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Content Warning: This section contains discussion of child abuse, sexual content, cursing, and death.
Sydney remembers becoming best friends with Oliver. She was five, and he was six. After she assured him that he wouldn’t contract “cooties,” they bonded over his mother’s oatmeal cookies and jumped on his trampoline.
In the present, Sydney bakes oatmeal cookies for Oliver, but they’re flat. Clem and Poppy are with Sydney, and Clem references Sydney’s favorite movie, The Big Lebowski (1998). Poppy repeats a line from the movie. The line has a curse word, and Clem unexpectedly snaps at Sydney for letting Poppy watch the R-rated film.
At Gabe’s house, Gabe asks Sydney if she’s okay, and Gabe’s voice reminds her of the attacker. Sydney conceals the link and tells Gabe she’s fine. She brings Oliver the oatmeal cookies. He doesn’t remember his mother making them, but he likes them. He also likes Sydney’s smile. Sydney notes the difference between Oliver’s “profound innocence” and his manly body. They carefully embrace, and Oliver commits to being her friend.
Oliver shows Sydney his drawings, which feature a caped cat, a young man, the Faceless Man, and the Queen of the Lotus (a girl with pigtails). Sydney realizes she’s the queen and she cries. She asks about “lotus,” and Oliver says he found the word on his arm—maybe Bradford wrote it.
Oliver cooks complex dishes and sees his stepfather/Gabe’s father, Travis Wellington. He also sees Sydney’s parents. Interacting with people remains trying, and the smartphone Gabe buys Oliver bothers him. Oliver prefers in-person communication.
Oliver goes to Sydney’s house. He thinks about knocking but realizes she wouldn’t hear him, since she’s listening to Nirvana rather loudly. He enters and finds her dancing with abandon. He texts her to let her know that he’s standing behind her. She acts embarrassed, and he invites her to dinner. Unfortunately, Sydney must bartend.
Oliver offers to go with her to work, but Sydney doesn’t believe Oliver is ready for the bar atmosphere. They flirt over Oliver’s cooking “abilities” and Sydney’s lackluster chef skills. Sydney mentions Gabe’s July 4th parties, which he started to honor Oliver, who remembers sitting in the strange man’s car on July 4th, arms tied. He also remembers Sydney and him promising to remain “best friends forever.”
For Gabe’s July 4th party, Sydney tries to bake cupcakes. Gabe jokes that they look like “nipple cakes.” More seriously, he mentions that Clem left abruptly during sex. They’ve been seeing each other for the last few months, and neither Sydney nor Gabe understands what made Clem leave. Suddenly, Oliver appears in only a towel. Gabe chides Sydney for gazing at him.
After a “tipsy” woman indelicately mentions Oliver’s abduction, Sydney takes him to a quiet corner in the downstairs den. He admits that he likes women and thinks about Sydney, who jokes that she thinks about Danny DeVito. The fireworks prompt Oliver to abruptly hurry to his closet. Sydney finds him and assures him that he won’t return to Bradford’s cell. She guides Oliver away from the closet. They watch the fireworks on a grassy ravine. Soon, Gabe calls. The cops are at the house because Bradford is dead.
Oliver remembers Bradford falling off the ladder. He left the cell to get help and realized he was under Bradford’s bedroom, which had a large flatscreen. He was scared, but he gained courage by thinking of himself as the Black Lotus.
In the present, Oliver chastises himself for believing Bradford. He realizes he knows a lot about books but not “the human condition.” In the cell, Oliver worked out. He enjoyed exerting control over his body. Now, he runs, since he couldn’t run in the cell. As he runs, he thinks of Bradford. He confirms that he didn’t kill Bradford; Bradford fell and hit his head.
At Gabe’s house, police tell Oliver that Bradford was a “reclusive.” His wife and their son died in the late 1990s, and he lived alone in their isolated farmhouse. In March, a family member reported him missing, but due to the camouflaged hatch door, police couldn’t find him right away. Oliver tells police that he tried to escape at first, but the door was invariably locked. Eventually, Oliver trusted Bradford. Bradford never sexually abused Oliver, and Bradford had no criminal record. Police can’t determine a motive for the kidnapping.
Travis appears. He’s older and has a beard, but he remains fit. He smokes a cigar, which reminds Oliver of Bradford. Gabe mentions Clem and Sydney, and Travis calls Sydney a “firecracker” and wonders why Gabe and Sydney aren’t romantic partners. Gabe thinks they’re too alike and better as friends.
Oliver brings Sydney brownies, and Sydney is only wearing an oversized Hey Arnold! (1996-2004) T-shirt. Oliver wants to kiss her and mutters “fuck.” He asks Sydney about Travis, who says that Travis worked a lot (he managed restaurants) but when he was present, he played Capture the Flag with them. Oliver realizes he should look for a job; Sydney promises to help him.
Since Sydney and Oliver want to only be friends, Gabe offers to make Oliver a Tinder profile. After Gabe explains Tinder, Oliver remains confused about the app’s purpose.
At Sydney’s house, the job search is disappointing. Oliver wants a job as a cook, but he lacks experience. Instead, he gets a job at the library. Using Tinder diction, Oliver wonders if Sydney would “swipe right” for a person who worked at the library. Sydney tells Oliver not to worry about superficial dating norms; he should focus on “growing” and “healing.” She envies Oliver: Culture hasn’t “desensitized” him.
Sydney teaches Oliver about dating, and for the educational date, Oliver and Sydney cook chicken cordon bleu and dance to “One Week” (1998) by the rock band Barenaked Ladies. They discuss Princess Diaries. Oliver has seen it approximately 600 times, and he’s drawn to its imaginative world and “grand” romance. Oliver asks to kiss Sydney, and after much discussion, Sydney nervously climbs onto his lap. They kiss intensely until Sydney pulls away.
Sydney wonders if she should have kissed Oliver. She doesn’t want their friendship to become “weird.” Oliver wants to kiss her again, and Sydney explains that sex “complicates everything.” Oliver understands and asks if she and Gabe have been romantic. Sydney admits they’ve shared a few drunken kisses, but there are no romantic possibilities for them.
At the Black Box, Clem tells a “traumatic” childhood story about losing a jar of beloved tadpoles. Sydney brings up Gabe, and Clem says she left abruptly because he reminds her of an unidentified person. She changes the subject to Oliver. She claims Sydney likes him and suggests that Sydney plans to give him his first sexual experience.
Poppy hit her head on the playground while with Nate, so Clem meets Nate at the hospital and Sydney’s co-worker Brant gives Sydney a ride home. They kiss, so Sydney realizes that Brant isn’t gay; he only flirts with male customers for “tips.” Sydney thinks of Oliver, and Brant realizes Sydney’s heart is “taken.” Brant leaves and Sydney notices Oliver sitting outside. He saw Sydney and Brant kiss, but he’s not upset.
The theme of The Impact of Trauma on Survivors and Their Loved Ones centers on Oliver and his triggers in this section. The fireworks remind Oliver of July 4, 1998, which causes him to flee to the safety of his closet. Travis’s cigar links to Bradford’s cigar, which causes Oliver to “zone out.” Oliver’s trauma forces him to navigate two distinct but interconnected worlds: There’s his present life at Gabe’s home, and his prior confinement in Bradford’s cell. The two spheres continually clash, upsetting Oliver and creating inner conflict. At the same time, Travis provides a physical reason for the triggers. As will later be revealed, he is responsible for Oliver’s abduction, and he’s a part of Oliver’s present. Travis is a villainous character, and he represents the omnipresence of trauma and triggers. He also represents real danger. As long as he’s around, Oliver and Sydney aren’t safe.
Clem, too, links to the trauma theme, and in Chapters 8-13, the story provides foreshadowing and a red herring about her harrowing experience. Her jarring departure during consensual sex with Gabe suggests that Gabe inadvertently did something to trigger her. The tadpole story creates a false clue (a red herring). The most horrible event to happen to her in her childhood wasn’t losing the tadpoles, but being sexually assaulted by Travis—an event Oliver witnessed. The tadpoles conceal an immeasurably more painful calamity.
The reference to Tinder adds humor and relates to The Complexities of Sex and Intimacy. The app reinforces Sydney’s commitment to casual dating culture, especially her reluctance to have sex within a committed relationship. Gabe comically defines the app as “basically a website for getting laid” (221). Oliver’s unmoved response furthers his distance from casual sex. His interest in having a committed romantic relationship with Sydney turns him into a foil for Gabe and Sydney, since he is more interested in monogamy. Oliver refers to Tinder as “tender,” which generates comedic irony, as apps such as Tinder leave many users feeling a lack of “tenderness” (“‘It’s Quite Soul-Destroying’: How We Fell Out of Love With Dating Apps”. Robyn Vinter, The Guardian, Oct. 28, 2023).
The “dark romance” genre and the happily-ever-after trope require Sydney and Oliver to become romantic partners. Sydney reveals her inevitable attraction to Oliver by kissing him. At the same time, she maintains the boundary between sex and serious relationships by insisting that sex “complicates everything” and “tears people apart” (249). The diction is misleading. In the context of Sydney’s perspective, sex is rather simple, and it doesn’t “tear people apart” as it doesn’t bring them together in the first place. Meanwhile, Oliver’s interest in her and tentative attempts at physical intimacy with her reflect his own deepening emotions.
July 4th symbolizes a personal historical event for the characters. The story separates the day from its wider historical meaning—America’s avowed independence from England—and makes it about Oliver. Gabe began having a July 4th party every year to mark his stepbrother’s disappearance. As Sydney explains to Oliver, “The whole reason Gabe started throwing parties every year was to celebrate you. We wanted to turn a tragic day into something positive” (171). Sydney marks the day by returning to the hill and thinking about Oliver. While Sydney uses the “positive” term “celebrate,” the day is inevitably solemn, not festive. Nevertheless, the day remains life-changing, and the characters heed its transformative meaning as if it were a sweeping historical event.



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