45 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of kidnapping.
When Lila Dahl was a baby, Doll took her from her home and raised her as her own. Lila was a quiet baby who often hid from adults. She hated the way Doll obsessed over her and barely spoke at all for years. Lila was a sick baby who almost died at birth but Doll devoted herself to her care. For a time, Doll and Lila stayed with an elderly woman, who Doll worked for. She knew the truth about Lila and often warned Doll that she’d get into trouble for stealing the child; Doll was skeptical that anyone would come looking for her. However, Doll and Lila eventually had to leave the old woman’s when her son and daughter-in-law came to live with her.
After leaving the old woman’s house, Doll and Lila joined Doane, Marcelle, Em, Mellie, and Arthur on the road. They started traveling and working together. Years later, Lila would try to tell the Reverend John Ames about her time with Doane and the others, but would have trouble explaining her past. Lila never learned the truth of her story from Doll as they “never spoke about any of it” (13). They settled in with their new group, and their life seemed natural to Lila.
Years later, Lila still finds herself thinking about this time. She is now living in Gilead with her husband, the Reverend John Ames. Her mind often wanders when she is tending his garden. The two have been married for some time now and Lila’s life has changed drastically; still, she often feels an old sadness come over her. She cares deeply for the pastor but sometimes wishes they could communicate differently. Just the other night they were lying in bed talking and Lila found herself incapable of opening up to John, despite his openness with her. Her mind is often consumed by memories of Doll. She often finds herself wondering if her past is too wicked to overcome, and imagines that her baptism didn’t actually cleanse her.
Despite how long Lila and John have been together, John often worries that she will leave him. Lila tries to reassure him but does sometimes contemplate getting out of town and starting over again. Then one day, she realizes she might be pregnant and understands that she’ll have to settle down for good now. On the porch that night, she and John discuss the possibility of having a child together. An elderly John is surprised but happy.
Lila recalls her arrival in Gilead. After fleeing St. Louis, she headed out to Sioux City. After some weeks of living on the road, she found an abandoned cabin outside of Gilead where she decided to stay. Then one day, she wandered up to the church in town where she met the reverend. They sat together, and John told her about his life, including his wife and child’s death. Lila alluded to her own situation but didn’t open up to John. He assured her that whatever she was struggling with, “God is all that can resolve it” (31). She felt she owed him something afterward but he didn’t request anything in exchange, and instead invited her back whenever she chose. Still living in the cabin, Lila later found herself returning to the church and asking John to baptize her. She wasn’t sure it was the right thing to do, but she had been overcome by loneliness of late. She would often get lost in thoughts of Doane, Mellie, and Marcelle, wondering what had happened to them.
The more often she wandered into the town, the more acquainted Lila became with Gilead. She met Mrs. Graham, who invited her in and gave her some new clothes. From there, she visited the cemetery where she found the reverend’s late wife and late child’s grave. She often felt like an outsider in Gilead but had trouble being on her own.
Lila continues to recall her past. She remembers her life in St. Louis and before Gilead. She remembers Doll teaching her to read and the first time she encountered the Bible. She remembers when she first discovered the passage about saving a baby’s life which she loved. She remembers growing up with Doll, Doane, Mellie, Marcelle, and the others, and all the time they spent sleeping outdoors or staying at workers’ camps.
Remembering this now, Lila wonders if John would be embarrassed by her past if he knew the truth. During the weeks she was staying in the cabin outside Gilead, she often worried what the townspeople thought of her when she would wander into Gilead. She never cared for them or their judgements, and tried to share as little as she could about herself. She realizes again how lonely she was back then. She remembers the days she spent working in people’s houses and all the times she’d run into the reverend in town. She remembers, too, the day she saw him outside the church after a funeral. They made eye contact and Lila felt comforted. She even envied the mourning woman at his side. The moment reminded her of another time she’d found herself waiting outside a church as a girl.
The opening pages of the novel introduce the structure and form, conflicts and stakes of Lila Dahl’s narrative. Written from the third-person limited point of view, the narrative does not have section or chapter divisions. Rather, the narrator follows the meandering movements of Lila’s consciousness, which dictate the trajectory of her story. This unconventional approach to plot, structure, and form enact the novel’s theme of Memory as Survival and Self-Definition. Lila is a strong and independent character, but she is also isolated, introverted, and emotionally removed. In the narrative present, she is living in Gilead with her husband, Reverend John Ames, with whom she is expecting a child. Lodged in this conventionally secure lifestyle, Lila often finds her mind wandering into scenes of her fraught past. Despite all that she has suffered, lost, and survived, Lila pines for these days. She spends so much time in her memories because her memories help her to withstand the stasis of her life in the present and to hold onto a truer iteration of herself.
Lila’s life in Gilead feels compromising because her circumstances contrast so sharply with her origins. She withholds the truth of her past from the townspeople, and even from the reverend, setting up a character arc in which she will gradually come to understand Love as an Act of Mutual Vulnerability. In this first section, Lila’s vulnerability is so acute that she fears sharing it with anyone. If the reverend knew where she came from, she fears, he would “just be embarrassed at how poor she was, how rough she lived. He wouldn’t quite look at her, he’d try not to look at anything else, and he wouldn’t say much at all” (45). Lila understands who she is outside the context of Gilead and her new life there. However, she is careful to keep these intimate facets of her identity a secret from her new husband and community out of self-protection.
Lila repeatedly references her intense loneliness over the course of these pages. She is lonely when she is living in the cabin outside of Gilead, but this loneliness does not abate even after she joins the Gilead community. Her sustained loneliness is the result of her psychological and emotional alienation. Lila hides in her memories, trying to protect a part of herself she fears losing to her new life. Sometimes she wishes John “knew some of her thoughts” but “only some of them, the ones she would like to show him” (45). Lila longs for connection and intimacy, but fears it, too. She has grown up mistrusting others and guarding herself to stay alive. Even after her circumstances change and she is part of a secure community, Lila continues to retreat into the past to hold onto a shred of her former, more authentic self.
Lila’s complex relationship with life in Gilead introduces the novel’s theme of The Search for Belonging After Displacement. Lila’s life has been defined by displacement. Doll took her from her biological family when she was an infant and kept her as her own until she was an adult. Throughout her childhood and coming of age, Lila lived on the road with Doll and their companions, traveling from one place to the next in search of work and housing. Lila later ended up in St. Louis—under circumstances not yet revealed—which she eventually fled to end up in Gilead. Lila’s peripatetic past has left her longing for acceptance and community. In the past, Lila was always “wary of […] strangers” (44) and knew to trust only those closest to her. In the present, Lila wants real closeness with the reverend and within Gilead but does not yet know how to achieve it. The images of the couple making eye contact in front of the church, sitting on the porch and talking, or lying next to each other in bed convey Lila’s desire for connection. Although guarded and withholding, Lila clings to these fleeting moments of closeness to feel grounded and safe.



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