50 pages 1-hour read

King of the Wind

Fiction | Novel | Middle Grade | Published in 1948

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Themes

Content Warning: This section of the guide includes discussion of ableism, child abuse, and animal cruelty.

The Beauty of Loyalty Between Humans and Animals

Agba and Sham’s lifelong bond demonstrates the beauty of loyalty between humans and animals. Instead of centering the novel on the historical figures known to have interacted with the Godolphin Arabian, Henry creates the character of a stableboy who accompanies the horse on every step of his journey and makes their relationship the heart of the narrative. Thus, her account shows that the Godolphin Arabian is extraordinary not only because of his speed and his progeny but because of the remarkable loyalty between him and Agba that makes his legacy possible.


The bond between the boy and the horse makes their relationship the most meaningful and rewarding aspect of their lives. These benefits are especially clear for Sham. Agba saves his life twice when the horse is just a newborn—once when Signor Achmet contemplates killing the colt because of the foreboding wheat ear on his chest and again when he saves Sham from starvation after his mother’s death. Just as he did when Sham was first born, Agba continues to nurture and protect the horse his whole life. For his part, Sham provides his human with a sense of purpose and companionship. Agba vows to “be a father” to Sham (41), so caring for the horse is his purpose in life as well as his greatest source of pride and joy: “As for Agba, there was a silent rapture in the way he worked. He washed Sham. He dried and smoothed his coat” (89). Agba’s silence here is important, since his speech disability means that his devotion must be communicated through physical care rather than words. The novel elevates loyalty into a kind of alternative language, showing that love and commitment can be expressed without speech. This passage is especially significant because it is set in the wood carter’s shed, underscoring that the love and loyalty between Agba and Sham make any conditions tolerable as long as they’re together. The familial loyalty between the two focal characters brings meaning and benefits to both of their lives.


Although the loyalty between Agba and Sham sometimes contributes to their struggles, they remain steadfast to one another throughout the novel. The stableboy is steadfastly devoted to Sham even though the horse gets them both into trouble. At times, that trouble is directly caused by the horse’s singular devotion to the stableboy, such as when the stallion throws Louis XV’s cook and Mr. Coke’s son-in-law. On the other hand, Agba’s devotion to Sham moves the usually obedient boy to act “without orders” and “hurt the kindliest friend he had ever had” by letting Sham loose on the earl’s favorite stallion (142). Both Agba and Sham are sent to Wicken Fen as punishment, but the boy’s loyal deed is ultimately for the best because Sham and Roxana’s colt brings the stallion recognition at last. By structuring the plot in this way, the author suggests that Agba was right to prioritize his faithfulness to Sham above all else. The unwavering bond between Agba and Sham therefore functions as both a source of conflict and a source of triumph, reinforcing Henry’s message that loyalty itself can shape destiny. Agba and Sham’s story encourages Henry’s readers to appreciate the beautiful loyalty that can develop between humans and animals.

Perseverance Through Displacement and Adversity

Agba and Sham are uprooted numerous times throughout the novel, and their struggle to find a place they belong is but one of the many hardships they endure. King of the Wind is a continent-crossing underdog story, allowing Henry to examine the theme of perseverance through displacement and adversity.


After their departure from the sultan’s stables in Morocco, Agba and Sham experience years of displacement. During their time in Europe, the stableboy faces language barriers, isolation, and xenophobia. He’s the only person of color and the only Muslim character for much of the story, and some of the European characters exhibit a demeaning attitude toward other cultures. For example, Monsieur le duc shows prejudice when he quickly dismisses the assertion that the Arabian stallions could improve European horse breeding: “I trust you will send these old sand sifters back to the desert where they belong” (73). This moment reflects the novel’s broader interest in how cultural gifts are often dismissed before their value is understood, highlighting how misunderstanding and prejudice distort cross-cultural exchange. Agba and Sham’s time in difficult environments, such as the wood carter’s shed and the marsh of Wicken Fen, add to the emotional impact when the earl finally gives them a home where Sham is appreciated: “Godolphin means God’s Downs. […] And here, on God’s Downs, your Arabian will live out his days” (153). Although their journey toward acceptance is a long and arduous one, Agba and Sham never lose hope.


Throughout the novel, the boy and his horse respond to adversity with a determination to endure and a zeal for life. Agba faces many forms of adversity. He is enslaved at the start of the story, and he continues to experience abuse and neglect as a child laborer even after leaving the sultan’s palace. Likewise, Sham is an underdog due to factors like his mother’s death and the many times that his exceptional qualities are overlooked and he is consigned to physical labor. The horse’s perseverance inspires some of the novel’s characters, including the Parisians in this excerpt: “The people in the market place stood in open-mouthed wonder at the spirit of Sham. Secretly they admired the proud way he took the cook’s lashes” (78). Henry portrays such moments not as acceptance but as fleeting glimpses of recognition, reminding readers how difficult it is for true worth to be acknowledged in a hostile environment. Agba and Sham also show tenacity by supporting one another and finding camaraderie and beauty even in an isolated marsh: “The wild creatures of Wicken Fen, however, accepted Sham and Agba and Grimalkin” (147). No matter the hardships they face, Agba and Sham help one another press onward.


The novel’s happy ending teaches that perseverance pays off. Agba and Sham are but “skin and bones” when they arrive in Europe (67), but they ultimately earn the praise of the king and queen of England like “a fairy tale come true” (170). Over the course of their transformative journey, the pair gain fast friends and defy their detractors: “Would not the carter of Paris and the King’s cook and the mistress of the Red Lion have laughed in scorn at the idea of Sham’s attaining such fame?” (171). The Epilogue extols the Godolphin Arabian’s name and says that his “blood reigns” in “almost every superior Thoroughbred” centuries after his death (172). The horse’s enduring historical legacy speaks to the importance of perseverance through displacement and adversity.

The Role of Divine Will in Personal Destiny

Henry uses Sham’s story to portray divine will as a force that actively shapes individuals’ destinies, utilizing both positive and negative occurrences to bring a greater plan to fruition. From Sham’s birth onward, Agba believes that God has a grand design for the horse. One reason why the stableboy is convinced that Sham is destined for greatness is that bays were the Prophet Muhammad’s preferred horses: “Sham’s ancestors came from the stables of the Prophet himself!” (135). The protagonist also sees signs of divine favor in the ancient Bedouin legend about God creating the Arabian horse from the wind and in Sham’s white spot, which indicates that swiftness is his divinely ordained birthright. By promising Sham that he’ll one day be hailed as “King of the Wind” (41), Agba proclaims his staunch belief that God has a great destiny in store for the horse.


Although the course of Sham’s life doesn’t unfold as Agba expects, the protagonist remains certain that divine will shapes the horse’s destiny. In light of the author’s exploration of religious themes, events that might be simply fortuitous accidents in another narrative are attributed to the influence of divine will in this story. A key example of this is Mistress Cockburn’s chance encounter with the earl and the duchess, who secure Agba’s release from prison: “‘It so happens,’ he was saying, ‘that we are on our way to Newgate now’” (118). In addition to depicting God’s hand in happy coincidences, the novel espouses the belief that God can bring good out of bad. For instance, the Bible verse that Mr. Coke selects at random when he sends Agba and Sham away foreshadows that their departure will ultimately be for the best: “The horse […] rejoiceth in his strength….He paweth in the valley….He is not affrighted” (103). The author also shows how good can come out of evil when the wood carter’s abuse of Sham leads to Mr. Coke bringing the horse to England, and when Agba’s imprisonment leads to the horse meeting the owner that he’s named after. Henry’s treatment of the theme of destiny suggests that suffering and trials are part of the divine plan.


During the resolution, the author affirms the superiority of divine will to humans’ plans by having Agba acknowledge that Sham’s destiny is to leave swift descendants rather than to be a racehorse himself: “He had wanted so terribly to see Sham run. But now he knew that it was better this way” (165). Agba’s acceptance that the divine plan differs from his own hopes for Sham and his belief that all has worked out for the best offer the message to trust in trust in divine will.


This theme also interacts with Agba’s speech disability and outsider status in England. Unable to argue or persuade others with words, Agba relies on faith that divine will, rather than human authority, will vindicate him and Sham. The repeated failures of kings, cooks, and trainers to recognize Sham’s value contrast with the eventual unfolding of a larger plan. By showing that human judgments are fallible but divine design prevails, Henry reinforces the novel’s message that destiny may be delayed or obscured yet cannot be denied.

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