Content Warning: This section contains discussion of graphic violence and sexual assault.
A week after the altercation in the alley, Vuk hasn’t found the man who left the note. While working on clues, he watches Ayana walk the runway on television as part of New York Fashion Week. He admires how she can change personality on and off the runway. Jordan checks in about his bachelor party, which Vuk is organizing. Vuk goes to a juice bar nearby, which he knows Ayana frequents. He finds her there, and he apologizes for leaving abruptly the other day.
As they leave, they are caught in the rain. Vuk convinces her to let him drive her home by agreeing to answer three questions during the ride. She asks about his family, and he implies his parents and brother have all died. She then asks if he’s dating anyone, and he confirms he isn’t. When he comments on how much she researches him, her sassy responses make him laugh, which surprises both of them. When they arrive at her home, she invites him to come upstairs.
Ayana rambles to cover up the suggestiveness of her question, but Vuk accepts all the same. As Vuk strips to dry his clothes, Ayana stares and goes to make tea. Vuk comments on the eclectic nature of her apartment—something she actively sought to do to surround herself with things she loves.
For her third question, she asks how he and Jordan met. He explains how they met in school, but initially weren’t friends. When Vuk got into trouble with the wrong crowd, Jordan saved him by paying off the hundreds of thousands Vuk owed them. He prompts her to ask who the “wrong crowd” was, but Ayana declines, as she believes he’ll tell her if he wants to. Hank knocks at her front door.
Vuk berates himself for spending so much intimate time with Ayana as he retrieves his shirt. He overhears Ayana justifying a visit to a lawyer to Hank. When Hank once again becomes threatening, Vuk uses his physical presence to intimidate him.
After he leaves, Vuk and Ayana talk about her quitting her agency. She vaguely explains that their personalities and working styles no longer match. When she mentions how Hank has an uncanny ability to know everything she does and where, Vuk offers to have his security check for bugs for her. He then leaves to visit Hank at his apartment. Vuk threatens him by puncturing his hand with a knife through an apple without a word, then leaves.
That Saturday, Vuk takes Jordan and his wealthy friends out for his bachelor party. After going to the Vault, Vuk brings them to a hole-in-the-wall bar, where they talk to Jordan about marrying Ayana and give poor advice about married life. Vuk contemplates Ayana’s future, when she might have children with Jordan. Jordan’s cousin Topher then accidentally bumps into a customer, which starts a bar brawl that involves their whole group.
Ayana, meanwhile, is having a tame bachelorette party with her sister Liya, Sloane, her hairstylist Kim, and her modeling friend Indira at a restaurant. They play a Never Have I Ever drinking game, which leaves Ayana uncomfortable. She and Jordan do not sleep together, despite their agreement to have an open marriage.
The conversation turns to Vuk, and when Indira mentions his scars, Ayana becomes protective of him. As they head to their planned escape room, they come across Jordan and the others in the aftermath of their brawl. After looking after their injuries, Ayana discovers Vuk is the only one unscathed. Indira attempts to flirt with Vuk, but he ignores her. She proposes they merge their groups, and they decide to recruit more friends.
Vuk grumbles at the change of plans. They are now playing laser tag, and Indira follows him everywhere. The group splits into two teams, men versus women, and they make a wager: Losers pick up the tab.
When the game starts, Vuk breaks away from the others and hunts down the other team. When the game is tied, they take a break and play a game of Truth or Dare. When Vuk is dared to kiss someone at the table, he uses a loophole to kiss the back of Ayana’s hand. The kiss, though innocent, affects both Vuk and Ayana.
As the game starts again, only Vuk, Ayana, and Jordan’s friend Will are left. In the darkness, Vuk struggles with old memories. When Ayana touches him, he instinctively reacts and pins her to the wall by her throat.
Despite having a hard time breathing, Ayana watches as Vuk realizes their compromising position. Tension rises between them, and as things turn sexual, Will finds them, shoots Vuk and Ayana, and wins the game. Ayana realizes she feels embarrassed at what almost happened between her and Vuk. She rationalizes that their shared moment meant nothing.
As the others leave, Ayana speaks with Jordan about their wedding. She reflects on how Jordan only offered their arrangement because his grandmother insists he must marry someone or lose his inheritance. Jordan eventually leaves, and Ayana thinks about how lonely she’s become during her career.
When she sees Vuk, she follows him and confronts him about the kiss on her hand. When he deflects and tells her to leave, she attempts to kiss him. He verbally tells her “Don’t” instead of signing the words, then tells her in Serbian that when he kisses her, she will not be wearing Jordan’s ring. He walks away.
Six days after the bachelor party, Vuk is at the shooting range. Sean brings him a lead on the man who left the note. He identifies him as Roman Davenport, foster brother to Dominic Davenport, a financial tycoon and a friend of Vuk’s. Vuk orders Sean to keep digging, and Sean insists on increasing his security again. Vuk wonders about Roman’s possible motives as a member of the Brotherhood and who the “they” he was referring to in his note are.
When he returns to his office, he notices something is wrong immediately and finds Roman sitting in his chair. Rattled by the security breach, Vuk pulls his gun, but then lowers it to hear him out.
During her photoshoot with Wentworth, Ayana cannot concentrate. Her thoughts stray to Vuk and the night of her bachelorette party. When everyone leaves after they wrap up, Ayana is left alone with Wentworth. He tries to invite her to his apartment, but Ayana refuses. Wentworth makes insinuations about how the change in her wedding date is due to a scandal, and Ayana realizes he’s taken drugs. He sexually assaults her, and initially, she is too shocked to push him away. Eventually, she retaliates by slapping him and breaking his nose.
She runs away and hides in an alleyway, overcome by all the decisions that led her to this point. Knowing full well her modelling agency won’t support her, she makes a mental tally of who could help her and makes her way to Vuk.
Roman makes Vuk an offer: Since he wants to take down the Brotherhood and needs Vuk’s help and resources, he proposes an alliance where he provides intelligence and inside knowledge. He admits to having set the fire in the Vault months ago, which earns him a warning shot from Vuk. He confirms that the Brotherhood wants Vuk dead, since the leadership has changed in the last year and the contenders have decided to use Vuk as a test to determine their new leader. They chose him because Vuk is the only person to leave the Brotherhood, face them, murder some of their members, and remain unscathed.
Vuk deduces that Roman is after the leadership position. Roman confirms and offers a permanent peace between them if he becomes the leader. After careful deliberation, Vuk shoots Roman in the shoulder and tells him he’ll be in touch if he chooses to agree to his proposal.
Ayana arrives at Vuk’s mansion, and Vuk’s butler, Jeremiah, lets her in. He brings her to the library. When Vuk asks her what is wrong, Ayana cries. She details what happened to Vuk, and he calls his staff to bring her food and a tea that resembles Ayana’s mother’s recipe.
When she mentions their moment at the bachelor/bachelorette party, Vuk immediately denies it. He asks why she hasn’t told Jordan, and Ayana lies about planning to tell him later. To help with her anger, he brings her to his personal rage room and allows her to break whatever she wants there to feel better. She does, and the experience is cathartic.
Vuk stalks into Emmanuelle Beaumont’s office. He writes out on paper that Wentworth assaulted Ayana. When Emmanuelle claims Wentworth is threatening to sue Ayana for assaulting him, Vuk demands that Emmanuelle cut all contact with him and refuse to book models with him. When she inquires why he, instead of Jordan, is making demands on Ayana’s behalf, he smiles and does not answer.
Leaving a small surveillance device beneath her desk, Vuk walks out of her office. He receives a message from Sean saying they are ready for him. 40 minutes later, Vuk is in his abandoned warehouse. Sean claims Roman’s assertions about the Brotherhood were accurate, then leaves Vuk with a bound Wentworth. Vuk beats him and smashes his dominant hand. Wentworth will no longer be able to hold a camera. As he leaves the warehouse, he sends Roman a message to let him know he accepts his proposal.
In this second section of the narrative, Huang uses her main character’s first-person narration to tie Ayana’s character growth with supporting romance genre conventions, specifically the “Falling for One Another” plot phase where, despite their circumstances and differences, characters feel an undeniable attraction to one another. As Ayana continues to interact with Vuk prior to her wedding, her inner monologue provides insight into the overwhelming isolation and loneliness of her lifestyle, reflecting The Harms of the Modeling Industry and her feelings of entrapment in her modelling career. After Ayana’s bachelorette party, Ayana thinks:
Now that everyone was gone, I felt…empty. They’d filled me up with their energy, and without their excitement, I was just sad and exhausted. […] I’d had fun, but it hadn’t escaped my notice that I barely knew half the people present tonight. I’d lost touch with my friends from high school and college. Time and distance had eroded those relationships, and I had nothing to take their place. Maybe if I did, I’d feel less adrift (178).
Here, Huang explores the consequences of Ayana’s choices and lifestyle. Though readers will later learn that Ayana committed to becoming a model to help her family out of financial straits, her sacrifice went beyond simply abandoning her academic hopes. Becoming a model entailed alienating herself from all of her meaningful relationships with people who could ground her and appreciate her beyond her successful career. By creating an emotional juxtaposition between the excitement of the bachelorette party and the hollowness of its aftermath, Huang reinforces the idea that Ayana has known only a shallow, fleeting happiness ever since she became a model with Beaumont.
Ayana and Vuk’s relationship provokes a change in Ayana. Vuk remains despite Ayana’s assumption that “everyone was gone” (178), including Jordan, who is meant to be her fiancé. Vuk’s persistent presence effectively challenges Ayana’s belief that she has no one by her side, and fuels her desires—both social and romantic—as she encapsulates in these two passages: “I just wanted one thing for myself. One spark of connection that made life exciting again” (180, emphasis added), and “If I could choose anyone to be with at that moment, I would choose him” (179, emphasis added). While Ayana and Vuk share a sexually charged encounter during the laser tag game, Huang uses these two excerpts to cement the development of their relationship as a true romance. The author implies that while Ayana, through her position as a model, could find company if she wished, such a connection would be empty. Vuk, however, is the one person who knows her, remains behind when others leave, desires her for who she is, and is someone with whom she can feel a deeper sense of understanding and acceptance. Rather than allow the social optics of her position as a soon-to-be-married and famous woman to quash the relationship, Ayana makes a change in herself and seeks him out.
Beauty standards also appear in the conversation that Ayana’s friends have of Vuk and his scars. While Ayana is often the most affected by beauty standards, Huang demonstrates how these same standards can also dehumanize and objectify Vuk through his scars. Though Vuk will later explain how his neck scar is the result of torture, Ayana’s friend Indira sexualizes his injury without knowing its origins: “He has that hideous scar, but it kinda adds to his appeal. Danger is sexy. […] If he didn’t have those scars, he’d be really hot, but I wouldn’t want to look at his face when I’m about to come, you know?” (155). Indira’s demeaning and objectifying comments devalue Vuk as an individual because he does not meet her “acceptable” standards of beauty. In this instance, therefore, Huang insinuates that in a world where beauty is prized above all else, basic decency and respect for another person are often left behind.



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