33 pages 1-hour read

Leroy Ninker Saddles Up

Fiction | Novel | Middle Grade | Published in 2014

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Character Analysis

Leroy Ninker

Leroy Ninker, DiCamillo’s kind-hearted protagonist, works the concession stand at the Bijou Drive-In Theater and dreams of being a cowboy. Not only does he try to look the part with his hat, boots, and lasso, but he also frequently says “Yippie-i-oh” (2). Leroy notes that cowboys “cast long shadows,” “fight injustice,” and are “never ever afraid,” revealing his desire to be imposing, strong, and courageous. Moments later, he whispers that he wants to be a cowboy. By speaking softly, Leroy shows that he doesn’t yet believe himself capable of such bravery. Over the course of his arc, Leroy learns to embrace his strength and build his confidence, growing into the person he longs to be.


Leroy’s personal growth is catalyzed by his relationship with his horse, Maybelline. When he finally meets Maybelline, he feels “his heart tumble and roll inside of him. Oh, to be a cowboy with a horse! To ride into the sunset! To ride into the wind! To be brave and true and cast a large, horsey shadow!” (19). His heart tumbles because he feels closer to achieving his dream now that he has a horse. Also, his exclamations reveal that he longs for courage and the admiration of others. Despite these desires, Leroy already possesses a big heart and is a good person. Patty LeMarque notices this when she dubs Leroy the right person for Maybelline because the horse takes a liking to him. Furthermore, Leroy admits that he was a thief in the past, but that he has reformed. After telling Maybelline this, he says, “‘I hope you don’t judge me, Maybelline, because I truly am a changed man’” (48). Leroy’s admission of past wrongdoing shows that he wants to do the right thing. Even though Maybelline is a horse, he hopes she will think well of him.


Throughout the novel, Leroy exemplifies the novel’s central theme of Overcoming Obstacles with Determination and Positivity. Leroy is a good listener who does not shy away from problems and takes advice from those he trusts, notably Beatrice Leapaleoni, Patty LeMarque, and Mrs. Watson. Leroy remains determined to succeed despite the many obstacles he faces. When Beatrice suggests he find out about the horse, he does just that, walking most of the day to get to Maybelline. Even when passing cars spew insults and cans that hit him, he’s not deterred. 


DiCamillo includes details that highlight the challenges of Leroy’s situation and showcase the determination with which he faces them. For example, she notes that “by the time Leroy made it to his destination, it was late afternoon and his feet hurt” (14). The amount of time it takes him to reach Patty’s house and the pain he endures show the great lengths Leroy will go to get a horse. This resilience surfaces later when he cannot get Maybelline into the apartment, lacks appropriate food for her, and loses her during the storm. Through it all, Leroy perseveres to find solutions. He opts to sleep outside with Maybelline after he feeds her spaghetti. And even though he becomes distraught after searching for Maybelline through the night, Leroy is rewarded when he spots her hoofprints in the mud. Despite the odds stacked against him, Leroy does not give up, relying on the things he learned from both Beatrice and Patty along the way.

Patty LeMarque

Patty LeMarque, Maybelline’s original owner, serves as a mentor to Leroy throughout the novel. When Leroy Maybelline, Patty provides guidance on how to care for her, instructing him on three important items: compliment Maybelline regularly, keep her well fed, and never leave her alone for long. Later, when Leroy faces the challenge of caring for Maybelline, he remembers Patty’s words—advice that continues to guide him even though she is not physically present. After Maybelline is done eating, Leroy “close[s] his eyes, [and] what he [sees is] Patty LeMarque” (45). This image reminds him that he should never leave the horse alone, and it helps him solve the problem of getting her into his apartment. Instead of forcing Maybelline inside, he opts to sleep outdoors with her. Because Leroy often hears Patty’s voice or sees her in his dreams, her wisdom guides him long after they part.


In addition to sharing her knowledge about caring for Maybelline, Patty also provides honest advice to Leroy about life in general. When he speaks to her in his cowboy slang, she says, “Be a straightforward communicator” (21). When Leroy and Maybelline ride away, Patty encourages him to “listen to the people of the world when they offer you informational bits” (29). Her words indicate that he will encounter more situations that he does not know how to handle, and by listening to the wisdom of others, he can learn and grow, pointing to the text’s thematic exploration of The Need for Friendship and Community. Beyond her knowledge of caring for horses, Patty LeMarque mentors Leroy by imparting important life skills.

Maybelline

DiCamillo characterizes Maybelline, Leroy’s horse, using anthropomorphizing techniques, portraying her—like Leroy—as a character with interiority. As their bond grows, Leroy and Maybelline relate to each other less like owner and pet and more like friends. For example, when Leroy admits to past wrongdoing, “There [is] a long silence. Leroy move[s] his hat and look[s] up at Maybelline. The horse look[s] down at him. She [is] listening” (46). After Leroy admits to having been a thief, Maybelline’s response is typical of a friend who is contemplating the gravity of what Leroy has just shared. By returning his gaze, Maybelline demonstrates that she is “listening,” not just hearing, which suggests that she understands what he says. After they are reunited, Maybelline sits at the Watson table with Leroy, Mercy, and others, enjoying a breakfast of toast. The illustration of this scene depicts her patiently waiting for Mrs. Watson to serve the food as if she were part of the family and as if horses normally sit at kitchen tables.


This anthropomorphism underscores the theme of the need for friendship and community because Maybelline is not a typical horse, but one motivated by kind words from loved ones. For example, she does not begin to walk when Leroy first sits in the saddle until he utters compliments and words of affection. His repeated words, specifically “horse of my heart” (53), demonstrate the love and devotion he feels for her. Maybelline, in turn, also loves Leroy. When the storm rages, she wonders, “Where was the little man with the big hat and the beautiful words?” (54). Not only does she want Leroy in her moment of fear, but she also notes his beautiful words, indicating that she longs for the love he shows her. When she feels terrified, she desperately needs his companionship to feel safe and secure. Maybelline’s favorite films—love stories—emphasize these feelings as she enjoys “the beautiful words that people said to each other” (89).

Beatrice Leapaleoni

Beatrice Leapaleoni, the ticket seller at the Bijou Drive-In Theater, is Leroy’s knowledgeable co-worker who provides him with the newspaper clipping advertising Maybelline that serves as the novel’s inciting incident. Much like Patty LeMarque, Beatrice serves as a mentor to Leroy. First, she helps him see that all cowboys in Westerns have not only a hat, boots, and a lasso but also a horse. However, just as important as the advertisement is her advice. She tells him, “‘What you have to do here is take fate in your hands and wrestle it to the ground’” (8). Beatrice tells Leroy that instead of merely wishing to be a cowboy, he should take steps to achieve his dream. This wisdom and encouragement fuel his quest to obtain and keep Maybelline.

Residents of Deckawoo Drive

Once Leroy reunites with Maybelline on Deckawoo Drive, the residents there embrace them, emphasizing the community around Leroy and Maybelline that offers them love and support. Mrs. Watson and her pig Mercy, as well as Frank and Stella Endicott, all show kindness toward Leroy and Maybelline. Mrs. Watson recognizes Leroy from when he tried to steal from her house (in Mercy Watson Fights Crime), but instead of being angry at the sight of him, she is delighted, saying: “‘Mr. Ninker! It is lovely to see you again’” (83). The woman’s genuine happiness highlights how friendship can ameliorate past differences and bring people together. 


When Mrs. Watson invites Leroy and Maybelline, along with Frank and Stella, inside for toast, she’s actively creating and celebrating community. Stella’s decision to take Leroy’s hand demonstrates the companionship between them. When Leroy expresses doubt that Maybelline can enter the house, the woman says, “‘There is always a way to make things fit’” (83). Her optimistic outlook illustrates the central message of the story: anything is possible. Although much of the wider community of Deckawoo Drive does not appear until the end of the narrative, they tie together many of the story’s themes.

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