63 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death, rape, graphic violence, physical abuse, and child abuse.
Though Malachi once contemplated getting Olivia pregnant to tie her to him, he has since abandoned the thought. He does not like children and has told Olivia that he doesn’t want to be a father. Today, he watches her leave her office with Jennifer and Abigail and go to Anna’s house to meet Anna’s newborn twins.
He follows the women, parking his bike in a spot that gives him a view into Anna’s house. As Malachi watches Olivia cradle the babies, he notices her radiant smile. He feels uneasy knowing that he can never give Olivia a child. After a while, Malachi texts Olivia that they need to get home. When Olivia comes out of the house, she gently tells Malachi that he should give her more space.
Later, Olivia and Malachi pick up Molly from school to take her dress shopping for the homecoming dance. Though Malachi dislikes kids, he knows that he has to familiarize himself with Molly for Olivia’s sake. Molly immediately takes to Malachi, asking him if she can sleep over at his place to spend time with his new pet spider.
At the cabin, Olivia worries about her impending meeting with the Reznikovs, while Malachi is consumed with panic about Olivia abandoning him. She finds him standing next to the bed, muttering to himself. She tries to get him to sleep, knowing that insomnia affects his mental health. However, Malachi stays awake.
Later, he shows Olivia his pet spider and asks her to name it. Olivia chooses “Cordelia.” When Malachi places Cordelia on Olivia’s hand, she tries to hide her distaste for the creature: She hates spiders, while Malachi loves them. However, Olivia has to learn to tolerate Cordelia since she will be sharing a house with the spider.
Olivia is at work when she gets a text from Molly saying that Malachi is standing across from their house. She texts him to ask why but gets no response, indicating that he is angry with her. Olivia has no idea what could have upset him, as they had a peaceful morning together.
Later, Malachi comes into her office. He presses Olivia’s letter opener to her throat, nicking her. He pushes her onto her desk and cuts through her sleeves with the letter opener, trapping her. To Olivia’s shock, Malachi has rough anal sex with her. He places a ruler in Olivia’s mouth to keep her from screaming. Malachi tells Olivia that he is punishing her for keeping Mason’s death a secret from him. Olivia is in pain but also aroused.
Abigail walks into the office and sees what is happening. She tells Malachi to leave, saying that she urgently needs to talk to her best friend. When Malachi continues to have sex with Olivia, Abigail throws things at him to make him stop. However, Malachi only stops when Olivia asks him to leave.
After Malachi’s exit, Abigail asks Olivia about his behavior. Olivia tells Abigail that Malachi is upset because she didn’t tell him about Mason’s death—she and Jamieson thought that he was too fragile to deal with the terrible news.
The next day, Olivia, her parents, Molly, and Abigail wait for the Reznikovs at the office. When Molly announces that she met Malachi, Jennifer seems unhappy. Olivia knows that her parents and Abigail dislike her relationship with Malachi. Molly is the only one who senses Olivia’s happiness.
The Reznikovs—Xander; his brother, Adryx; and their parents, Igor and Angelina—walk in, accompanied by Sebastien Prince, whom Igor calls his nephew. Sebastien will be the contact between the Vizes and Reznikovs from now on. Sebastien breaks the tension by cracking irreverent jokes.
As Igor and Jamieson talk, Olivia notices that Xander looks nervous. He and Adryx keep looking at Abigail. Igor wants Olivia to sign the marriage contract. Jamieson asks Igor to release Olivia from the agreement, but Igor says it is impossible.
The meeting takes a turn for the worse, with Xander threatening to take away Olivia forcibly. Jennifer asks Jamieson to back down since the agreement cannot be broken. The Reznikovs leave, though Xander later surprises Olivia in her office. He taunts her for having sex with her brother and calls her sexist slurs. Then, Abigail walks in. She seems angry at Xander for being so close to Olivia and leaves. Xander goes after her. (Though the text does not specify this, it is hinted that Abigail is in a relationship with the Reznikov brothers.)
Later, Olivia leaves the office. She thinks that it is time to tell Malachi about Xander’s threats. She also wants to discuss matters with Jamieson and sends him a text that she’s coming over to talk. Just then, someone grabs her hair and covers her mouth, pulling her into a black car.
After Preston brought up his friends in speech therapy, Malachi did a Google search for Mason and found out about his death. Angry that Olivia kept the information from him, he turned on her. However, he also knows that such rough sex acts also turn Olivia on.
He now sets out candles and plays music so that they can have their date night at home. He also decides to show her a video clip from the time he kidnapped her as the masked stranger. When he was surveilling Olivia, he installed cameras along the routes she frequented, and they were never uninstalled. Now, as he looks for the file on the computer, he sees Olivia being kidnapped on the feed from the camera outside her office.
Malachi follows the tracker he put on Olivia’s phone to a woodland, where a dark car is parked. He puts on his gas mask and uses his screwdriver to stab the driver, killing him. He pulls a sobbing Olivia out of the car and hugs her. She worries that the discovery of the dead man will put Malachi in prison, but Malachi has a plan. He stuffs the man’s body in the trunk of his car and takes his phone, wallet, and keys. He and Olivia drive to Vize manor.
At Vize manor, Malachi asks Jamieson for a private word. Jamieson asks Jennifer to leave him alone with Malachi and Olivia. Malachi explains the situation to Jamieson and tells him that he needs his help disposing of the body. Jamieson agrees, and the three of them go to Malachi’s cabin. They dig a hole in the backyard to bury the body. After they’ve buried the man, Malachi signs to Jamieson that he is sorry for what he did to him in the past. Jamieson accepts the apology but tells Malachi that this needs to be his last murder.
Meanwhile, the dead man’s phone receives a text from an unsaved number. Malachai reads the message, which says that Igor Reznikov will pay the man $5,000 for delivering Olivia to him. Malachi calls the unknown number, and Jennifer answers.
They realize that Jennifer hired the man to take Olivia to Igor. Having already accepted millions of dollars from Igor in exchange, Jennifer could not let the deal fall through. Olivia is numb with betrayal. Jamieson goes home to confront Jennifer, determined to break things off with her.
After Jamieson leaves, Malachi bathes Olivia, soothing her. He confesses his undying love with words and sign language. They have sex, though Olivia asks him to stop calling her his sister. Malachi maintains that he thinks of Olivia as both his sister and girlfriend. He swears that he will protect her from the Reznikovs. Later, Jamieson returns, with Molly in tow.
The penultimate section of the novel is more plot-heavy than the preceding chapters, introducing the storylines of the Reznikovs, Jennifer’s betrayal, and Olivia’s kidnapping. The quickening of the narrative signals the novel moving toward its climax and resolution, while the pile-up of narrative devices keeps the plot’s momentum. Mirroring the quickening pace, Malachi’s violence toward Olvia takes a turn for the worse when he anally rapes her to punish her for keeping Mason’s death a secret, further developing the theme of The Dynamics of Power and Control in Relationships. He presses a letter opener to her throat and skewers her sleeves with the opener so that she cannot move for fear of cutting herself. To keep her from crying out, he shoves a metal ruler in her mouth. If this were a role-play scenario negotiated with prior consent, it could be part of Malachi and Olivia’s sexual repertoire. However, Malachi does not seek Olivia’s consent, raping her and explicitly stating that he intends it as punishment. This type of scenario can be a feature of dark romance and taboo romance works, and while critics argue that such depictions lead to the romanticization of sexual violence and rape, advocates contend that the extreme but fictional scenarios push boundaries in the same way that horror movies do, allowing the audience a safe space to explore different territories.
Olivia’s response to Malachi’s behavior shows that although she does not find the sex pleasurable at first, she is aroused by the fear and pain, as she has been in the past. She narrates the episode in a cool, detached way, which can be read in two ways: as evidence that she knows Malachi will not harm her or as the emotional detachment that trauma survivors sometimes experience when coping with violence. Rivers balances the serious and dramatic nature of the scene with unexpected humor through Abigail’s entrance. She throws pencils and pens at Malachi to get him to stop and asks Olivia to tell Malachi to “get out of [her] ass and leave” (286). The levity is at odds with the situation, and the juxtaposition of these disparate elements suggests that there are no easy answers to the Olivia-Malachi dynamic and the question of whether it constitutes romance, abuse, or both.
The office scene also illustrates the theme of The Ethics of Taboo Romance, as it includes a violation of the privacy taboo. Not only does Malachi continue to have sex with Olivia in Abigail’s presence, but he also doesn’t stop, even though Abigail repeatedly asks him to. For Malachi, the taboo of privacy is just another obstacle between him and Olivia, and he is shown to be so focused on Olivia that privacy is not an issue, another element of the dark romance convention in which his desires are too powerful to be controlled. However, the question that arises as a result is whether the violation of the taboo is ethical: Abigail did not ask to watch the sex, nor did Olivia ask for such an encounter in the public setting of the workplace. While taboo relationships such as that between Malachi and Olivia can be a way of asserting individuality over social constraints, they also invite conversations around ethics.
In this section, Malachi represents two archetypes, acting as both the beast and the rescuing knight, as it is he who saves Olivia from the black car and kills her kidnapper. With the conflation between beast and prince, the novel suggests that while clear-cut definitions may be possible in theory, in reality, people are more complex and multi-faceted. While the office scene represents the nadir for Malachi’s character, his rescue of Olivia and newfound solidarity with Jamieson represents the beginning of his redemption. As Jamieson and Malachi work together, Malachi’s internal monologue shows that he is torn between resentment of Jamieson as an authority figure and genuine remorse for his actions. Both the remorse and the budding father-son bond between Malachi and Jamieson foreshadow parenthood as Malachi’s ultimate path to redemption.
While Jamieson emerges in a positive light in this section, Jennifer appears as an antagonistic figure. In archetypal terms, Jennifer’s betrayal is important for the development of Olivia’s character and develops the theme of the dynamics of power and control in relationships from a different perspective. Olivia finally sees that her mother is a manipulative person who has groomed and trafficked her and grows disenchanted with her. This disenchantment is critical for Olivia to grow away from Jennifer, develop boundaries, and reassert control of her life.



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