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Eliza and Oliver marry and move into a home that Oliver built himself and takes great pride in. In contrast, Eliza is eager to invest in new properties in pursuit of financial stability and prosperity. She convinces Oliver, whom everyone calls Gant, including his wife, to partner in business with her brother Will. This endeavor is not successful; Gant dissolves the partnership and returns to isolation.
Gant enters a pattern of work and drunkenness, which results in two- to three-night benders every couple of months, as observed by the whole of Altamont. Eliza suffers under Gant’s abuses, as “an obscure and final warfare was being waged between them” (17). Despite Gant’s protests, Eliza asserts some of her power as she fulfills her dream of pursuing real estate.
In the first 11 years of Eliza and Gant’s marriage, they have nine children. The six children who survive into childhood and are Steve, Daisy, Helen, Grover Cleveland and Benjamin Harrison, who are twins, and Luke. Gant continually falls into bouts of drunkenness and is sent away numerous times for recovery.
It is 1900, the turn of the century. Gant has turned 50 years old and Eliza, who is now 42, is pregnant with her last child. While Gant distresses over the passage of time and laments the choices he has made, Eliza looks forward to a new chapter in her life without the limitations of pregnancy. Gant throws himself into his most intense bout of drunkenness yet, which again results in his admission into a sanitarium for recovery. Desperate and fed up, Eliza confronts each bar owner in Altamont and threatens them with legal action if they serve Gant alcohol.
Embarrassed by Eliza’s public humiliation of him, Gant throws himself into more debauchery. At his mother’s request, their eldest son Steve continually drags his father home from his escapades. Their eldest daughter Daisy hides in shame for her father’s actions, and her sister Helen, Oliver’s favorite child, nurses her father to sobriety with soup. This cycle continues into September 1900, on the night Eliza goes into labor. Gant enters in a fury and assaults a laboring Eliza. As Helen nurses him and the night passes, Eliza begins to give birth.
Eliza and Gant’s last child is born the next morning. Eliza, barring Gant from the delivery room, names him Eugene. Wolfe describes the human events that preceded Eugene’s birth and takes the reader into the mind of newborn Eugene, whom Wolfe portrays as frustrated at his inability to engage with the world around him. Eugene demonstrates from an early age a desire to read, “realizing that his first escape must come through language” (31). Eugene absorbs the sights and sounds of the world around him and eventually speaks his first word—“Moo!”—in response to a neighbor’s cow.
Eugene reaches the age of two and, because of his brother Luke’s illness, he is entrusted into the care of a young black girl. As the girl takes an outside nap one afternoon, Eugene wanders away into the alley of their aristocratic neighbors, the Hilliards. A horse pulling a grocery wagon for the Hilliards tramples Eugene. Eugene survives the incident with no fractures, although he does bear a faint scar for years after the incident.
Luke recovers from typhoid, and the Gant children grow. Steve follows in his father’s destructive path and is expelled from school, which leads to antagonism between son and father, who “grew open and bitter. Gant recognized perhaps most of his son’s vices as his own” (38). The distance between Eliza and Gant continues to grow and, though Gant drinks less often, their relationship is strained.
Eliza decides to venture westward to the 1904 World’s Fair in St. Louis for a trial period while Gant stays in Altamont. The family spends the spring and summer exploring St. Louis; Gant comes to visit, and Eliza sets up a boardinghouse for visitors from Altamont. In the fall, Grover, “the gentlest and saddest of the boys” (46), contracts typhoid from eating a contaminated pear at the fair. Grover dies from typhoid. Eliza laments, “If I had known” (49), repeatedly and regrets her decision to explore. The Gant family returns home, where their neighbors greet them in mourning.
As Eliza and Gant establish themselves in their marriage, the couple struggles to overcome the incompatibility of desires that fuels a violent war between them. Eliza constantly searches for stability, particularly in the form of real estate, which she believes will secure their income and fulfill her inherent desire to own and dominate. Gant seeks diversion and escape; the stability that Eliza seeks fills him with dread and escalates the already turbulent emotions that he cannot contain within himself.
Chapter 3 marks the turn of the century, a momentous change for the Gant family. Now middle-aged, both Gant and Eliza reflect on their lives so far and the unfulfilled desires that haunt them. Both nurture their own unhealthy methods of escape, Gant through his relentless forays into a drunken loss of control, and Eliza through her obsession with expansion and security. Unhappy in their lives and marriage, the Gants await the arrival of their last child, Eugene, who ushers in a new era within the family. Eliza envisions a path devoid of any further maternal interruptions and asserts her independence fully, exhibiting selfishness that defines her for the rest of the novel.
Chapter 4 takes the reader into the mind of Eugene, our main protagonist, whose internal world awakens from the very moment of his birth. Even as an infant, Eugene desires to connect and engage with the world around him but struggles to do so. Although Eugene does eventually acquire the ability to communicate, his sense of isolation is palpable in these early descriptions and carries over into his struggles to connect as an adolescent and adult. Wolfe establishes Eugene’s devoted relationship with language from these early chapters, as Eugene recognizes even as an infant that language, for him, is a method of escape. Like his mother and father, he also seeks solace from the frustrations of early life through his preferred method of escape: books.
Eugene also physically escapes in Chapter 4 when, neglected by the nanny who was hired to watch him, Eugene crawls into the alley of the Hilliards, his wealthy neighbors, and is almost trampled by a delivery man’s horse. Eugene reflects on his fascination with the Hilliards for years after this incident, as “the people and the life next door were crudely and symbolically above him” (36). He carries a scar from this incident, a physical mark of Eugene’s early attempts to transcend his social class and change his station in life. Repeated attempts to escape throughout the novel isolate Eugene from his family.
In Chapter 5 Eliza enacts her trial period of exploration by moving the family to St. Louis. This plan terminates with the unfortunate death of Grover, Ben’s twin, who dies after contracting typhoid from a contaminated pear. In reflection, Eliza repeats with intense regret, “If I had known. If I had known” (49). She repeats this statement later in the text, and it comes to represent the remorse that shapes much of her development throughout the novel.



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