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Summary
Background
Poem Summaries & Analyses
“I Celebrate Myself” [“Song of Myself”]
“Come Closer to Me” [“A Song for Occupations”]
“To Think of Time . . . . To Think Through” [“To Think of Time”] Summary
“I Wander All Night in My Vision” [“The Sleepers”]
“The Bodies of Men and Women Engirth” [“I Sing the Body Electric”]
“Sauntering the Pavement or Riding the Country Byroads” [“Faces”]
“A Young Man Came to Me With” [“Song of the Answerer”]
“Suddenly Out of Its Stale and Drowsy” [“Europe: The 72d and 73d Years of These States”]
“Clear the Way There Jonathan!” [“A Boston Ballad”]
“There Was a Child Went Forth”
“Who Learns My Lesson Complete?”
“Great Are the Myths . . . . I Too Delight” [“Great Are the Myths”]
Themes
Symbols & Motifs
Literary Devices
Further Reading & Resources
Tools
This poem is about the wave of political revolutions that swept across Europe in 1848 to 1849.
The speaker expresses unreserved, passionate support for the revolutionaries. The first three lines personify the idea of rebellion, showing this figure throttling the kings of Europe. However, the revolutions are defeated. The speaker implores the revolutionaries to try again.
The speaker then directly addresses the oppressors who inflict pain, suffering, and death on their own people, and exploit their labor. The kings promised better times but then broke their word. The people, scornful, rose up in rebellion, but they did not assassinate the rulers, offering mercy instead. They were repaid, however, with more destruction; the old rulers returned to power, harnessing all the instruments of oppression, including priests, hangmen, and tax collectors.
A being clothed in red robes, its face hidden, lifts an arm and points one finger, assigning blame or warning of future retribution. The consequences of the ongoing conflicts are dire, with many young men shot or hanged, while the rulers just laugh. The dead are martyrs for the cause. Other young men will take their place and continue the fight against the kings. The many deaths are the seeds of freedom. Some people may despair about the apparent crushing of liberty but the speaker does not. He knows that liberty will soon return.
This is the only poem in the first edition of Leaves of Grass that was previously published. It appeared in the New York Daily Tribune on June 21, 1850, under the title “Resurgemus,” Latin for “we will rise again.” It is also the earliest poem in the 1855 edition in terms of date of composition. In the second edition, it was titled “Poem of the Dead Young Men of Europe, The 72d and 73d Years of These States.” The poem assumed its present title, “Europe: The 72d and 73d Years of These States,” in the third edition in 1860.
The year 1848 was a significant one for the monarchies of Europe, as the spread of liberal, democratic, and nationalist ideas resulted in revolutions aimed at overturning the established order. Revolutionary activity in Sicily in January quickly spread to France, Germany, Italy, and the Austrian Empire. In many states, the revolutions achieved only minor changes and were defeated by military action; authoritarian governments were restored.
Whitman’s poem pays tribute to all the young men who died in the pursuit of freedom, encouraging the forces of revolution not to give in to failure but to keep fighting. It speaks to Whitman’s love of political liberty and his hatred of despotic rulers. One of only two political poems in the 1855 edition (the other is “A Boston Ballad”), this poem lacks the metaphysical and psychological perspectives of the collection’s other works, but it does carry the indomitable optimism that is a feature of the collection as a whole.



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