45 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death.
After Flora gives Catherine Grace the telegram announcing her father’s death, Miss Mabie drives her back to Ringgold. She finds her childhood house full of mourners, including Gloria Jean, Lolly, and a visibly upset Miss Raines. Catherine Grace confesses her guilt over Daddy’s death to Gloria Jean and reunites with Martha Ann to grieve.
While planning the funeral at the church the next day, Catherine Grace senses a presence in her father’s office. Later, she sees a mysterious woman on Gloria Jean’s porch who then vanishes. When Gloria Jean returns from buying Daddy’s casket, Catherina Grace tells her about the woman. A skeptical Gloria Jean goes inside to investigate. She later brings Catherine Grace back to her home, preparing her for some big news. Inside, the mystery woman introduces herself as Lena Mae, Catherine Grace’s mother, who was believed dead. When Gloria Jean confirms her identity, Catherine Grace faints from the shock.
Catherine Grace wakes up in bed with Gloria Jean and Martha Ann standing over her. Gloria Jean informs Catherine Grace that Lena Mae is the one who helped her off the floor. Catherine Grace is disinterested in hearing about Lena Mae, but Martha Ann defends their mother. She argues that their father shared the blame. Catherine Grace accuses Gloria Jean of hiding the truth and races to the church to see her father’s body. She makes the funeral home staff open Daddy’s casket, touches his hand, and demands to know why he lied about her mother.
Leaving the church, Catherine Grace confronts Miss Raines, who confirms she is pregnant with Daddy’s child. She explains he could not marry her because he was still legally married to Lena Mae. Catherine Grace is furious that Miss Raines knew the truth, too.
Reeling from recent revelations, Catherine Grace resolves to leave Ringgold before the funeral. She stops at Lolly’s house on her way out and tells her that Lena Mae is alive and Miss Raines is pregnant with Daddy’s child. Lolly urges Catherine Grace to hear Lena Mae’s story before leaving. Lolly also tells her that Hank recently defended Catherine Grace against gossip from Ruthie Morgan. The conversation steadies Catherine Grace, but she still plans to depart Ringgold before the funeral. Before leaving Lolly’s, she notices a crystal vase from her friend’s mother.
Leaving Lolly’s, Catherine Grace notices a deep sadness in Mrs. Dempsey’s eyes, making her realize she needs to understand her own mother before leaving town. She goes to the Dairy Queen, where the owner, Eddie Franklin, confronts her. He tells her the town already knows her family’s secrets and that she’s been so focused on escaping, she has ignored the love surrounding her.
Stung, Catherine Grace sits at a picnic table and recognizes Eddie is right. As she finishes her Dilly Bar, she senses her life is about to change and prepares to face whatever comes next.
These chapters incorporate biblical allusions and language to further the novel’s theme of Redefining Salvation Beyond Religious Doctrine. Such stylistic choices transform Catherine Grace’s quest for independence into a spiritual odyssey. The chapter titles—“Waiting for My Moses Moment,” “Rolling Through the Red Sea in a Greyhound Bus,” and “Leaving the Promised Land”—frame her departure from Ringgold as a sacred exodus. She initially understands her journey as an escape from physical bondage to a utopia in Atlanta. The text subverts this biblical structure upon Catherine’s forced return to Ringgold. Her journey back to her hometown is a descent into a more complicated spiritual reckoning. The church becomes the site of her father’s lies, while her moment of clarity occurs at the secular Dairy Queen. This structural irony implies that Catherine Grace’s deliverance will require an internal reconciliation with her complex origins, instead of an escape to a new geographical location. The biblical language incorporated throughout her narrative conveys how Catherine Grace understands her secular journey toward self-acceptance via the tenets of her religious upbringing.
The revelations following Daddy’s death develop the novel’s theme of The Challenges of Forgiving a Lie. Catherine Grace’s identity is built upon a curated narrative: a saintly drowned mother and a devout, grieving father. The reappearance of Lena Mae and the discovery of Daddy’s affair shatter this foundation. Catherine Grace’s initial reaction to Lena Mae’s presence is denial, captured in her scream: “You’re a liar! […] My daddy would never keep me from my mama” (222). This outburst reveals Catherine Grace’s desperation to believe a foundational lie about her personal history; the alternative is to accept the truth that both parents betrayed her. Her demand to see her father’s body in his casket conveys her search for incontrovertible truth in a world that has become a matrix of deception. By exposing the moral failings of both parents, the narrative compels Catherine Grace to move beyond a simplistic good-versus-evil understanding of the world and to begin the hard work of forgiveness; this journey will require her to acknowledge the humanity of the people she once idolized.
The recurring Dairy Queen symbol undergoes a critical transformation in this section, evolving from a space of escapist fantasy into the site of Catherine Grace’s epiphany. Initially, the picnic table is her secular sanctuary, a place where she plans the logistics of her “salvation” from Ringgold. It represents a future she controls, separate from the obligations of church and family. Upon her return to Ringgold, the Dairy Queen becomes the stage for an intervention that alters her perspective. Eddie Franklin, a figure from her past, acts as an unlikely guide. His blunt confrontation forces her to recognize the solipsism of her perspective, stating that “you’ve been so busy looking at that mountain that you’ve never seen what was right here under your nose” (252). The image of the mountain in the distance represents Catherine Grace’s unrealistic ambition, or a willful disregard for the community which has sustained her. The setting for this scene is crucial; Catherine Grace’s moment of insight arrives from an ice cream server in a parking lot instead of a preacher behind a pulpit. She finds grace in the most ordinary, secular space.
Catherine Grace’s forced return to Ringgold marks the beginning of her transition from adolescent rebellion to a mature understanding of her world. The counsel she receives from Lolly and Eddie helps to dismantle her self-pity. Lolly’s wisdom, symbolized by the crystal vase from her own difficult mother, provides a model for finding love within flawed relationships. It suggests that goodness can exist amidst hardship, a lesson Catherine Grace must apply to her parents. Eddie’s confrontation provides the necessary shock to break through her defenses and forces her to see herself as a participant in her family’s complications. The combined impact of these interactions moves Catherine Grace away from a desire for escape and toward a nascent understanding that fulfillment may lie in reimagining her roots. The unraveling of her family’s secrets does not destroy her; instead, it clears the way for her to build a new identity based on a more complex and compassionate truth.



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