63 pages 2-hour read

Little Liar

Fiction | Novel | Adult | Published in 2024

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Themes

The Impact of Past Trauma on Present Behaviors

Content Warning: This section of the guide includes discussion of death, child death, sexual violence, physical abuse, emotional abuse, child abuse, animal death, sexual content, and cursing.


In Little Liar, author Leigh Rivers delves into how past trauma shapes behavior for years after the fact. In a sequence that illustrates this theme, Malachi suddenly seizes Olivia’s throat in anger because she turned off the lights on him. Malachi signs that he is furious at Olivia because she “silenced” him by cloaking his sign language in darkness. The novel does not justify Malachi’s exaggerated, violent response but suggests that it can be understood in the context of childhood events, such as Malachi’s mother locking him in his room and asking him to be silent for weeks and his inability to form words as he watches his mother and Rex die. These events—all involving a forced or involuntary silence—cause Malachi to develop a complex response to being rendered voiceless. Interpreting any attempt to silence him as a vicious attack on his person, Malachi erupts in defensive anger. The novel uses several such intersections between Malachi’s past trauma and his present behavior to illustrate how traumatic events continue to resonate throughout a person’s life while also offering hope that the trauma can be overcome.


The novel emphasizes the ripple effect of past trauma not only to provide depth to its characters but also to emphasize that they are not evil or corrupted but, rather, shaped by their circumstances. Malachi’s spell in prison further traumatizes him, trapping and silencing him in an echo of what he endured in childhood. The impact of his time in prison is illustrated through his increasingly violent behavior after release. It is also shown through his increasing withdrawal from reality in the second half of the book. He is unable to sleep and often still holds conversations with his imaginary version of Olivia; she notes that Malachi is “sometimes here, but (sometimes) he’s not” (209). However, the novel offers the context of his past trauma to indicate that Malachi is redeemable despite his violent acts. Olivia suggests as much to Jennifer when she says that he deserves help with his mental health rather than incarceration. Rather than dismiss characters for their behaviors, the text suggests that understanding and empathy can lead to healing and growth. By the end of the novel, Malachi is confronting the lasting effects of trauma on his life through therapy and medication, offering an example of how trauma can be dealt with and overcome, even years after it occurred.


Since the novel is told largely from Malachi’s perspective, the impact of trauma on his personality and behavior is more fully evident; however, Olivia is also impacted by the traumatic events of her past. Her refusal to let go of Malachi parallels her refusal to abandon the baby brother who died in her arms. Olivia’s past also affects her relationship with her parents, Jennifer and Jamieson. She feels indebted to them for saving her from a horrific childhood, resulting in an inability to assert her boundaries, something she struggles with in her relationship with Malachi as well. Her desire to please Jennifer, Jamieson, and Malachi despite their treatment of her can be read as fear of abandonment since her biological parents left her and her brother to starve. Over the course of the novel, however, Olivia confronts her abandonment issues and works to assert boundaries with her family, highlighting another example of how trauma can shape identity and behavior while also arguing that with work, healing, and growth, it can be overcome.

The Dynamics of Power and Control in Relationships

Little Liar explores power and control through the romantic and family relationships that it portrays. Through Olivia’s relationships with Malachi and Jennifer, the novel unpacks how power dynamics function and illustrates how control can be both oppressive and liberating. 


Malachi and Olivia’s relationship is both romantic and filial, and it involves power play and a violation of boundaries. Early in the novel, Malachi confesses to touching Olivia when she is asleep but also notes that Olivia does the same to him. Thus, both Olivia and Malachi push each other’s boundaries and enter each other’s space. In romance fiction, entering the space of the other can be seen as a marking of territory and the assertion of sexual love: By demolishing notions of private space, lovers show that they belong to each other and form a unit beyond the individual. Further, for people with complex pasts, such as Olivia and Malachi, power play can be a safe method to indulge one’s kinks. For instance, Olivia notes that “[she] like[s] it when (Malachi) scares [her]” during sex (399). Power play allows her to live out a fantasy of fear in a controlled manner. While asserting power in these scenarios can be healthy, the novel also examines the more problematic aspects of controlling one’s partner or child.


The harmful aspect of control in Olivia and Malachi’s relationship is evident in his refusal to obtain her consent. He deliberately transgresses boundaries when he stalks Olivia, surveils her through cameras, infringes on her time with her friends, and forces her into unwanted sexual situations. Although typical of the romantic hero’s behavior in the dark romance genre, all these actions can also be interpreted as Malachi’s assertion of dominance over Olivia. While domination in sexual relationships is not inherently unhealthy, it must be accompanied by prior consent. Olivia asserts her boundaries and reestablishes control later in the novel when she tells him that he cannot have sex with her when she is sleeping unless he has her prior consent. Romanticizing domination as control carries the risk of perpetuating abuse, which is why Malachi must learn to respect Olivia’s boundaries.


With Jennifer and Olivia’s relationship, the novel offers another example of unhealthy dominance through control. While Malachi’s violence is a more visible form of control over Olivia, Jennifer’s grooming is subtler and more insidious. She often uses Olivia’s past to manipulate her, reminding Olivia that she is indebted to her adoptive mother and using Olivia’s gratitude to control her. Further, as Olivia notes, Jennifer uses the fairytale fantasy of a prince whisking her away to force her into an arranged marriage. A teenaged Olivia believes that such a union would be romantic and does not resist her mother’s grooming. The novel suggests that lasting relationships are those that evolve in their dynamics, finding a healthy balance of power and control. Malachi’s love for Olivia lasts because he begins to understand the concept of consent and learns to respect Olivia’s boundaries, albeit reluctantly. However, because Jennifer refuses to change her desire to dominate Olivia, their relationship withers away.

The Ethics of Taboo Romance

Little Liar explores taboo romance through the romance between adoptive siblings Olivia and Malachi. The taboo romance genre focuses on relationships that society considers wrong, unconventional, or problematic, such as relationships between relatives or unions with age gaps and skewed power dynamics. Since Malachi and Olivia are adopted siblings who grew up together, their romance falls in this genre, but it also intersects with the dark romance genre with its elements of domination, control, nonconsent, and violence. As is characteristic of the genre, for Olivia and Malachi, violating the social taboo against their relationship becomes a way to assert their individuality and their passion for each other. By indulging in a forbidden relationship, they establish that they are not governed by society and show that their love is so strong that it cannot be contained by norms and rules. With their story, the novel explores the position of people involved in a taboo romance, as well as the larger implications of the romance in their lives and other relationships.


The forbidden aspect of their love is a key feature of Olivia and Malachi’s bond; they, especially Malachi, revel in its forbidden aspect. Malachi does not desire Olivia despite the fact that she is his adopted sister but because of it: He often refers to Olivia as “[his] sister” and is aroused when she calls him her brother during sex. Although Olivia is more ambiguous about the conflation between brother and lover, she refers to Malachi as “[her] brother” throughout the text, even after knowledge of their sexual relationship becomes public. Malachi and Olivia revel in the sibling kink because it demolishes the boundary between their fraternal and sexual love. Taboo romance’s forbidden-love trope also positions Malachi and Olivia as star-crossed lovers whom the world wants to keep apart; Malachi touches on the love-against-the-world aspect of their romance when he notes that he will “tear […] to fucking shreds […] [and] set fire to” the boundary between him and Olivia is created by society (34). By establishing society as the antagonist of their love, the novel grants the couple heroic status. Society is the obstacle to their happiness and fulfillment, and their heroic journey constitutes surmounting this impediment to be together.  


However, the novel also explores the more ambiguous aspects of such relationships; by placing Olivia and Malachi’s relationship in the larger context of the Vize family, the novel illustrates their relationship’s effect on others. Both Jennifer and Jamieson are disturbed by early signs of romance between their children, and Jamieson, in particular, tries to separate them. Jamieson’s discomfiture with Malachi and Olivia’s relationship shows how their taboo romance adversely affects the family, putting him and Malachi in direct opposition. The fact that Malachi’s obsession with Olivia leads to him nearly killing Jamieson suggests the dark side of such a relationship. With its examination of the effects of Olivia and Malachi’s taboo romance on their family and other relationships, the novel broadens its exploration of taboo romance to include the extended ramifications of such a relationship.

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