. As characters conceal their actions to protect themselves, the narrative becomes a puzzle of half-truths. Jade, for example, tells the police that she’s struggling to piece together the night’s events because “It all happened so fast” (33). In context, her remark appears to refer to the chaos surrounding the body’s discovery, yet in retrospect, it suggests Jade’s panicked killing of Kiersten. Such remarks force the reader to sift through layers of deception, underscoring the elusiveness of truth.


The novel does not suggest that the truth is entirely inaccessible. The voice mail left on Ryan’s phone is a rare piece of objective evidence that cuts through the lies and directly implicates Jade. This recording’s stark clarity contrasts sharply with the characters’ self-serving narratives, highlighting that their manipulations of the truth only go so far. The paternity test that reveals Rinley’s parentage serves a similar function but also offers a final caveat. Confronted with the knowledge that Kiersten became pregnant with someone else’s embryo, Whitney shakily reaffirms her trust in Kiersten, questioning, “[I]f you couldn’t trust your best friend, could you really trust anyone?” (265). The epilogue that follows immediately reveals the irony of her words by showing that it was Whitney’s embryo that Kiersten used. This twist suggests that objective proof is only as good as its interpretation and that self-deception is perhaps the most powerful distorter of perception.

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