66 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After Erlend’s death, Kristin sinks into a deep depression but is determined to see her sons flourish. She is roused from her depression when a terrible sickness sweeps through the region. The sickness kills Munan, who dies a year after his father. Though Kristin is 40 and considered to be still relatively young, she does not entertain thoughts of remarriage. Ivar and Skule are fostered with Inge, Sir Munan’s son. Kristin notices how close Naakkve and Bjørgulf have become, and she realizes that his is because Bjørgulf is now almost totally blind, his lifelong sight issues having worsened during the sickness. The two brothers plan to “take the vows of monks” (998) and enter a monastery, though Bjørgulf tries to take his own life at several points, saved by Naakkve. Ulf leaves the area, which he never truly loved. As such, Gaute is the only male left who can take over the running of the farm as Kristin gets older.
At this time, Norway undergoes a period of political change. There is a new king, who promises to rule from within Norway rather than from abroad. Skule enlists to serve with Bjarne Erlingssøn, one of the new king’s trusted men. Ivar also leaves his foster home, as he has decided to marry an older widow who will make him a wealthy man. Naakkve announces that he and Bjørgulf will soon depart for the monastery. Kristin urges her eldest son to stay longer with her, but remembers how she sent him away from his father’s deathbed. Naakkve has not forgiven her for this, and they have an emotional discussion about their regrets. Naakkve and Bjørgulf depart for their monastery, leaving Kristin with only Gaute and Lavrans.
Gaute is a popular figure in the community, particularly with women. He fathers a daughter with a woman, providing for the mother and child but not marrying the woman. The baby does not survive. Gaute takes on the mantle of master of Jørundgaard, though his plans for the running of the farm differ from his mother’s approach. Nevertheless, Kristin is very proud of her son. When he is away on a long journey, Kristin becomes worried. He returns with big news: He has absconded from the home of a wealthy man with the man’s daughter, Jofrid. He and Jofrid would like to marry, against her father’s wishes. The winter has drawn in, and Jofrid’s family will need to wait months to seek a punishment for Gaute, so he hopes that he will be able to resolve the issue satisfactorily in this time. Jofrid becomes pregnant, complicating the matter further. Kristin welcomes Jofrid into the house, though she fears that she is too warm and welcoming to the young girl who is now living in sin with her son. Kristin remembers her own past with Erlend, and this leads her to be sympathetic.
Kristin tries to welcome Jofrid into her house, helping her with her pregnancy. The child is born, and Gaute decides to name the boy after his father: Erlend Gautessøn. During this time, Ramborg’s new husband has been elevated in the court of the new king. Ramborg, meanwhile, has become increasingly lazy and indolent. Ivar and Skule come to Jørundgaard; before they depart, they arrange to take Lavrans with them because he would like to see more of the world. Jofrid’s relatives are finally able to visit. Despite the difficulties in negotiating the marriage, the sight of baby Erlend helps Jofrid’s father overcome his anger at the manner in which Gaute took Jofrid from his home.
Kristin’s initial enthusiasm for Jofrid’s arrival begins to wane. She notices that their understanding of how to run a home is very different, which is concerning for Kristin if Jofrid is going to take over in the future. On one occasion, Jofrid is reluctant to feed and house a group of poor travelers for the night. Kristin intervenes, welcoming them inside, as she believes that this is the “proper way of living for the gentry” (1055). Jofrid and Gaute confront Kristin in the following days, with Jofrid justifying her actions while reiterating her respect for Kristin. At this time, Kristin decides that she has no future in Jørundgaard; she will go on a religious journey, much like her two sons, traveling to Nidaros along a pilgrimage route.
Kristin arrives in Nidaros as the town prepares to celebrate the feast of Saint Olav. She stays with one of Erlend’s former guardsmen and his family. While passing through the town, she runs into Gunnulf. The two share an emotional reunion, and Kristin asks whether the elderly priest has heard anything about her two sons. Gunnulf mentions that Naakkve has struggled to adhere to the strict rules of the monastery but has reformed for the sake of his brother. He has inherited his parents “disobedience” (1079). Kristin begins to reflect on the long journey of her life that has brought her to this point. She attends the celebrations of Saint Olav and prays for people who have suffered like her.
Kristin is permitted to visit the monastery where Naakkve and Bjørgulf reside. They are pleased to hear that she plans to enter a convent, though the conversation itself is subdued. Kristin enters a convent near Nidaros, where the chaplain is Sira Eiliv. Kristin commits to a life of piety among the nuns and other women. The monastery’s administrative affairs have fallen out of order in recent years, though the nuns have resisted Sira Eiliv’s attempts at reform. Kristin is permitted to become a corrodian (a widow who pays to live in the convent, rather than a nun) and renounces her earthly possessions, hoping to become a nun in the future. Elsewhere, Naakkve gets in trouble for violently clashing with local peasants, who are in conflict with his order of monks.
Kristin confesses her fear that Naakkve “was never meant to be a monk” (1094), though Sira Eiliv does not agree with her. Skule comes to the convent to see Kristin. He has suffered facial injuries during a brawl, and Kristin is reminded of how much her sons have grown up and away from her. Lavrans is working with a bishop in Iceland, he tells her, and Ivar has fathered two children with the wealthy widow. Gaute and Jofrid are doing very well; they now have a daughter, who they have named after Kristin. Jofrid is now much more complimentary to her mother now that Kristin is not around. Skule begs his mother to forgive him for a minor misdemeanor from many years before.
That evening, Kristin overhears Skule talking to Sira Eiliv. He has bad news: The black death is coming to Norway. Soon enough, the plague begins to ravage the country. Many people die, and the nuns work hard to provide care for the sick, even though many of them suffer and die. With so much “death and horror and suffering” around her (1104), Kristin resumes the role of household mistress, helping to run the convent and care for the many sick people who come to the nuns for help. Outside, many of the people are becoming nihilistic. They drink and debauch themselves. Even as the plague seems to abate, however, the nuns hear rumors of a human sacrifice set to take place in the town. The desperate locals want to sacrifice a child to the old gods to stave off the plague. The nuns confront the men, saving the child. In the confrontation, however, Kristin promises to go to the child’s mother, a dissolute woman named Steinunn who died alone many days ago. By offering to go tend to the dead woman, Kristin is able to show the men the mercy of God and the importance of virtue.
As she approaches the old woman’s house, she is unexpectedly joined by Ulf, who brings her the terrible news that Naakkve and Bjørgulf are almost certainly dead from the plague. Remembering one of Bjørgulf’s dreams, which predicted that the boys would meet their mother soon, Kristin suspects that she too is sick with the black death. She feels the “unthinkable piercing pain” but fights through (1119), recovering the dead woman’s body with Ulf’s help. As she kisses the foot of the dead woman, Kristin vomits blood. She is taken back to the convent in a delirious state. She gives Ulf her father’s beloved cross and her wedding ring to fund masses to be said in the dead woman’s name and in the names of her loved ones. Kristin dies. Outside, Ulf and Sira Eiliv notice a fresh snow has fallen.
At the end of her life, Kristin returns to a monastery—closing a circle that began when she was sent to a monastery by her father as a girl. By sending her away to the nuns, her father sought to restore the reputation for innocence that had been lost during the incidents with Arne and Bentein. Whilst at the monastery, however, Kristin met Erlend. At the time, Kristin’s preoccupation with The Vanity of Sin and Guilt was such that she could not access the spiritual fulfillment available in the monastery. After meeting Erlend, she never again considered herself worthy of entering into such a religious institution, even though she sought absolution and atonement for her sins. Now that her sons have grown up and many of her relations have passed away, however, Kristin feels that the time has come to give herself over entirely to God. She is willing to enter the monastery because she can see no place left for her in society and thus no avenue for redemption in the eyes of God. Kristin is not the first in her family to make such a commitment. Her mother spent her final days in the convent, while several of her sons have adopted the priesthood as a chosen path. Even as a youngster, Kristin was told that her sister Ulvhild would surely enter the convent, to the point where Kristin offered to enter herself on her sister’s behalf. That Kristin decides to enter the convent signifies the acceptance she feels toward her path. At last, she is fully determined to dedicate her life to God. She will be dead to the world, she feels, so that she can finally focus on the redemption that, she believes, has eluded her for so long.
While Kristin is in the convent, a terrible plague comes to Norway. The black death was a historical event in Medieval Norway, said to have killed as much as 60 percent of the population. Kristin witnesses this devastation firsthand and must fold her experiences into her understanding of religion. The severity of the suffering and the magnitude of the death that she witnesses never tests her faith in God. Even as society collapses around her, and even as more of her children die, Kristin’s faith does not waver. The plague stands in stark contrast to the future that Norwegians had hoped for. In spite of Erlend’s failed rebellion, Norway has a new king at this point, one who promises to rule from within the country rather than from abroad like the previous king, and many of the Norwegian aristocracy predict a bright future. Instead, the plague brings a complete societal collapse and triggers centuries of stagnation. For Kristin, however, the plague is the arena in which she finally achieves spiritual fulfillment. She follows the example of the nuns, leaving the relative safety of the convent to care for the sick, placing her own life at risk. She saves a boy from ritual sacrifice and ensures proper burial rites for his mother. That the community turns to human sacrifice in this moment of collective desperation is evidence of The Tension Between Pagan and Christian Beliefs. The old pagan beliefs have never gone away, and it is to these beliefs that the community turns when all else has failed. In promising to tend to the body of the boy’s mother, Kristin sacrifices her own life—a Christian form of sacrifice taking the place of a pagan one. Kristin succumbs to the plague, but she dies a good death. After a lifetime of feeling tormented by her conscience, it is ironic that she finally clears her conscience by forgetting about it. The Vanity of Sin and Guilt is no longer her concern, as the immense suffering around her outweighs any concern for herself. Having performed one final act of selflessness by giving her last possessions to pay for prayers for her loved ones and other poor people, she dies thinking nothing of herself, a form of absolution that is juxtaposed against a life spent worried about the state of her soul.



Unlock all 66 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.