55 pages 1-hour read

King of Ashes

Fiction | Novel | Adult | Published in 2025

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Chapter 7-Interlude 1Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, sexual content, substance use, addiction, and death.

Chapter 7 Summary

Roman rushes Dante to the hospital, but the doctors are unable to reattach his finger. The next morning, Roman goes to the dentist and pays for expensive implants to replace his shattered teeth. When he returns home, he tells his little brother that he has a plan to use Torrent and Tranquil’s greed against them: “We want to be free of them, we got to get rid of them. Permanently” (59). Roman calls his friend, Khalil, an ex-military mercenary who now specializes in security for Atlanta’s celebrities, and asks him to come to Jefferson Run. Dante tries to warn Getty and Cassidy about the Black Baron Boys, but neither of them answers his calls. He’s especially worried about Cassidy, for whom he has romantic feelings.


Meanwhile, Neveah goes to the police station and asks for an officer named Chauncey, with whom she has been having an affair for six months. Chauncey doesn’t want his wife to learn of their relationship, and he chastises Neveah for coming to see him at the station. Neveah insists that her family is being stalked, and the officer begrudgingly agrees to investigate.

Chapter 8 Summary

After their parents opened the crematory, Roman had to cook for himself and his younger siblings. Now, he decides to prepare a casserole that they enjoyed as children. Neveah confronts him for concealing the reason their family is being targeted and demands to know if it affects the crematory: “I don’t know if you noticed, but the shop is my whole life! I don’t hardly have any real friends. I don’t have a real man. It’s all I’ve got. You and Daddy and Dante saw to that” (70). Roman is alarmed when she removes the hot dish from the oven with her bare hands, but she retorts that years of working the crematory’s ovens have deadened the feeling in her fingers.


Later that night, Khalil informs Roman that he has arrived in Virginia. Roman gives $100,000 to a financial adviser named Sasha Billings who specializes in cryptocurrency and asks her to invest it in a high-yield stock.

Chapter 9 Summary

In the middle of the night, Torrent calls Roman and Dante and asks them to come to the crematory. Two Black Baron Boys, Splodie and Yellaboy, open the trunks of their cars and haul out “[t]wo live figures with pillowcases on their heads” (73). The gangsters explain to the horror-stricken Roman that Torrent wants him to kill these two people to ensure that he won’t go to the police. Yellaboy leaves, instructing Splodie to kill the brothers unless they comply.


The captives are Getty and Cassidy. Dante cannot bear to participate in his friends’ murders, so Roman drags Getty into a cremation box by himself and beats the man until he lies still. Then he pushes the box into the oven. Roman tries to convince himself that someone can do bad things and still be a good person, while Getty screams and thrashes inside the box. To protect Cassidy, Dante sneaks up behind Splodie and kills him by striking him in the head with a hammer.

Chapter 10 Summary

The brothers burn Splodie’s body in the crematory’s other oven. Roman tries to tell himself that the horrors he and his brother committed that night are for the greater good because they were protecting themselves and Cassidy, but he knows that the night’s events are only “the latest in a long collection of terrible deeds” he’s committed (80). Roman urges Cassidy to leave town forever, gives her $1,000, and promises to help her create a new identity for herself. After she drives off in Splodie’s car, Roman and Dante erase any evidence that Splodie and Getty were ever at the crematory.


Roman tells Dante to come home with him so that he won’t get into more trouble, but Dante insists that he needs to get high and runs off, cursing the crematory. Roman feels as if he is on the verge of panic. He tells himself that he will be able to return to his life back in Atlanta: “This isn’t your home anymore. This is just a place where your family lives. This is not who you are” (84).

Chapter 11 Summary

Roman returns home at sunrise and has a dream in which his mother tries to speak to him. Later that morning, Neveah tells Roman that she’s asked Chauncey to look into their case informally. Her brother’s attempts to dissuade her only make her more suspicious. Roman claims that he and Dante were attacked because Dante was “messing with somebody’s girlfriend or wife” (88).

Chapter 12 Summary

After fleeing the crematory, Dante goes to a party in an impoverished neighborhood called the Skids and tries to block out the memories of what happened that night with drugs and sex. The following day, Dante’s friend Tug tells him that several police officers came to Getty’s home, prompting speculation that he’s a confidential informant. Dante lies and says that Getty had mentioned leaving the state. On his way home, he calls Roman and arranges to meet his brother at the crematory later that afternoon. Roman is upset that Dante still hasn’t visited their father in the hospital.

Chapter 13 Summary

Roman visits his father in the hospital and thinks about how Keith rarely voiced his love. He believes that coldness drove his mother into Oscar Conley’s arms, but he still loves his mother and feels grateful to his father despite his parents’ mistakes.


Next, Roman takes over at the crematory so that Neveah can go to the state office and pay a business fee. Detective Chauncey Mansfield asks to speak to him, and Roman soon suspects that the man is sleeping with his sister. The detective says that Getty was a confidential informant. Based on Getty’s ransacked apartment, the police suspect that he was abducted and murdered. The detective asks Roman to tell him what really happened to him and Dante.


Roman answers by telling a childhood story about how he obtained vengeance on a bully who stole his sister’s lunch money. He tricked a violent boy named Roland Rundgren into thinking that the bully had stolen his bike, and Roland brutally attacked the other boy. Roman concludes the story by saying, “People who hurt us, who hurt my brother, who hurt my sister [….] tend to meet a Roland Rundgren” (99). After the detective leaves, Roman collapses with relief that Getty didn’t tell the police about his deal with Dante and the Black Baron Boys.

Interlude 1 Summary: “June 6, 2003: Morning”

The narrative moves back in time to the day of Bonita Carruthers’ disappearance. That morning, Neveah reminds her brothers that their mother will be home late and leaves for a track meet. Dante goes to meet some friends at the basketball court. Roman is distracted by his crush on a neighbor named Delia. The cheeriness of the flashback is overshadowed by the narrator’s ominous observation that the siblings will soon be enveloped in “the cold embrace of an endless night” (102).

Chapter 7-Interlude 1 Analysis

In the novel’s second section, the noir thriller’s suspense and violence intensify as the protagonist is forced to make deadly decisions. Morally ambiguous characters are a key component of noir fiction, and Roman’s actions in these chapters exhibit this convention. He commits his first murder by cremating a man alive, but he does this because the alternative is death for him and his brother; he tells Dante, “Getty’s not walking out of here. You know that, right? Little brother, it’s him or us. […] I choose us” (76). Getty’s murder challenges Roman’s sense of identity and highlights another step along his transformation, but he still believes that he is capable of returning to his old life, telling himself, “This is not who you are” (84). In a key development for Roman’s characterization and the theme of The Socioeconomics of Moral Decay, Cosby reveals that Roman’s clients have killed people based on his financial advice before, but this is the first time that he has had to dirty his own hands: “There was a distance that was unique to his position that shielded him from the ugliness that was drawn to wealth like flies to piles of shit. Numbers didn’t beg for their lives” (76). The author demonstrates that Roman still has a conscience when he spares Cassidy’s life, even though his choice entails greater risk, a well-intentioned decision that has disastrous consequences as the story continues.


These chapters offer more insights into the loyalty and trauma that bind Roman, Dante, and Neveah. The siblings’ difficulties began even before their mother’s disappearance because they dealt with neglect from both their parents: “[I]t seemed like his folks were both married to the crematory more than to each other. It took up so much space in their lives it felt like there were times it left little room for them to be parents” (66). The family business consumed Keith and Bonita, taking their focus from their family. This blurring between the family’s professional and personal lives strengthens the crematory significance as a motif of The Weight of Family Loyalty and Generational Trauma. Roman’s loyalty to his siblings is directly tied to the trauma they share; he reminds his siblings, “[W]hen our mother disappeared, we promised to take care of each other” (99). Roman’s promise to fix Dante’s mistakes and Getty’s murder offer proof of the fierce strength of this loyalty.


Neveah’s affair and Getty’s death develop the theme of The Relentless Cycle of Guilt and Punishment. Like Roman, Neveah wrestles with powerful feelings of guilt, and her relationship with Detective Chauncey weighs heavily on her conscience: “[S]he realized he might have been the one married, but they were equally yoked in their sin” (64). In future sections, the affair has dangerous implications for Neveah and her family, and the detective becomes an increasingly antagonistic figure as the story continues. Getty commits one of the gravest offenses possible for a member of Jefferson Run’s underworld by becoming a confidential police informant, and, accordingly, his demise is the most gruesome in the novel. Although the police largely turn a blind eye to the victims of the city’s organized crime, they seek to identify and punish Getty’s killer, making his death another event that perpetuates the cycle of guilt and punishment.

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