Leonard and Hungry Paul

Ronan Hession

43 pages 1-hour read

Ronan Hession

Leonard and Hungry Paul

Fiction | Novel | Adult | Published in 2019

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Themes

Content Warning: This section of the guide includes discussion of death.

Balancing Solitude and Human Connection

Leonard and Paul are introverts who need quiet time alone. The novel follows both from childhood into adulthood, noting the role that solitude plays in their lives. Yet each character also needs human connection and seeks out a small number of meaningful relationships. Through the interplay between solitude and connection, the novel argues that while introverts require downtime to recharge their social batteries, they also need meaningful bonds with family members and true friends.


Leonard’s introversion develops in childhood and remains into adulthood. An intelligent boy, he prefers reading alone to socializing or sports. He develops a love of learning and often impresses his mother with his growing body of knowledge. Because he is so drawn to educational reading material as a child, he uses his understanding of what children find interesting to develop a career as a writer of children’s encyclopedias. This job allows Leonard to be part of the world and maintain distance from other people: He works in an office but relies on noise-cancelling headphones to isolate himself from his colleagues. However, Leonard also cherishes meaningful relationships. He and his mother are so closely bonded that he never moves out of her house, and he also maintains important friendships with Paul and his family. Leonard and Paul are kindred spirits: Each man needs alone time, but they both also recognize the value of connection: “Solitude and peace lose their specialness when they no longer stand in contrast to anything” (129).


Leonard’s relationship with Shelley both suffers and benefits from his introversion. At first, his awkward socializing is a barrier to making a concerted effort to get to know Shelley. Persevering, Leonard observes other people to get a better sense of what “normal” clothing and conversations look like. Although Leonard is mimicking conventional behavior, he is genuine in his communication—something that the novel hints is also a result of social maladroitness. He and Shelley have a real connection, so when Shelley pulls back from their burgeoning romance, Leonard does not give up. He makes amends by sharing his book project, aimed at young readers like Shelley’s son, bridging the gap between his emotional intelligence and awkwardness by demonstrating that he understands how important her role as a mother is to her.


Paul, too, is an intelligent, largely solitary man. Like Leonard, he enjoys learning and is contemplative. His musings on the ever-expanding universe and his Judo lessons characterize Paul as a man who is “hungry” for knowledge of the world. At the same time, Paul seeks out solitude: He enjoys waking up early to start the day alone and is happy to only have a part-time job that does not allow much opportunity for friendship with his co-workers. He begins the novel content to limit his social world to his family and one friend.


Paul needs connection that enables his preference for often being by himself. He remains in his parents’ home because he loves Peter and Helen and because they do not regard his extreme introversion with judgment. Instead, they offer him the kind of companionship he wants, such as playing board games. Paul also demonstrates his need for connection in his visits to Mrs. Hawthorn, who benefits from his warmth without needing him to be socially engaged. The two do not talk, but Paul can tell that she values his presence, and he feels good about bringing someone else happiness. When Paul does finally choose a career, he finds one that makes use of his particular knowledge base: He is uniquely qualified to explain the value of silence to a public whose interest in the artistry of mimes is waning. His choice to share his appreciation for silence with people evidences a desire to connect with others on a larger scale.

Kindness as a Relationship Paradigm

In the novel, each character prioritizes kindness in personal interactions and in shaping relationships. Kindness does not equate to social nimbleness; rather, the novel argues that it allows genuine feeling to supersede face-saving or more socially acceptable emotionlessness in interactions. Leonard and Paul model kindness in multiple ways, despite struggling in social situations. Kindred spirits, they take “comfort in each other’s company” (18). Because they understand each other so well, they provide platonic love and support as each navigates life’s difficulties. Paul is particularly supportive when Leonard’s mother dies, and late in the novel, Leonard reflects that Paul “stood by him through everything” (129). Conflicts between the two are quickly resolved. When Leonard cancels plans with Paul to see Shelley, Paul feels wounded; the slight is the first time Leonard behaves unkindly. Leonard, however, realizes his error and feels bad for hurting his friend’s feelings. He vows, “He would not let his own growth, such as it is, be at Hungry Paul’s expense” (131); after that, he does not allow his relationship with Shelley to impact the friendship.


Extroverted characters like Helen use kindness to guide their engagement with the larger world. Peter and Helen, both teachers, approach their students from a position of empathy, enthusiasm, and understanding. In semi-retirement, Helen parlays her drive to help others into volunteer work at a hospital. There, she keeps patients company with lively banter even when they bore her. Paul also begins visiting patients; while he learns from her modeling kindness, the connection that he develops with a patient does not rely on exuberance. Instead, Paul keeps her quiet but warm company, offering a support more in keeping with his nature.


Kindness does not preclude direct confrontation of difficult issues; it is not glib or surface-level amiability. Grace’s childhood and adulthood are defined in large part by her role as Paul’s protector. She dutifully shepherds him, helping him to navigate a social landscape in which he feels a permanent sense of anxiety. By the time Paul is in his thirties, however, Grace wonders if being kind to Paul might mean pushing him to embrace independence and encouraging him to locate his ambition rather than safeguarding him from adulthood. In a tense but cathartic conversation, she explains her concerns to Paul, who startlingly verbalizes a mature and reasoned explanation for his behavior. The two emerge with greater understanding of one another, a plan to move forward, and no resentment because they have based their argument on a foundation of well meaning.

How Personal Growth Transforms Relationships

The novel chronicles the connection between character growth and the evolutions of relationship dynamics. Leonard’s personal development centers his trajectory toward social bonds. He begins the novel a solitary and introverted man, wearing headphones at work to prevent his co-workers from speaking to him. His only friendships, after his mother dies, are with Paul and Paul’s family. Everything changes for Leonard, however, when he meets Shelley. He is instantly drawn to her physically and emotionally. Although he is initially awkward and stilted in their conversation, they develop an easy banter that he is sure is a sign of broader compatibility. The early part of their relationship is difficult for Leonard. He is never sure about what to say or how to act around her, so he is devastated when Shelley pulls away from him. However, rather than giving up on this promising romance as he would have in the past, Leonard proactively seeks to win Shelley back. By offering his book, tailored toward children like Shelley’s son, as a token of his affection, Leonard reaches out to her in a way that communicates his interest in both of them.


Paul’s personal growth also affects his engagement with the world. He initially has little interest in becoming what society would deem a “full adult,” as he is content with his part-time job and has no desire to move out of his family home. Life only begins changing for Paul when he realizes that Leonard, his sister, and his parents “seem[] to be moving on without him” (127). Not wanting to be left behind, Paul accesses his dormant drive and ambition. He forges a quiet friendship with Mrs. Hawthorn at the hospital and enters the Chamber of Commerce contest. These steps into life outside of his very small circle prove fruitful: He wins the contest, receives an award that heralds financial independence, chats with the emcee, lands a job interview, and has enough newfound confidence in himself to actually accept the resulting job offer rather than rejecting it as he would have normally done. The position is a perfect fit, as he is uniquely qualified to explain the value of mimes’ artistry to the public because of how much he values silence. These successes transform Paul’s connections to other people so much that the novel ends with him guiding a well-attended workshop about exploring quiet moments.


For Peter, Helen, and Grace, character growth takes the form of redefining the nature of their relationship with Paul. Grace is the first to realize that Paul is being held back; she encourages their parents to take a long vacation, leaving Paul alone to develop some independent life skills. Encouraging Paul to take more initiative is challenging for his parents, who have grown used to his extended childhood in their home. However, Helen begins to bring him with her as she volunteers at the local hospital, while Peter contemplates what the next phase of their marriage will look like with Paul’s constant presence. Grace has a difficult conversation with Paul that becomes combative, but she has realized that the best way to be a good sister is to encourage Paul to mature. At the end of the novel, this small family has re-shaped its boundaries, and everyone is happy to be moving forward.

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