49 pages • 1 hour read
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Summary
Background
Poem Summaries & Analyses
“I Celebrate Myself” [“Song of Myself”]
“Come Closer to Me” [“A Song for Occupations”]
“To Think of Time . . . . To Think Through” [“To Think of Time”] Summary
“I Wander All Night in My Vision” [“The Sleepers”]
“The Bodies of Men and Women Engirth” [“I Sing the Body Electric”]
“Sauntering the Pavement or Riding the Country Byroads” [“Faces”]
“A Young Man Came to Me With” [“Song of the Answerer”]
“Suddenly Out of Its Stale and Drowsy” [“Europe: The 72d and 73d Years of These States”]
“Clear the Way There Jonathan!” [“A Boston Ballad”]
“There Was a Child Went Forth”
“Who Learns My Lesson Complete?”
“Great Are the Myths . . . . I Too Delight” [“Great Are the Myths”]
Themes
Symbols & Motifs
Literary Devices
Further Reading & Resources
Tools
Whitman was one of the early practitioners of free verse, which does not use metrical feet or rhyme, instead relying on cadence (rhythmical movement) for its effects. Whitman often uses long lines and repetition of words and clauses to vary his poems’ rhythm. His cadenced verse draws on the rhythmic structures of the King James Bible, particularly the Song of Solomon and the books of Prophets Isaiah and Jeremiah. Many of the lines in Leaves of Grass, both in the 1855 edition and in modern editions, cannot be fitted typographically on the printed page as one line, so they overflow to two or three printed lines, but only one line of poetry is intended.
Throughout the first edition, Whitman uses idiosyncratic punctuation. The ends of lines are usually marked by orthographically typical commas, semi-colons, or periods. However, punctuation within each line consists primarily of ellipses, although commas are used as well. The ellipses mostly have four points of suspension: “My ties and ballasts leave me . . . . I travel . . . . I sail . . . . my elbows rest in the sea-gaps” (“Song of Myself,” Line 712).


