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Content Warning: This section of the guide includes discussion of ableism, gender discrimination, and sexual content.
Olivia, exhausted after weeks of weeping and little sleep, prepares for her wedding. She dwells on how much she misses Malachi as she begs Jennifer not to force her to marry Xander, who seeks to control her appearance. Molly, Olivia’s younger sister, echoes Olivia’s dislike of Xander, but Jennifer claims that her “hands are tied” (185). With an agreement already signed, Olivia cannot get out of the marriage.
Seeking to hurt Jennifer, Olivia explains that she was with Malachi sexually during her several days’ absence and insists that she has no regrets. She tells Jennifer she is in love with Malachi, as he is the “only one who ever protected [her]” (187). Molly, despite feeling she should be “totally grossed out” (187), finds this romantic.
Jamieson enters and asks for Olivia’s true reason for not wanting to marry Xander. He seems unsurprised by her admission of her feelings for Malachi. Jamieson promises to protect her from Xander and vows to stop Jennifer from exerting the same control over Molly as she did over Olivia. Olivia plans to marry Xander but then seek a divorce to best protect her family.
Jamieson admits that he has been having Malachi followed and that Malachi has been attending therapy and has been seeing a speech-language pathologist. This indicates to Jamieson that Malachi is “trying to be better” (189). Jamieson plans to attempt to make amends with Malachi, though he believes this will not be instantaneous. Olivia believes Malachi to be observing her via security cameras, so she tells a nearby camera that she regrets not staying with him.
Despite her intention to still marry Xander, Olivia balks before she reaches the altar. With Jamieson’s encouragement, she flees the church. She takes a taxi to the farmhouse, where she finds Malachi. She confesses her love, which he returns. They joke about their shared proclivity for rough sex and make plans to destroy Olivia’s wedding dress during such an encounter.
As part of their sex play, Malachi plans to pursue Olivia as she flees. He thinks of his plans to murder Xander if he married Olivia. He builds anticipation by referencing all the sexual acts he wishes to perform with her as he pursues her across the farmhouse property. When he catches her, they have rough sex, including vaginal penetration with the screwdriver. Throughout the act, they each reassert their love and their plans to never be apart again. She agrees to marry him.
They return to the farmhouse, where they have a bath and have “slow” and “sensual” sex, a novel experience for Malachi. He enjoys the emotional intimacy of it. Olivia frets that Xander will cause problems for them. Malachai vows to protect her, something he mentally associates with repairing his inability, as a child, to protect his birth mother. He plans to keep her safe even if she disapproves of his methods. Olivia references a possible interest in children one day, though Malachi frets they will be “like [him].” Olivia insists there is “nothing wrong” with him and that she does not desire him to change. He still plans to try to improve for her sake, pleased that she finally “chose” him.
The two epilogues in the novel, one from the point of view of each main character, explore the limits of control and The Roots of Possessiveness. Olivia’s objection to Jennifer and Xander (who is presented as an antagonist, though he never appears on the page) is that they seek to control her in ways that she feels are inappropriate. Jennifer’s scheming to groom Olivia for a society marriage makes Olivia feel that all her interactions with her mother have been based on coercion. Olivia further objects to Xander’s sexist control; he has demanded she change her hair color and instructs her to speak only when he wishes to hear her input.
Olivia’s sense that these forms of control are intolerable but Malachi’s sexual control is desirable indicates the role of choice in the text. The novel suggests that Olivia can choose the extent to which she is controlled. Olivia isn’t done Exploring the Allure of Taboo, but she has a better understanding of her sexual identity and her relationship to kink. With this character growth and development, Rivers puts Olivia’s final interaction with Malachi in the text firmly in the arena of consenting non-consent, as opposed to the grayer area of dub-con. This choice is similarly framed as important for the “happy ending” for both of the protagonists. For Olivia, choosing Malachi (and telling her father that she plans to be with Malachi) shows that she is no longer conflicted about being “wrong” for desiring Malachi. In these final pages, as Olivia accepts herself and her relationship with Malachi without shame, she completes her character arc by taking full control of her life for the first time.
For Malachi, Olivia’s free choice means that he feels important to someone for the first time in his life. He therefore learns that releasing control can have more positive emotional benefits than exerting control over them, which, in turn, helps him enjoy the control that Olivia willingly grants him. Olivia asserts her conviction that nothing is amiss with Malachi and disregards his worries that his ASPD or his selective mutism means there is something “wrong” with him that makes him unworthy of her love. Malachi, despite having confidence in Olivia’s position, still plans to practice helpful behaviors like taking medication and seeking therapy, illustrating his completion of his own character arc; he matures enough to understand the issue of control in his relationship with Olivia and to grant her equal standing, and he comes to understand the importance of therapeutic measures to support his mental health. With the happy endings of the two protagonists, the novel also addresses, for the final time, the question of What Makes a “Real” Family. The narrative illustrates that for Olivia and Malachi, their intimacy and trust are the foundations of family that transcend other societal definitions.



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