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Life returns to Lapvona after the rainfall. The people pack up their possessions and return to their homes, willfully forgetting the acts of cannibalism they engaged in to survive and ignoring the deaths of half their population. Villiam sends them so-called gifts of grain and fruit as a celebration, but he adds the cost of these items to their taxes so that he can turn a profit in the long run. Feeling like a ruined man, Jude does not return to Lapvona, choosing instead to live as a vagabond in Ina’s old cave. Ina, by contrast, does return to the village as a medicine woman. She creates tinctures that she claims will return fertility but that are actually made from her urine. Strangely, she has two huge new eyes and can now see; though no one else knows it, the eyes came from Dibra’s horse. Ina feels she has been reborn and is no longer interested in communicating with the birds, choosing to fully integrate into village life.
Marek spends every night in Agata’s bed, but she never shows him any care or attention. Unbeknownst to him, Agata is pregnant again. Agata both hates and pities Jude, believing him to be “stupid” and incapable of an adult relationship, and she sees Jude’s parasitic neediness mirrored in Marek.
Villiam does not mention Dibra’s absence, but the servants move Jacob’s taxidermied animals into Dibra’s old room for storage. Villiam plans to take a new wife and decides to inspect Agata as a candidate. When Agata undresses, he and Father Barnabas realize that she is pregnant. Neither Villiam nor Father Barnabas understands female anatomy, so after examining her, they conclude that she is a virgin who conceived immaculately. Villiam is excited by the prospect of marrying her since this will make him father to the son of God. He assumes that will increase his social status and bring more visitors and development to Lapvona. Father Barnabas seems less convinced by the supposed miracle but doesn’t contradict Villiam. As they inspect Agata’s body, Marek watches in secret. Afterward, he tells Agata, “If you love that baby more than me […] I’ll kill myself” (203).
Villiam decides to throw a large wedding and invite the entire village. He insists that all of the flowers should be red and all of the villagers should dye their clothes red to represent the nobility of Villiam’s bloodline. Villiam conceived his plans for the wedding in a dream and believes that God has favored him.
The only person who does not trust Ina is Grigor, the grandfather of the children whom bandits killed in the spring. Grigor has also begun to suspect Lord Villiam: “How was it logical that the bandits would pillage Lapvona last Easter while the lord sat in his manor with all his riches?” (192). Grigor goes to confession and tells Father Barnabas that he suspects Ina of being a witch, and the priest instructs him to bring her a gift so that she can relieve him of the vague anger he feels toward everyone. When Grigor visits, Ina recognizes him as one of the babies that she nursed. Grigor brings her a gift of canniba (i.e., cannabis), and she asks him to smoke it with her so that they might remember together. In the ensuing conversation, Ina tells Grigor the details of his birth. He initially resists hearing this but slowly realizes that Ina carries more knowledge and memories than anyone else in the village. When Grigor expresses confusion about the bandits and the drought, Ina tells him that Villiam kept the water for himself. They end the visit with Ina inviting Grigor once more to nurse from her.
On the day of the wedding, Villiam and Agata form a processional to the church, trailed by Marek. The villagers are shocked to see Marek alive and well. Marek is overcome with jealousy and anger, and in a violent impulse, throws a rock at Agata and knocks her down. Villiam doesn’t even notice. Ina recognizes Agata and knows that Agata isn’t her real name—simply the name Jude gave her. She also notes that Marek’s actual father is the pilloried bandit who was hanged back in spring, having gleaned this information from the birds. At the wedding, the villagers touch their palms to Agata’s pregnant belly, hoping the holy child will bless them.
On the way back from the wedding, Villiam is exhausted and sits down in the dirt, insisting that only his kin carry him. Marek kneels and carries Villiam on his shoulders, hoping to impress Agata with his strength and usefulness, but Agata refuses to look at him. After growing tired of this, Villiam joins Father Barnabas on horseback and tells him quietly that he loves him. He thinks hopefully of the unborn baby, believing this to be a second chance at fatherhood and hoping to raise this child to be unquestioningly loyal.
Grigor does not attend the wedding, having finally learned the truth of Villiam’s actions. All of his former anger toward Ina now fixates on the lord and the priest. He feels drawn to Ina, finding that their conversations expand his mind and perspective and hoping to learn more from her. He begins to provide for her and hopes that in time he will recognize her beauty.
As the horrors of the summer recede, people continue to cope with tragedy through irrational beliefs, which now center around Agata’s pregnancy. Due to his ignorance of both religion and female anatomy, Father Barnabas proclaims Agata the mother of Christ, and the villagers see this as a significant sign of hope: “And they loved the nun for this, a holy mother, the deliverer of mercy” (220). While Villiam and Father Barnabas indulge this belief to further their fame and fortune, the villagers embrace it as a source of hope amid their harsh lives. The purported miracle therefore continues to develop The Dichotomy Between Wealth and Poverty, exploring the way in which class influences self-deception.
The collective delusion reduces Agata’s societal value to her ability to bear a child, once more stripping her of personhood and autonomy in a way connected to her gender. Agata again becomes a prisoner as she is forced to marry and bear another child. Although she hates being pregnant because it forces her to reckon with her body—a source of exploitation and vulnerability—societal constraints and pressures overrule Agata’s rejection of motherhood. The freedom that can come from rejecting these gender constructs is explored through the burgeoning relationship between Grigor and Ina. One of the things Grigor enjoys about Ina is that he can simply be himself in her presence. This freedom from any expectation that he will perform a certain role makes him feel seen as an individual person rather than as a man filling a societal niche. He also sees her as an equal, allowing for the exchange of wisdom between them. Unlike Jude, who views women as objects he has a God-given right to use, Grigor views Ina as someone with inner beauty and knowledge to impart.
Ina’s character undergoes a transformation in this section that further suggests she has gained wisdom by engaging with the natural world. Ina steals the eyes from Dibra’s horse, and these large, inhuman eyes offer her a new perspective on the world that proves contagious. As Grigor notes, “The world felt bigger in her presence. Perhaps it had something to do with her eyes” (228). The horse eyes mysteriously work for Ina when she inserts them into her sockets, evoking archetypes of witches and crones in fairytales, folktales, and other oral traditions. Rather than cleaving to the supposed wisdom of human society, Ina uses every possible resource to her advantage, communicating with birds and learning the medicinal properties of plants. However, Ina doesn’t use this power purely for good; she has no qualms about deceiving the villagers for her own gain. Although at times she doles out genuine wisdom and helps them, she also deceives them by making a tincture of her own urine that she rubs on men’s genitals and tells them will increase their fertility.
As the wedding and coming of the “Christ Child” approaches, Marek’s darker impulses increasingly consume him. Marek believes that Agata has returned from the dead to care for him and is therefore confused by her rejection of him. The lack of parental love and care in his life causes him to feel intense jealousy of the unborn child. Desperate for Agata’s love, he tells her that he will kill himself if she loves the child more than him, illustrating the extent to which cravings for affection, self-punishment, and vengeance are entangled in his mind. During the wedding processional, he is overcome with a violent impulse and throws a rock at Agata, knocking her face-first onto the ground despite his deep love for her. Despite Marek’s innate sensitivity and gentleness, Agata’s rejection and Jude’s abandonment have fueled a deep insecurity that leads to impulsive, violent actions. He will do anything to secure the attention of those around him, including hurt them—a quality he learned from Jude.



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