46 pages 1-hour read

Kidnapped

Fiction | Novel | Middle Grade | Published in 1886

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Themes

The Validity of Diverse Ethical Positions

David’s coming of age is tied to his ethical development. The novel charts his growth from a youth with a black-and-white view of right and wrong to a capable adult who has had firsthand experience with moral complexity. At the start of the story, he is a headstrong country boy, quick to judge and confident in his ethical and political positions, “as good a Whig” (48), as the village priest was able to make him. However, even in the early episodes of the novel, he is thoughtful and observant. As David makes his way in the world, he begins to empathize with and understand the diverse ethical positions of the people he encounters.


During the novel’s second major episode, aboard the Covenant, David comes face to face with his biases, recognizing that the crew, whom he initially thought of as “unclean beasts” (37), are men like anyone else, capable in equal parts of kindness and cruelty. As he spends time with the sailors, he comes to understand that each “class of man […] has its own fault and virtues” (38).


David’s friendship with Alan further stretches the moral intuitions of his youth. Alan is a Jacobite and deserter from the English army who carries both labels with pride. He describes his time among the redcoats, the mere site of whom had caused a swell of pride in the young David, as “a black spot upon [his] character” (62). As a Jacobite, Alan thinks little of King George and wishes he had a chance to murder the agent of the crown whose work is harming his clan. When the king’s agent is assassinated, Alan not only hides the shooter’s identity but also leads the pursuing soldiers away from the escaping murderer. To David, Alan’s morals are “tail-first” (97), yet despite disagreeing with Alan, he refers to the man as his friend. For David, Alan’s ethical system is “not the good Christianity as [he] understand[s] it, but it’s good enough” (97).


Alan epitomizes Highlander values and sense of honor. Alien as they are to David, he comes to respect them. At first, he sees nothing but fear in the people of the Highlands, but he gradually comes to recognize that they possess “self-denial that should put the like of you and me to shame” (88). David’s time with the Highlanders does not fundamentally change his moral or political convictions, but he comes to see that people can hold divergent positions and still be honorable, just, good, and virtuous. In the novel’s final scene, David and Alan, who by their titles and morals have every reason to disagree with and hate each other, part ways as dear friends.

Authority, Treachery, and Justice

The relationship between justice and authority is complicated in Kidnapped. David’s journey into adulthood requires that he shed his naïve assumption that those in authority are just. He must go on the run from the law despite his innocence. However, his hope for restoration of his birthright is ultimately achieved through the legal system that he spends most of the novel fleeing. The difference between these two cases is a question of who has authority: honorable or treacherous leaders.


David’s trust in authority gets him in trouble in the first place. Hoseason kidnaps him by pretending to be an honorable sea captain. Despite this lesson, David continues to assume that systems of authority will bring justice regardless of the men in power. When charged as an accomplice in the murder of the Red Fox, David tells Alan he’ll go to court and protest his innocence, saying he has “no fear of the justice of [his] country” (97). Alan tells David that the Highlands aren’t his country and that the young man knows nothing about the character of the people upon whom he would rely. He convinces David to make a run for it, a choice that proves wise as the courts hang James Stewart, an innocent man, for the crime.


In his flight from the authority wielded by the treacherous Campbells, David learns to fear the redcoats he once loved. However, once back in the south, David has no choice but to trust Mr. Rankeillor, a lawyer and representative of the authority of the crown, before he can hope to see justice done in the case of his birthright. Because Rankeillor proves to be an honorable man, David’s rights are restored.


Once David secures his title and future, he proves willing to wield his authority to see justice done. His final acts in the book are to smuggle Alan back to France and appeal to the courts at his peril to clear James Stewart’s name. He takes his place as an honorable person of authority working for justice.

The Duality of Human Nature

Though an adventure tale for young people, Kidnapped avoids painting its characters as fully heroic or villainous. Instead, the novel, like most of Stevenson’s work, explores morally complicated characters that capture the duality of human nature.


Even though they kidnapped David, the crew of the Covenant often treat each other with kindness and honesty and have a sort of moral intuition that is, David says, “simple even beyond the simplicity of a country lad like [him]” (38). Of Mr. Shaun, the ship’s pilot who eventually beats the cabin boy to death, David observes, “he would not hurt a fly except when he was drinking” (38). Captain Hoseason is both the orchestrator of David’s kidnapping and a churchgoing family man on shore. He is willing to be treacherous but treats his crew with a paternal hand, speaking to David with “tones of kindness” on the night of Ransome’s murder (40).


David encounters further examples of this theme during his adventures in the Highlands. Alan is noble, loyal, brave, a fine swordsman, and a keen guide to the countryside, but he is also vain, murderous, and proud to a fault with a “childish propensity to take offence and pick quarrels” (66). Henderland is a kindly old priest with an addiction to snuff. James Stewart gives David and Alan the support and resources they need to survive their flight into countryside, yet he puts out a warrant for their arrest knowing they’re innocent to protect the guilty party. Cluny, who takes David and Alan in after their trials on the moor, also drinks and gambles to excess. Even Ebenezer Balfour, who is greedy and villainous, reveals that he has some sense of family and morality when he offers to pay for his nephew to be kept captive rather than pinch pennies and have him killed. No one is fully good or bad, noble or ignoble, but each has their own “faults and virtues” (38).

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