55 pages • 1-hour read
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Content Warning: This section of the guide features depictions of racism, religious discrimination, bullying, physical abuse, and emotional abuse.
In his room after the pigeon prank, Max tunes his radio to Louis Armstrong’s music. Stein asks where his strategic mind comes from. Max explains with a memory from when he was six: His teacher in Berlin humiliated him and publicly shamed his mother after he wet his pants at school. He says his anger turned on himself for failing to protect her.
Since then, Max has tried to stay four moves ahead to shield his family, a mindset he has used to survive in Nazi Germany. He worries his parents lack this kind of strategic thinking and wonders how they are managing without him. Berg and Stein agree that they feel bad for Max and admit that empathy is a new experience for them.
Nearly a year passes. By September 1940, Nazi Germany occupies much of Europe and anti-German sentiment in Britain is high. During the year, Max has turned 12, “gotten rid of” his German accent, and is no longer bullied at school, although he still hates it. He hasn’t heard anything from his parents since coming from London. This worries him, although the Montagus assure him that the post is disrupted by the war.
One Sunday, Mrs. Montagu calls Max down from his room, saying that Ewen and Ivor are visiting. Max gets on well with both of them and Ewen is his best friend in England. In the basement, Max and Ivor play an intense table tennis match. When alone with Ewen, Max asks what Naval Intelligence is and Ewen reveals he works in espionage.
Ivor sets up his projector to screen a film for the family. The film is very short and surreal, provoking laughter from the brothers at how long it has taken Ivor to film. Ivor takes offense and heads for the door.
A massive explosion rocks the house, knocking Ivor to the floor. He is unhurt but Ewen orders everyone to the basement shelter. Max stays with Ewen at the open door and sees hundreds of German bombers approaching. They watch bombs fall as a nearby building explodes. Ewen slams the door and announces that the Germans have started bombing Britian’s civilian population.
The Montagus and their staff shelter in the basement for three hours. The narrator explains that the bombing is the start of “the Blitz” and describes the “Blitz spirit” of the Montagu family. While bombs drop nearby, Ivor and Ewen play a fierce table tennis match while the family cheers. Watching them, Max admires their resilience and feels love for them. Feeling like he is betraying his parents, he tells Stein and Berg he is determined to get back to Berlin.
When the bombing stops, Ivor wins the game. The family finds their house undamaged, but a neighboring home lies in ruins. They walk through devastated streets. Ewen rages at the bombing of civilians and complains about intelligence failures as there was no warning. Watching Ewen’s distress, Max sees a path home: If he can serve as a source inside Berlin, he can help Ewen while seeking his parents.
Several weeks later, the family are planning a fishing outing and picnic. This is set up as cover for Ewen meet to his superior, Admiral John Godfrey, head of Naval Intelligence, and for them to have a discussion with Mr. Montagu. The boys are also going along but are warned to behave and not to listen to or interrupt the secret conversation. Ewen and Mr. Montagu try to brief Godfrey on indications of the Holocaust, but Godfrey dismisses this as not Britian’s priority. Ewen argues for more spies inside Germany.
Max wades into the river, interrupting the meeting. He asks to be sent to Germany as a spy. The adults react with shock. Admiral Godfrey refuses, and Mr. Montagu angrily orders Max out of the water.
Secretly, Max tampers with the radio in Admiral Godfrey’s parked car. Anthony discovers him, but agrees to keep Max’s secret.
The family say goodbye to Godfrey, and everyone drives away. When Godfrey turns on his radio, he hears the Montagu family’s private conversation, happening in their car. Max has turned their car radio into a transmitter and tuned Godfrey’s car to receive it. Godfrey orders Ewen to bring Max to Camp 020 the next morning.
The next morning, Ewen confiscates Max’s radios before driving him to Camp 020, which he reveals is a prison run by the Intelligence Service. They arrive at a complex in Richmond and pass through security.
Colonel Roberts, an officer with a metal monocle known as “Tin Eye,” greets them. He leads them into an interrogation room and tells Max he will face questioning for the next two days. Max feels fear as the door closes. He looks at Ewen for reassurance, but Ewen looks back as if he’s a stranger.
The session begins. Tin Eye positions himself behind Max to unsettle him and asks about his life in Berlin. The questions range from mundane details to ideological questions.
Tin Eye peppers the exchange with antisemitic slurs and insults about non-English people. Max says he sounds very like a Nazi. Tin Eye is shocked and dares Max to repeat it; when Max stays quiet, Tin Eye accuses him—and all Jews—of cowardice. He accuses Max of being a Nazi agent, which shocks and frightens Max. Max returns that he is Jewish and not working for the Nazis.
Tin Eye presses Max on why his parents sent him away. Max answers that the reason was Kristallnacht on November 9, 1938. He recounts what he saw that night in Berlin, describing how Nazi thugs assaulted his neighbor, Rabbi Kolski, and destroyed their family’s property. When his mother rang the police, the police laughed. When Max’s father tried to remonstrate with the thugs, he was taken away. His father returned from Sachsenhausen concentration camp three days later, shaven-headed, traumatized, and with signs of physical abuse. When a family friend told them about the Kindertransport for Jewish children, his parents decided to send him away.
As the interrogation continues, Tin Eye suggests Max is spying for the Nazis to protect his parents and offers to help him if he admits it. Max says he would do anything to save his parents, but no one has ever made him such an offer. Max turns on Ewen for subjecting him this kind of antisemitic abuse. When Ewen demands the colonel’s assessment, Roberts declares Max secure and cleared for work. Ewen’s warmth returns as he explains the ordeal was a test of loyalty and resilience. He formally invites Max to train as a spy. Max accepts.
The following week, the Montagu family packs to leave for the countryside, as those who can afford to evacuate London do so. Max packs for his training. Ivor arrives for a farewell round of table tennis. Max explains his car-radio trick, and Ivor delights in Max’s audacity.
Ivor warns that British power structures treat people as resources and tells Max to remember he is the resource. He asks Max to write to him secretly and to let him know if he has any concerns. After Ivor leaves, Max reflects that the powerful often lie about their motives and wonders about the morality of spying. He steels himself for his training.
These chapters chronicle Max’s transition from a displaced child seeking revenge on schoolyard bullies to a volunteer for espionage, a shift driven by the convergence of personal trauma and historical crisis, developing the theme of The Loss of Childhood During War. The flashback in Chapter 13 establishes the logic for his character, revealing that his desire to return to Berlin is a vow to protect his parents. His guiding philosophy—to stay “four moves ahead” (84)—is revealed a direct response to his mother’s public humiliation, a moment that cemented his self-perception as his family’s defender. The onset of the Blitz serves as a catalyst, pushing this instinct into a new arena. Witnessing the Montagus’ resilience during the bombing solidifies a sense of belonging for Max, yet this newfound feeling of home paradoxically intensifies his commitment to return to Berlin. This experience furthers the novel’s exploration of The Painful Duality of a German Jewish Identity during WWII, as Max’s attachment to his English refuge fuels his plan to re-enter the country that rejected him. After the raid he feels, “for the first time in over a year, like he was home,” an emotion which he immediately rejects with the statement “I have to get back to Berlin” (103) The juxtaposition of these contradictory statements reveals that Max feels disloyal to his parents by allowing himself to become part of the Montagu family.
The narrative advances this transformation through the recurring motif of pranks, which evolve from playground retribution into sophisticated applications for espionage. While the pigeon prank was an exercise in creative vengeance, the manipulation of Admiral Godfrey’s car radio is a calculated performance of technical genius designed to prove his skills and create an opportunity for himself. Max understands that, as a child and a German-Jewish refugee, he possesses no formal authority; his intellect and capacity for deception are his only forms of currency. The prank is a direct, unsolicited demonstration of his value to British Intelligence, a high-stakes audition that forces the adults to recognize his potential. His initiative is an example of Deception as a Tool for Survival and Resistance. It is an illegal act, yet it is framed as a necessary step toward his aim of “rescuing” his parents.
The radio prank also functions as a bridge, moving Max from the world of childhood games to the serious game of adult espionage, central the theme of the loss of childhood during war. Max’s mission is predicated on his mistaken private belief that he, the child, must rescue his parents. The interrogation with Colonel “Tin Eye” Roberts becomes the stage for the most explicit articulation of this theme. Max’s recounting of Kristallnacht is a historical explication and also as a rationalization for his confused need for adult-like responsibility, which the novel presents as a trauma response to fear and chaos. In these chapters, Max states his core principle, stating that, while he despises the Nazis, “[he] would absolutely spy for them if it meant [his] parents would be safe. Between what is right and [his] parents, [he] choose[s his] parents” (144). This statement crystallizes the moral framework governing his actions, in which familial loyalty supersedes abstract ethics.
The ideological landscape Max must navigate is complicated by the contrasting worldviews of his uncles, Ewen and Ivor Montagu. In this section, the novel develops the brothers as a balanced pair, representing conflicting aspects of British society: Ewen embodies the pragmatic world of official intelligence, while Ivor, a communist intellectual, offers a critique of the systems Ewen serves. Their table tennis matches are a physical representation of their ideological sparring. While Ewen sees the war as a battle against German aggression, Ivor perceives a more complex system of exploitation. His warning to Max is a crucial moment of political education, cautioning him against the dangers of serving a powerful state. Ivor’s assertion that the British empire has a history of finding a resource and exploiting it culminates in the stark declaration, “In this case, Max, you are the resource. Do you understand me?” (152). This statement provides Max with a critical lens through which to view his recruitment, forcing him to understand that his personal mission may misalign with the strategic objectives of the British government, causing him conflict and risk. Ivor’s warning prefigures the content of following section, especially Colonel Roberts’s interrogation and Max’s increasing absorption into the adult and morally-opaque world of espionage. When Max considers, at the end of Chapter 24, the “stories we tell each other. And ourselves,” he recognizes a sense of the unknown which creates a cliffhanger into the sustained dramatic tensions and suspense of the following chapter (153).



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