Kingdom of the Blind

Louise Penny

64 pages 2-hour read

Louise Penny

Kingdom of the Blind

Fiction | Novel | Adult | Published in 2018

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Chapters 9-16Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of substance use and death.

Chapter 9 Summary

Reine-Marie wakes to find Gamache gone and discovers a note saying he, Ruth, and the pets have gone to the bistro to speak with Olivier and Gabri. The blizzard has passed, but the Gamache’s power is still out. The bistro, however, runs on a generator, and Reine-Marie quickly joins them there.


At the bistro, Gamache explains that they came because Ruth has identified who Bertha Baumgartner was. Olivier and Gabri reveal that years ago, Bertha was their cleaning woman, and she insisted on being called “Baroness.” Ruth confirms that the Baroness lived in an old farmhouse near Mansonville, matching Bertha’s address.


Myrna and Benedict arrive after walking through the snow. Benedict sees Three Pines in clear daylight for the first time and is struck by its beauty. Clara Morrow joins them. They all remember the Baroness as having a strong personality and constantly praising her three wonderful children.


Lucien, who joins them after staying at Gabri and Olivier’s bed and breakfast, tells them about the bequests in the will: a total of $15 million and homes in Switzerland and Vienna. The group is stunned. Ruth questions why Bertha chose unknown liquidators instead of people who knew her. Gamache theorizes that she wanted people with no preconceptions. Lucien announces he will arrange a meeting with the heirs for that afternoon. As Gamache prepares to leave, he recalls a line from one of Ruth’s poems.

Chapter 10 Summary

Gamache, Myrna, Lucien, and Benedict visit Bertha’s neighbor, Patricia Houle, who recognizes Gamache and has been to Myrna’s bookstore many times. She confirms that she knew her neighbor as the Baroness and clarifies that the nickname was self-appointed. Patrice witnessed Bertha’s will, and when they ask about the Baroness’s competence, Patricia says she was clearheaded, though eccentric.


Myrna, remembering Patricia’s past book purchases, deduces that she is interested in poisonous plants. Patricia confirms this and reveals that the Baroness also maintained a poison garden, pointing out that foxglove is digitalis and identifying other toxic plants like monkshood, lily-of-the-valley, and hydrangea.


They return to the Baumgartner farmhouse, which is tilting dangerously under the weight of new snow. Gamache decides to call the township to have it inspected and condemned. After digging out the cars, he stops Benedict from driving his pickup truck because it lacks winter tires. Benedict is stubborn until Gamache identifies himself as head of the Sûreté du Québec. Benedict, shocked, submits. Gamache offers to pay for winter tires in exchange for a promised driving lesson.


As Myrna drives Benedict back to Three Pines, she reflects on the poison garden and thinks the real danger comes from things you cannot see, like bindweed moving underground.

Chapter 11 Summary

Gamache visits Isabelle Lacoste, one of his senior officers, who is recovering from a severe head wound sustained during the raid months earlier. She asks about the internal investigation, and their conversation turns to the problem of missing carfentanil. Gamache confirms that a large quantity of opioids has disappeared in Montréal.


They discuss the trauma of their injuries. Lacoste becomes frustrated when her unsteady hand spills coffee. Gamache comforts her by sharing his own struggles after being shot. He explains his mentor’s philosophy that life is like a longhouse where all experiences reside forever, and one must make peace with the past.


Gamache reveals another problem: The Sûreté Academy wants to expel Cadet Amelia Choquet, a former sex worker and substance user whom he recommended for admission because she is brilliant. Opioids were found in her possession. Gamache is afraid that if she is expelled, she will relapse and die. Lacoste reflects that Gamache’s belief in second chances is both an advantage and a disadvantage. This would be Amelia’s third chance. Lacoste worries that believing someone capable of redemption when they have proven otherwise is dangerous.

Chapter 12 Summary

Gamache and the Commander of the Sûreté Academy meet with Cadet Amelia Choquet. She is defiant, nervously clicking her tongue stud, which Gamache has learned through his acquaintance with her is an unconscious distress signal. When she is shown the narcotics found under her mattress, she denies ownership. Gamache notices her dilated pupils and accuses her of being high. She claims that she used eyedrops but threw them away.


When asked where she got the drugs, Amelia accuses Gamache of responsibility for the opioids he allowed into the country, calling him a ruin and a failure. After she waits outside, Gamache speaks with the Commander of the Academy. He proposes expelling her without offering rehabilitation, arguing that she is not ready for the academy and would waste a spot another person could use. The Commander argues that they have a responsibility to help her, and abandoning her will kill her.


Twenty minutes later, Amelia is expelled. As she passes Gamache and the Commander, she turns and throws a book at Gamache—Marcus Aurelius’s Meditations, which she had bought after refusing Gamache’s copy. After she leaves, Gamache quietly calls in and instructs two police officers to follow her. The Commander realizes that Gamache is planning to use Amelia and follow her to the drug traffickers.


Meanwhile, Myrna receives a call from Lucien Mercier, arranging the meeting with the Baumgartner heirs for that afternoon. In his car, Gamache opens Amelia’s book and finds a line she underlined about fearing never beginning to live rather than death.

Chapter 13 Summary

Gamache arrives at Anthony Baumgartner’s home for a meeting with Bertha’s three children: Anthony, Caroline, and Hugo. They are surprised that the liquidators didn’t know their mother. Gamache notices a photograph of the three siblings as children.


Caroline reveals that their mother believed she was descended from the Rothschild banking family through her grandfather, a Kinderoth. Hugo supports the claim, but Anthony dismisses it as a fantasy that drove their parents apart. Lucien reads the will, which leaves $5 million and properties to each child, with the title passing to Anthony. The siblings react with sadness rather than disappointment, their emotions focused on their mother’s imagined vast fortune and what it did to her. They discuss the farmhouse: Hugo wants to save it, but Caroline has no sentimental attachment. They recall that their father died in a combine accident 36 years earlier; Anthony, then 16, found the mangled body. Gamache examines a family photograph featuring the Baroness.


Gamache, Myrna, and Benedict return to the bistro, where power and phones have been restored. Benedict reports that the garage cannot tow his truck until tomorrow. Reine-Marie invites him to stay another night. The group discusses the meeting. Myrna compares the Baroness’s fantasy to the movie Harvey, about a man whose best friend is an invisible giant rabbit. Benedict wonders if there is harm in believing in a fortune that does not exist.

Chapter 14 Summary

Beauvoir and Annie arrive in Three Pines with their son, Honoré. The village is walled in by towering snowbanks. In the study, Gamache asks about Beauvoir’s meeting with the Sûreté investigators. Beauvoir inadvertently reveals that there was a second, undisclosed meeting. He admits that they offered him a way out and implied that Gamache would be blamed for the opioid crisis. Gamache accepts that he had falsely hoped to be exonerated and that the blame is rightfully his alone. He has no regrets, knowing that his family is safe.


Meanwhile, Amelia Choquet arrives at her old rooming house in Montréal. The landlady gives her a squalid room and leaves a mop and pail, indicating cleaning is her job in exchange for rent. Disgusted, Amelia kicks over the bucket and leaves to search for the carfentanil.


Gamache takes Beauvoir for a walk outside under the aurora borealis. He asks about the other meeting. Beauvoir lies, saying it was with his and Annie’s bank about buying a house. Gamache looks at him steadily. Beauvoir feels he is drifting away from his father-in-law, and he knows Gamache understands that Beauvoir is being offered a way to save himself at Gamache’s expense.

Chapter 15 Summary

The next morning, the household discovers that Benedict is missing. His bed is undisturbed, but his belongings remain. A village-wide search begins. At the bistro, Gabri reveals that Billy gave Benedict a ride to the Baumgartner farmhouse to pick up his truck the previous night. Myrna calls Benedict’s cell phone but gets voicemail. Gamache is concerned because Benedict promised not to drive his truck, which lacks winter tires.


Gamache, Myrna, and Beauvoir drive to the farmhouse and find that it has collapsed. A second, unfamiliar car is in the yard. After honking, they hear knocking from inside the rubble. Billy Williams arrives, feeling responsible for dropping Benedict off. Gamache, Myrna, and Billy enter the unstable structure while a claustrophobic Beauvoir waits for the rescue team.


Inside, debris blocks their path. Myrna uses a jack to lift a beam, creating a narrow opening. They squeeze through and locate Benedict, who is emotional but unhurt. As the Sûreté rescue team arrives, the rest of the house collapses. Benedict pulls Gamache into a sturdy doorway, and Billy pulls Myrna, saving their lives. Pinned in the rubble but alive, Gamache looks past the doorway and sees a gray hand protruding from the debris.

Chapter 16 Summary

Amelia wakes in Marc’s bed, disoriented and in pain. Marc is an old friend from childhood who has a substance addiction.


The night before, Amelia went to Marc for help finding the carfentanil. She told him about the missing opioids Gamache allowed through and proposed that they take over the market. They immediately went out to try to find the dealer who has the drugs. Amelia was confronted by an aggressive dealer, but she used techniques learned at the Sûreté Academy to choke him nearly to death, then stole his drugs. She declared herself to be the “one-eyed man” and told the dealer to warn his supplier. She gave Marc most of the stolen drugs.


In the present, Amelia cannot remember what happened after confronting the dealer or how she returned to Marc’s apartment. Marc says he found her passed out in an alley. She experiences a recurring hallucination of a little girl in a red tuque holding a bag of dope. Marc tells her that she has made a strong impression on the street, and everyone now wants to know who she is. He has been telling people she is the “one-eyed man,” establishing her reputation in the criminal underworld.

Chapters 9-16 Analysis

These chapters continue to use the novel’s two seemingly disparate plotlines to establish the novel’s central thematic concerns, using the will of Bertha Baumgartner to explore the complex nature of truth, legacy, and perception. The theme of Choosing Forgiveness Over Conflict frames the inheritance as more of a psychological burden than a simple matter of assets. The Baumgartner siblings have inherited a narrative of dispossession and fantasy, a family history defined by resentment. This emotional legacy is far more significant than the fantastical bequests in the will. The children’s reactions to their mother’s claims—Anthony’s weary cynicism, Caroline’s pained pragmatism, and Hugo’s lingering hope—illustrate the different ways they have processed this inheritance of both love and bitterness. Gamache’s internal reflection on a Ruth Zardo poem about “the Guilt of an old inheritance” explicitly frames this conflict (65), suggesting that what is passed down is a web of unresolved emotions and historical grievances that continues to shape the present. The Baroness’s choice of neutral, external liquidators signals a potential desire to break this cycle, entrusting the resolution of her legacy to those with no preconceived notions.


The narrative structure juxtaposes the mystery unfolding in Three Pines with the undercover operation in Montréal, creating thematic resonance between the two worlds. This parallel construction highlights the multifaceted nature of danger and moral ambiguity. In Three Pines, the threats are initially subtle and symbolic: The crumbling farmhouse represents a decaying legacy, while a neighbor’s poison garden suggests hidden toxicity beneath a beautiful exterior. Myrna’s reflection that “the real danger always came from the thing you couldn’t see” serves as a thematic bridge (73), linking the unseen bindweed in a garden to the invisible networks of organized crime. While the Three Pines plot deals with historical resentments and psychological damage, the Montréal plot confronts the immediate reality of the opioid crisis. Gamache is the fulcrum on which these two narratives balance. His investigation of the will is interspersed with ethically fraught decisions regarding Amelia Choquet and the missing opioids, forcing a continuous reevaluation of accountability, justice, and the very definition of harm.


The novel develops a nuanced exploration of the limits of one person’s perspective through multiple characters and symbols. Bertha Baumgartner herself is the primary example, having constructed a persona as “the Baroness” that conflicts with her reality as a cleaning woman. This duality challenges the villagers’ understanding and prefigures the larger deceptions at play. Gamache masterminds a significant deception by expelling Amelia Choquet from the Sûreté Academy. What appears to be a justified consequence for drug possession is Gamache’s purposeful strategy to use Amelia to track down the drugs. Furthermore, the character of Benedict Pouliot, an unassuming builder, is revealed to be more complex than he initially appears; his presence as a liquidator and his surprise at Gamache’s true identity reinforce the idea that initial perceptions can be misleading.


Gamache’s actions regarding Amelia place the theme of The Burden of Accountability at the forefront of the narrative. His decision to send an emotionally vulnerable young woman back into a life-threatening environment is a significant moral gamble. The Sûreté Commander serves as an ethical counterpoint, articulating the direct human cost of Gamache’s strategy when he states, “[I]f you cut her loose, you kill her. You know that” (95). This confrontation forces an examination of Gamache’s consequentialist logic, where the potential saving of many lives is weighed against the near-certain destruction of one. This choice is a microcosm of the larger dilemma stemming from his decision to allow the opioid shipment into the country. He accepts full responsibility for the catastrophic potential of his actions, a contrast to Beauvoir, who is simultaneously being offered a “lifeboat” to escape accountability. Gamache’s conversation with Lacoste about the “longhouse” of memory reveals his philosophical framework for processing such burdens: One cannot erase the past but must learn to make peace with its ghosts, accepting the weight of one’s choices.


The theme of Recognizing the Limits of One’s Perspective is intricately woven into both the characterizations and the plot. Lacoste’s perspective is limited by her frustrations with her recent injuries and a fear of cognitive failure that she projects onto Gamache, identifying his faith in redemption as a dangerous flaw. The villagers’ limited understanding of Bertha Baumgartner demonstrates a limitation in the communal perspective, as they knew the persona but not the person. The Baumgartner siblings are likewise limited by their upbringing, their perceptions of their mother’s story filtered through their individual emotional needs. The narrative directly interrogates the nature of such perspective limits through the allusion to the film Harvey, questioning whether a comforting fantasy is inherently harmful.

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