Leonard and Hungry Paul

Ronan Hession

43 pages 1-hour read

Ronan Hession

Leonard and Hungry Paul

Fiction | Novel | Adult | Published in 2019

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Chapters 15-21Chapter Summaries & Analyses


Chapter 15 Summary: “Travel Plans”

Helen wakes to find a note on the fridge from Paul: He is at the hospital visiting Mrs. Hawthorn. This show of independence is rare for Paul. Helen loves Paul and genuinely wants what is best for him, but she is unsure about what he needs at this stage of his life. She and Peter both like living with Paul and find that his presence has eased them into old age, but she wonders if it might be time for them to move to a smaller house. She would also like the chance to have the kind of relationship with Peter that they did before having children. Peter gets up, and the two discuss Grace’s suggestion that they take a long trip. Peter suggests Vietnam, and Grace says that she’ll think about it.

Chapter 16 Summary: “Chamber of Commerce”

Paul returns from his hospital visit feeling energized and independent. He readies himself for the Chamber of Commerce ceremony, noting with irritation that he accidentally purchased a shirt with French cuffs. Having to borrow cufflinks from his father dampens his high spirits, but he does his best to remain calm. At the event, Leonard and Paul are distant. Leonard is upset because he invited Shelley and Patrick, but she thought that it was too soon for him to meet her son. Paul still feels the sting of having been canceled on by Leonard a few days prior. Still, Paul is excited. He ends up winning the contest with his entry: “You may wish to note the above” (152). The judges enjoyed that it did not add anything to the email and that it left the reader with options. Paul is presented with a £10,000 prize, via a large novelty check, and is asked to make a speech before the crowd. He panics and finds himself tongue-tied. A mime emceeing the event pretends to be looking at his watch, so the event’s director takes over and gives a short speech himself. Afterward, Paul and the mime chat, and then the family heads home.

Chapter 17 Summary: “Family Dinner”

Peter and Helen prepare to have Grace and Andrew over for dinner, so Paul helps by tidying. Grace and Andrew are late because they were arguing: Each feels pressure mounting as their wedding nears. They present a united front upon arrival, however, and the dinner is pleasant. Privately, Grace urges Paul to share some of his prize money with his parents, or at least to use it to get himself out of the house more. She points out that everyone is moving on with their lives except Paul. Paul is puzzled by Grace’s outburst but, being an accommodating person, decides to give her suggestion further thought.

Chapter 18 Summary: “Hi Mark!”

Leonard is fired up by his new project. He writes his book about an ancient Roman boy with Shelley’s son in mind as a reader. Then, he sends his draft to the author of the previous book he worked on. Later, he gets together with Shelley to see an exhibition of bog bodies. They talk about the possibility of Leonard meeting Patrick, but Leonard can tell that he’s somehow mangled the conversation by saying that he wants to meet Patrick to be nice. Shelley meaningfully answers that he cannot meet Patrick unless their connection is serious enough that Leonard won’t end up walking out of Patrick’s life. After all, she adds, Leonard writes Patrick’s favorite books. The conversation fizzles out and Shelley sadly leaves. Leonard has no idea what has just transpired between them.

Chapter 19 Summary: “The Game of Life”

Leonard and Paul get together to play the board game Life. Paul can sense that something is wrong, so Leonard explains that he is unsure of what he said wrong to Shelley after she decided against attending Paul’s ceremony with her son. Now, the subsequent conversation about Patrick has led to what feels very much like the end of their burgeoning romance. Paul has few words of wisdom to offer. He shares with Leonard that the head of a local mime organization has offered him the position of being their new spokesman. He consults Leonard about what kinds of questions typically arise during job interviews.

Chapter 20 Summary: “Father of the Bride”

Peter is long inured to public speaking after a career in economics that included multiple different roles, including teaching. Yet he feels that his father-of-the-bride speech must be perfect and that he should give it as much thought as possible. He knows that the father-of-the-bride speech is often one of the least controversial moments in a wedding, but he owes it to Grace to do his best. The two meet to discuss his ideas, but their talk turns to her suggestion that he and Helen travel and encourage Paul to become more independent. Peter knows that Grace is right about Paul, but he cautions her that her mother will need to be eased into the idea. He then tries to give Grace some wedding advice, noting that marriage changes a relationship in ways that can be unforeseen. He has always liked Andrew, but he privately feels that he is a safe choice rather than someone for whom Grace has real passion.

Chapter 21 Summary: “Mime Interview”

Paul attends his mime interview. This performance art is in a state of decline; part of his job would be to re-introduce the public to what they had once found so captivating about mimes. He and Arno, his interviewer, hash out the details: He will work three days per week, keep Mondays free for the post office, and not be required to carry a cell phone. On the way home, Paul contemplates his next course of action. At home, he decides not to share his job news. Then, an idea hits him: weekly sessions during which participants will be invited to sit in silence. Helping the public see the value of quiet will, he hopes, allow them to better appreciate miming.

Chapters 15-21 Analysis

Paul, long stymied by indecision and mired in stasis, begins to take initiative in his life, showing How Personal Growth Transforms Relationships. He visits Mrs. Hawthorn at the hospital alone, causing his mother, who has most enabled Paul’s delayed entrance into adulthood, to reflect that her son is finally growing up. Although Paul’s independence is highlighted, Helen’s realization is evidence of her own character arc: redefining the mother-son bond to give him space for self-actualization. Grace is eager for this adjustment, as she has come to see the family’s role in Paul’s life as enabling. Although Grace is typically kind, she loses her temper and angrily lashes out, yelling, “We’re all moving on [while] [y]ou’re still at home playing Guess Who” (161).


When Paul wins the contest, he sees himself as successful for the first time. He needs to visualize a new stage of life before entering it, so the recognition and the substantial prize money allow him to feel empowered to move on just as the rest of his family is doing. This forward progress leads to the conversation with the mime—someone outside his very small social circle—that in turn leads to a job offer. Earning a living will further transform Paul’s dynamic with his family; as Grace points out, he is now in a position to contribute financially to his parents’ retirement.


Paul’s interview with the mime organization cements his newfound sense of agency and self-determination. He lands the job because of the rapport he builds with his interviewer and because he understands why he would be an effective spokesperson. He shows additional maturity when he advocates for employment perks. His plans for his first activity draw on what he learned while visiting Mrs. Hawthorn: the value of silence that will be the key to re-introducing the public to the joy of watching a mime perform and the broader ideas that underpin this art form.


The board games that the two men play are symbolic of the novel’s larger questions about identity, self-knowledge, maturation, and interpersonal relationships. Although Leonard and Paul are highly intelligent, they do not play chess or other complex strategy games; rather, they play classic kids’ games like Life and Guess Who—undemanding, low-effort games that reflect the men’s arrested development and childlike existences. At the same time, the games’ titles are telling allusions to the two friends’ need to break out of stasis: They must form their own identities rather than blending into the Guess Who-like crowd, and they must navigate the future like the car-riding pegs in Life.


In this section, interpersonal conflict shows fissures in relying on Kindness as a Relationship Paradigm. Paul’s book project stems from the inspiration he draws from Shelley and her son. However, there is much about romance and parenting that he has yet to figure out. Shelley correctly prioritizes her son above the man she is dating. She guards her son’s feelings and does not want to introduce him to a boyfriend who might only be in her life for a short time. Leonard’s request to meet Patrick to be nice seemingly expresses a kind approach, but the tepid nature of his comment sounds to Shelley as though Leonard’s interest in her son is not sincere. In contrast, when Grace and Andrew fight about the wedding planning, they are able to resolve their differences before the family dinner; their communication is based not solely on kindness but also on openness and direct expression of feelings.

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