Lisey's Story

Stephen King

63 pages 2-hour read

Stephen King

Lisey's Story

Fiction | Novel | Adult | Published in 2006

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Part 2, Chapters 12-15Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual violence, mental illness, child abuse, child death, suicidal ideation, self-harm, graphic violence, illness, death, physical abuse, and emotional abuse.

Part 2: “Sowisa”

Part 2, Chapter 12 Summary: “Lisey at Greenlawn (The ‘Hollyhocks’)”

Lisey checks the clock and is surprised to learn that it is not even noon. She realizes that she left the shovel in Boo’ya Moon. She checks herself in the mirror and notes how her lips are only slightly puffy, while the wound on her chest looks like a cut that has already been healing for a few weeks. She decides to go to Greenlawn to meet her sisters.


Before leaving, Lisey calls Woodbody and tells him that, if Dooley contacts him, she wants him to tell him that she changed her mind. She will meet him at 8:00 in Scott’s study to give him the files. Lisey then records a message on the answering machine of her office phone telling Dooley to meet her that night. She knows he will come and be dangerous, but she is prepared for it. Lastly, she stops by Alston’s police car down the road and tells him she is going to Greenlawn. He warns her to return soon because a storm is coming.


When Lisey gets to Greenlawn, she heads toward the door, but something tells her to return to the car. She has the nagging sensation that she needs to remember exactly where her car is. She checks her license plate and notes the tree she is parked under. She spots an empty bottle nearby and puts it under the rear of her car, feeling satisfied but unsure why.


In Amanda’s room, Lisey talks to her, urging her to come back. When she gets no response, she grabs Amanda’s hand and tells her to squeeze if she wants to return. After a moment, she feels Amanda’s hand twitch and takes it as confirmation. However, when she pictures Boo’ya Moon, nothing happens. Lisey realizes why she had the urge to take a second drink from the pool. She puts her mouth to Amanda’s, then feels the water rush from her mouth and into Amanda’s. She then feels herself transported to Boo’ya Moon.


Lisey appears by the pool. Only this time, it’s not a pool, but a harbor with a ship at bay. Lisey realizes that it is the Hollyhocks, a ship that Amanda used to dream of captaining as a child. However, the benches are still there on the shore, and she spots Amanda sitting on one.


Lisey tries to get Amanda to leave with her. Amanda initially dismisses her, then talks about Scott and how he knew that Lisey would one day try to save her. Lisey explains that she has to return with her to stop Dooley, or else she might die. Lisey’s words snap Amanda out of her trance. Lisey insists that she needs to think of her car. She describes what it looks like, where it is in the parking lot, and the bottle on the ground beneath it. After a moment, she and Amanda transport back to the parking lot.

Part 2, Chapter 13 Summary: “Lisey and Amanda (The Sister Thing)”

As they drive back to Lisey’s home, Lisey tells Amanda about her plan to kill Dooley and put his body in Boo’ya Moon. They reflect on how Scott knew long ago that they would both need help someday and that they would be able to provide it for each other.


Lisey stops at the Castle Rock State Park. When she pulls over, Amanda gets out of the car in her clothes from the hospital, and with no shoes on. She walks through the grass, then stops to look out over the lake. In the distance, they can see the storm coming as the thunder begins. Lisey tells Amanda that she is glad she’s alive, then Amanda responds that she is, too. They then both begin to dance, laughing and yelling to each other over the sound of the thunder.


Back in the car, as rain and hail start to fall, Amanda calls Darla on her cell phone. She tells them that she recovered when she heard Lisey calling to her, and now they are in Derry at the hospital to run some tests. While they feel guilty about sending Darla to the wrong place, they both agree that they can’t risk her coming to Lisey’s home while Dooley is there.


After, Lisey calls Greenlawn. She is nervous to talk to Dr. Alberness. She thinks of a moment with Scott from the past, where he was getting pestered by his editor to change something unbelievable in his story. In response, Scott insisted that life is often unbelievable. Lisey channels his confidence as she talks to Dr. Alberness, explaining that Amanda woke up, then they simply decided to leave. He questions how they got through the guarded door, but Lisey insists that it was open and no one stopped them. He asks to talk to Amanda, who assures him that she is fine by reciting facts about herself. He seems pacified but insists that they return the next day for testing.


Lisey and Amanda go to Amanda’s house so that she can get clothes. On her door is a note from her ex-boyfriend, which Amanda dismisses by rubbing it on her behind, causing Lisey to laugh uncontrollably and forget about Dooley briefly. Amanda then gives Lisey a gun, and Lisey wonders if she could really use it to kill Dooley.

Part 2, Chapter 14 Summary: “Lisey and Scott (Babyluv)”

As they wait for 8:00, Lisey and Amanda sort through Scott’s things in his office. A voice in her head tells her that there is still something she is missing. She realizes that it is Amanda’s voice, and she remembers what Amanda said sitting by the pool before she became coherent: Scott had told Amanda years ago, “[s]omething about a story. Your story. Lisey’s story” (416). Lisey then begins to wonder how much of this Scott planned. She thinks back to his death, which occurred in Bowling Green, where he was reading from his latest story. After, he collapsed in the hallway, then was taken for heart surgery. Lisey was at home when the doctor called. After giving permission for the surgery, Lisey got on a plane and flew there. She is transported back to the moment she arrived at the hospital.


In the flashback, as Lisey makes her way through the hospital, she has an overwhelming sense of déjà vu from the hospital in Nashville. The nurses call Dr. Jantzen, who takes her to Scott’s room. On the way, he explains that they performed a thoracotomy to relieve the built-up fluid and trapped air in Scott’s lungs. Dr. Meade, the head of the English Department, claimed that Scott had an extreme cough and fever leading up to the speech. Later, Dr. Meade tells Lisey that, right after speaking, Scott told him to call Lisey to come to Bowling Green as he “may have eaten the wrong thing after sunset” (426).


Lisey realizes that they are in the Isolation Unit. Dr. Jantzen washes his hands and puts on a gown, mask, and gloves, then instructs Lisey to do the same. He tells her that he has a strange form of pneumonia or the Bird Flu and that they can’t figure out how to treat it.


Lisey goes into Scott’s room. He asks for ice, sending Dr. Jantzen out of the room. Lisey goes to Scott’s bed and begs him to go to Boo’ya Moon and heal himself at the pool. As Scott struggles to talk, he explains that he can’t get to the pool. He already tried, but the long boy is lying across the path, sleeping. He visited Boo’ya Moon on the plane and ate some berries, as he has done many times in the past, but it must have been too late in the day. He assures Lisey that she saved him many times from “the dark,” then dies.


In the present, Lisey contemplates what killed Scott, whether it was something he got from the berries, the air, a bug, or something else entirely—and whether she could’ve gotten the same thing. She cries at Scott’s desk. A moment later, Lisey sees the light on the phone turn on. She knows that Dooley cut the line and has finally arrived.

Part 2, Chapter 15 Summary: “Lisey and The Long Boy (Pafko at the Wall)”

Lisey calls Amanda to Scott’s study. She stands in the doorway as the lights go out, while Lisey stands by the desk. Dooley calls to them from the bottom of the stairs. He tells them that he is wearing a pair of goggles and can see them in the dark. He orders Amanda to drop the gun. Lisey interrupts him. She begins taunting him, comparing him to Cole, which enrages him. He charges at her and slams into her, shoving her back into the desk. Lisey embraces him. She hears Amanda fire a gunshot into the air, then charge and jump on Dooley’s back. Lisey grabs Dooley, kisses him, and releases the second gulp of pool water into his mouth. She pulls all three of them into Boo’ya Moon.


Initially, Dooley is shocked by the sight of Boo’ya Moon. Lisey explains that she is finally giving him a glimpse into Scott’s life and that he should be honored. He threatens to kill her, causing Amanda to attack him. Dooley quickly knocks her down, then Lisey begins goading Dooley. She angers him so that he chases her. After a few steps, he trips, then falls onto Paul’s grave marker. He stands up, then pulls the cross out of his arm. Lisey yells to him again, then runs. As she enters Fairy Forest, she notes that it is already beginning to get dark.


Lisey runs through the forest. She can feel Dooley running right behind her. She nearly falls and forces herself to run faster. When Dooley trips behind her and yells out, Lisey knows that he has woken up the long boy. She feels its thoughts, which contain the dark things of her past like Scott’s dying words and her dead grandmother; she thinks, “[a]ll the bad-gunky, in other words” (448). She then spots the silver shovel, abandoned by a tree, and picks it up. Lisey turns just as Dooley reaches her and hits him with the shovel. He falls off the path and into the trees, yelling as he does so.


Lisey feels movement beside her. The long boy then emerges. It is massive, its head taller than the trees, with dark, endless eyes. She knows that, in that moment, she will never be able to forget about it. She knows she will be haunted by it, as Scott was for his entire life. She hears its mouth consuming Dooley and sees his blood spray, then turns and runs for Sweetheart Hill.


Lisey finds Amanda on the hill. Amanda is distraught at the sound of Dooley screaming, and Lisey wonders if she will ever be able to get that or the long boy out of her mind. She forces herself to think of the study, instructing Amanda to do the same. After a moment, they return.


Lisey and Amanda go back to the house. As Lisey is about to make hot chocolate, Amanda tells her that she should clean up the study in case the police show up. Amanda is adamant that she can’t go back there yet.


In the study, Lisey picks up the gun and Dooley’s belongings. She looks briefly at the stack of magazines and periodicals against the wall. She decides that she won’t give them to Woodbody but will donate them to a different college. She feels at peace in the study for the first time since Scott’s death.


Back in the house, Amanda tells her the plan that she came up with. They are going to go to their old family farm, which they still own but where no one lives. They will tell Darla and Cantata that Amanda insisted on going there. They sent their sisters to Derry because they were afraid that they would try to stop them from going or take her back to Greenlawn. Lisey is satisfied with the story. On the way, they stop at a bridge and throw the gun in with Dooley’s belongings.

Part 2, Chapters 12-15 Analysis

Following her grieving at the end of the previous section, Lisey’s actions in this section emphasize her newfound agency and sense of control as she embraces The Value of Confronting and Accepting the Past. Lisey’s careful orchestration before leaving, as she contacts Woodbody, records a message for Dooley, and lies to Deputy Alston, demonstrates how she has recovered from her past grief and uses her newfound strength to harness it in the present. Similarly, when Lisey calls Dr. Alberness to tell him that she has Amanda, she is nervous and unsure how she will convince him that everything is fine. In that moment, she harnesses her memories of Scott, asking herself repeatedly, “What would Scott have told him?” (398). This moment emphasizes her newfound agency: Now, instead of avoiding her history or being controlled by it, Lisey takes advantage of it, actively using her memories of Scott to give her the confidence to convince Dr. Alberness.


This idea is further underscored by Lisey’s journey into Boo’ya Moon to retrieve Amanda, a moment which emphasizes Lisey’s newfound ability to navigate this supernatural world now that she has relived Scott’s memories of it. The plea that convinces Amanda to return—Lisey’s insistence that she needs her help—conveys Love as Involving Shared Hardship and Burdens. Amanda is unwilling to return to the real world just to save herself; instead, it is her understanding that Lisey is in danger that encourages her to return. At the same time, Lisey ignores the dangers of Boo’ya Moon and her history with it, willingly putting herself in danger to save Amanda.


As the novel builds toward its climax—the confrontation between Lisey, Amanda, and Dooley—the setting reflects the impending turmoil, as the weather turns dark and stormy. The thunderstorm metaphorically represents the chaos that Lisey and Amanda have survived, while also emphasizing the fact that more danger awaits. Amanda’s reaction to the storm, insisting that she and Lisey dance, laugh, and shout in it, reflects their resilience and willingness to endure whatever they may face. This scene conveys the non-linear attributes of trauma and life’s difficulties. Both women acknowledge that, despite everything they have been through, they are not finished yet; despite this fact, they are willing to weather any storm—both literally and figuratively.


The final confrontation between Dooley and Lisey completes her arc to active agent, as she overcomes the physical danger just as she overcame her emotional trauma. She lays a trap for him in the study, then weaponizes language to taunt and enrage him, ultimately transporting him to Boo’ya Moon. The act of kissing him while forcing pool water into his mouth inverts intimacy. When he first taunted her, he claimed that he would “hurt [her in] places [she] didn’t let the boys touch at the junior high dances” (79), then he mutilated her breasts with the vulgar comment that at least it wasn’t her genitalia. These grotesque and intentionally disturbing words, as well as his act of harming her breasts, tie Dooley’s violence to sexual domination and abuse. In turn, Lisey’s use of a “kiss” to trap and defeat him subverts the power dynamic, allowing her to reclaim her agency and reassert control over him. Similarly, she finally defeats Dooley by using the thing that taunted and scared Scott for years, using Boo’ya Moon and the long boy to end Dooley’s control over her.

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