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The Front Desk series is a collection of middle grade novels by Kelly Yang that follow 10-year-old Chinese American Mia Tang as she manages the front desk of the motel where her parents work after emigrating to Anaheim, California, during the 1990s. In the first novel, the Tangs take a job working for Mr. Yao in the Calivista Motel because the job comes with free lodging. Mr. Yao turns out to be a terrible boss, making frequent deductions from their wages and criticizing everything they do. Mia decides to enter an essay competition in hopes of helping her parents rise out of poverty and buy a motel of their own. She works hard on her writing skills but doesn’t win the contest. However, she successfully spreads the word that the Tangs need help buying the motel from Mr. Yao and they raise the money together from many investors.
In the second novel, Three Keys, Mia faces new challenges managing the motel and answering to all the investors while trying to develop her writing at school. A new immigration proposition is looming that could seriously impact her best friend Lupe’s family. Mia learns to use her voice and her writing to support fellow immigrants and help her friend.
In the third novel, Room to Dream, the Tangs have finally saved up for a vacation to China to visit their friends and family. The motel struggles when new megahotels and chains move into the neighborhood. Mia feels conflicted about her relationship with Jason after he kisses her without her consent, but they work to repair their friendship. Mia gets her writing published in a newspaper in China and begins to develop a real readership. As the fourth installment of the series, Key Player, opens, Mia and her family hope to buy their own house. Mia feels more established in her writing, and her friendships with Jason and Lupe continue to be strong.
In 1999, the Women’s World Cup took place in North America, holding the final at the Rose Bowl stadium in Pasadena. Women’s soccer had only been included in the Olympics for the first time three years prior and the initial plan was for the world cup games to take pace in small college and high school stadiums. The FIFA organizing committee knew there was an audience for women’s soccer that was being underserved. After seeing how many people attended the Olympic games and how many young girls sported women’s team jerseys, they decided to switch to larger venues. The committee enlisted the help of the US players to market the games and try to capture the public imagination. More than 90,000 people attended the final game at the Rose Bowl and nearly 40 million Americans tuned into the match. The game helped increase support for professional women’s soccer in the US and turned many of those players into stars (Edler, Krysyan. “How the 1999 World Cup Changed Women’s Soccer in America.” Deseret News, 10 July 2024).
The Chinese national team, known by the moniker “the Steel Roses,” was exceptionally skilled, led by lead striker Sun Wen. The Chinese team had lost to the US in the ’96 Olympics, so this game provided the opportunity for a rematch. Chinese Americans like Mia navigated the tension of their hybrid identities as these two teams faced off against each other. The game was a scoreless tie that moved into penalty kicks to decide the winner. After goalie Brianna Scurry saved a penalty kick from Liu Ying, Brandi Chastain scored the game-winning goal, ripping off her shirt, which led to a famous photograph. Sun Wen received the Golden Ball award and the Golden Boot for top performance and goals scored while Gao Hong received the Golden Gloves for best goalkeeping (Teng, Elaine. “Reflections From a Chinese American Home During the 1999 Women’s World Cup Final - ESPN.” ESPN, 18 June 2019).



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