50 pages • 1-hour read
Jennifer HartmannA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section contains discussion of child abuse, suicidal ideation, death.
July 4 is an important symbol in the book. Generally, July 4 marks America’s Independence Day. While Lotus occurs in the United States, Hartmann doesn’t present July 4 as an overtly American Holiday. The characters form their own world, and they turn July 4 into a personally historic day. Instead of representing America’s imputed freedom, the day symbolizes Oliver’s disappearance.
As the years pass, the characters mark the event in their own way. Gabe throws July 4 parties, while Sydney returns to the hill and thinks about Oliver. Sydney says Gabe throws his parties to “celebrate” Oliver and “turn a tragic day into something positive” (171). The day is more solemn than celebratory; nevertheless, the characters don’t allow the day to remain a “tragedy.” By marking it as a historical event, they maintain Oliver’s spirit and don’t let his memory vanish. While on the hill during July 4, Sydney says, “I’d think of Oliver. I’d imagine him watching the very same display, somewhere safe and warm” (193). As with other holidays and days marking historical events, Sydney’s July 4 allows her to commune with the past.
As Oliver returns, Sydney and Oliver have the chance to turn the personally historic day into a truly celebratory one, which Oliver does by proposing to Sydney on the hill on July 4. The historical event mixes with the present. July 4 is when Sydney became determined to marry Oliver, and Oliver and Sydney add to the meaning by making it the day when they agree to marry each other.
The symbolism behind the lotus occurs throughout the book; in general, the flower represents rebirth. Early on, Sydney looks up the definition and learns, “The Lotus flower is an emblem for rebirth in an assortment of cultures[….] the Lotus will bloom into the most magnificent flower, even when its roots are in the murkiest of waters” (41). As an “emblem for rebirth,” the symbolism applies to Oliver, who manages to come back alive. The “murkiest of water” is applicable, too, since Oliver survived a terrible confinement.
By the end of the book, the lotus develops a specific symbolism: Oliver and Sydney’s fate. Oliver isn’t merely destined to survive, his fate also involves marrying Sydney. She shows him that “lotus” is “sn + ol.” Oliver has been reading what she wrote on his arm upside-down. Sydney tells Oliver, “It’s our initials, Oliver. I wished for us” (664). The lotus represents the validity of their fate. On July 4, 1998, Sydney wished for them to be together, and now her wish has come true in the present. The lotus encompasses their names and solidifies the claim that they’re each other’s one true love. They have to be together: The lotus unites them.
’90s nostalgia forms an important motif in the text. Ostensibly, the 1990s stress Sydney’s playful characterization. She doesn’t take herself too seriously, which she demonstrates by fully expressing her passion for the 1990s. Not only does she consume 1990s content (like her favorite movie The Big Lebowski), she also wears clothes linked to the 1990s content (such as an X-Files onesie or her Nirvana T-shirt). At first, her nostalgia appears innocuous, a reminder of a less traumatic time.
However, the motif of 1990s nostalgia subtly supports the theme of The Impact of Trauma on Survivors and Their Loved Ones. On July 4, 1998, Oliver was abducted, so the decade is inseparable from the trauma of losing Oliver. Arguably, Sydney’s fixation on the 1990s relates to Oliver’s kidnapping: She holds on to the 1990s as a way to counter the disappearance of her best friend and future husband.
Some of the 1990s figures and allusions also undercut the general perception that the 1990s was a less traumatic time. Sydney wears a Kurt Cobain T-shirt, and Cobain died by suicide. Sydney’s name alludes to Sidney Prescott, the initial protagonist of the Scream film franchise. The first Scream film came out in 1996. Like Sydney and Oliver, Prescott and her community had to confront a masked threat that was traumatizing them. Such examples suggest that the 1990s were as violent and painful as the present.



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