68 pages 2-hour read

Life on the Color Line: The True Story of a White Boy Who Discovered He Was Black

Nonfiction | Autobiography / Memoir | Adult

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Themes

The Ubiquity of Human Prejudice

Throughout his book, Williams chronicles many incidents of racial prejudice and disparity. From his earliest memories, when he plays with Black children around his father’s tavern, he’s aware that the two groups are distinct. The meaning of this distinction—and the inculcation of Williams and his brother into the mindset of automatic prejudice—becomes apparent when Tony reveals to the brothers that they’re Black and both boys react with shock and dismay, Mike complaining, “‘I don’t wanta be colored. I don’t wanta be colored. We can’t go swimmin’ or skatin’” (33). Of course, the Black population was aware of this bias and considered it in all their interactions, as when Tony is stabbed and they call for an ambulance but tend to the wound in case it doesn’t come. His Black employee, Percy, reminds Mary to tell the emergency operator that a white man has been injured, fearing that the ambulance won’t respond to a life-threatening assault on a Black man.


Williams documents the reality that Black citizens discriminate against white citizens as well. He and his brother are pale enough to pass as white. When they attempt to interact with Black children in the African American neighborhoods of Muncie, they’re verbally and physically attacked. This prevalent and persistent prejudice is the major reality of Williams’s youth, leaving him with no racial identity he can easily assume. Williams experiences a particularly daunting expression of these dueling prejudices when he tries to date girls and encounters a difficult irony: White people know of his heritage and don’t want him dating white girls, while Black people often see him as white and don’t want him dating Black girls.


His narrative reveals the power and absurdity of prejudice. His parents’ ability to engage in legitimate business and provide for him was theoretically unlimited in Virginia, where Tony was assumed white. In Muncie, where Tony was known to be African American, strict limitations were automatically in place, particularly regarding economic opportunities. The brothers’ lives dramatically underscored this disparity, as they go from being privileged, middle-class children to being underfed latch-key children sleeping at either end of a shared cot—not because they’ve changed or misbehaved in any way but because they’ve gone from being perceived as white to being perceived as Black.

The Precarious Existence of Children and Young People

Long before Williams ends up living in his paternal grandmother’s tarpaper shack in Muncie, an atmosphere of fearful wariness pervades the circumstances in which he, his mother, and his siblings dwell. Because the tavern is the center of so much violence and uncertainty and because of his father’s extravagant money-making schemes, Williams never feels confident. The incident in which an employee having a psychotic episode chases Mary and the children in the night, wielding a hatchet, but then changes his mind just before striking them, epitomizes why Williams feels uncertainty—especially when the tavern welcomes the employee back to work six months later upon his release from an asylum.


Once in Muncie, the dreadful uncertainty only ramps up. Williams hears his Great Aunt Bess discussing plans to send the brothers to an orphanage. Instead, their Grandmother Sallie grudgingly takes them, placing them in a deprived, depraved, and inhospitable environment. When their father returns, having abandoned them for several months without explanation, he openly muses about sending them to an orphanage. Even when Miss Dora rescues them, the boys realize that they must struggle to find enough money for food. Their father’s promises of financial support seldom materialize, creating an air of ongoing uncertainty.


At no point in the narrative can Williams express a feeling of confidence about his living situation, his opportunities, or his family relationships. His life is essentially a moment-to-moment balancing act in which no certainties exist except prejudice and hardship. After escaping a mob of Shed Town boys who threaten to attack them with baseball bats, Williams and his friends try to make sense of the reality that these are the same kids who cheered them on as their football and basketball teams defeated rivals. Even the coach who relies on Williams’s ability to lead teams to victory questions and undermines him. A tribute to Williams’s resilience is that he rises to the task of dealing with uncertainty when he determines that he can rely only on himself—and repeatedly prevails.

Hard Lessons Well Learned

Periodically throughout his narrative, Williams pauses to give a virtual “voice over” of what he learned from a particular experience in his life. As he grows older, the lessons become more refined and nuanced. While they inherently differ at the distinct stages of his youth, these lessons have at least two things in common. One is that each profound insight Williams gains is from a painful, regrettable experience. An important revelation comes to Williams when he and Mike are living with their bitter, drunken grandmother and, after they’ve waited hopefully for months for their father’s return, Tony appears in the middle of the night. Instead of fulfilled hope, however, the boys receive blame and recrimination. With nothing but the ephemeral hope of a future better day, Williams realizes that he must choose between dreams and despair, and he chooses dreams.


The second commonality of these lessons is that each one focuses Williams back on his own abilities, choices, and determination. While this element is present in every one of his awakenings, the one that seems to most enforce his sense of liberty and personal responsibility comes late one evening as he and Mike ride home to Muncie past a state prison. That day, Tony failed to show up for Williams as he went before a judge to defend himself for a traffic offense that the behavior of his father and a drunken friend sparked. Williams suddenly recognizes Tony’s irresponsibility as a gift. It has taught him that he can care for himself regardless of the crisis. He writes, “I felt I could conquer the world” (243).


The lessons that so enlighten and empower Williams are unintentional—and are often at odds with the insights and advice of others, as when white teachers and coaches counsel him to subserviently be “a credit to his race” (183). Although he doesn’t express it, most of his greatest insights and retained lessons don’t come from teachers or relatives but from the harsh lessons that life foists upon him.

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