45 pages 1-hour read

Michael Without Apology

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 5Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, child death, and sexual content.

Part 5: “Michael, Age Nineteen”

Part 5, Chapter 7 Summary: “Madeleine the Fierce”

While having coffee with Mr. Dunning, Michael gets distracted while watching an attractive, older woman examine his ad in the student union. After Dunning leaves, the woman calls Michael. They discuss the documentary and then continue the conversation in person. The woman insists that Michael is too attractive to be making such a film and demands he show her his scars. They go into the unisex bathroom, and Michael lifts his shirt. The woman agrees to call him back about the film.


That evening, Michael receives a call from the woman while he is unwrapping his new camera. She introduces herself as Madeleine and explains her interest in the film. She has breast cancer and had a mastectomy. They discuss the project, and Madeleine invites him to use her home for filming.

Part 5, Chapter 8 Summary: “The Problem With a Fallback Position”

The next day, Michael makes plans with Madeleine to see her home. The house is impressive, and Michael agrees that it’d be perfect for the film. Madeleine explains that she is 30 years old and doing a memoir-writing class because she wants “to get [her] life down into some kind of coherent story” (85). Their conversation makes Michael wonder if she’s interested in him. She admits that she is but insists that if they were to become intimate, it’d only be a fling. Then, they have sex.


Michael reflects on his first sexual experience while lying in bed next to Madeleine. He opens up about the firework, foster care, his adoption, his parents’ abandonment, and his scars. Madeleine asks if Michael associated his parents’ abandonment with his physical injuries, which he’d never thought of before.


Before film class, Mr. Dunning asks Michael why he’s in such a good mood. Michael admits that he’s seeing an older woman.

Part 5, Chapter 9 Summary: “If Only I Had Spit on Hitler When I Had the Chance”

Michael and Madeleine arrange for Rex Aronfeld’s interview. Rex immediately discerns that Michael and Madeleine are intimate. He then tells his story for the camera. He explains that he is Jewish and competed in the 1936 Olympics in Germany. The greatest regret of his life is shaking Hitler’s hand instead of spitting on him. He muses on his relationship with his late wife, too. He then describes his pride in his athletic body and how his body has changed as he’s aged. At times, he admits, aging makes him feel like he is all alone.


That evening, Michael and Madeleine have sex and lie together talking. They discuss Rex’s interview before Michael invites Madeleine to dinner with his parents. She declines, reminding him that people don’t meet each other’s parents in a fling.

Part 5, Chapter 10 Summary: “The Day We Get to Stop Practicing”

Mr. Dunning comes to Madeleine’s for his interview. Madeleine goes to take a nap because of a headache, and Michael and Dunning chat about her before the interview. Michael admits that he’s falling in love with her, but Madeleine only wants a fling. He then realizes that he accidentally taped their conversation.


Mr. Dunning tells his story for the camera. He was 13 when he got into a car accident with his family. His parents and sister died, and he was the only survivor and suffered serious scars. He then went to live with his aunts in Ohio. Life was difficult after losing his family and suffering such bad injuries, but his aunt cared for him.


Michael remarks on Mr. Dunning’s bravery and strength, admitting that he wants to be like him. Dunning reminds him of how challenging it is to be human.


After Mr. Dunning leaves, Michael and Madeleine chat about their relationship. She insists that their relationship will end no matter what; Michael doesn’t reply and tries to hide his sadness.


Over dinner, Michael tells his parents that he has a girlfriend but that he doesn’t want them to meet her. Although Judy is upset, Charles defends Michael.

Part 5, Chapter 11 Summary: “The First Deal We Made With the World”

Freddie arrives for his interview, admitting that his real name is Tim. He is hesitant to begin filming because Michael is too attractive and Madeleine is present. After Madeleine steps out, Michael shows Tim his scars. Tim sits for his interview and explains the lifelong difficulties he’s faced because of his skinny physique. He describes how unkind people have always been to him and how hard it’s been to date. He and Michael discuss the possible reach and influence of Michael’s film.


Next, Michael interviews Tanya. She explains more about her fraught relationship with her body. She has had five children but feels as if the world devalues mothers’ bodies.

Part 5, Chapter 12 Summary: “What If We Won’t Always Have Paris?”

That evening, Madeleine invites Michael to stay for dinner and to spend the night with her. He calls home, and Charles gives him permission to stay. After eating, Madeleine agrees to be interviewed. She describes her cancer journey, including her debate over whether or not to have reconstructive surgery after her mastectomy. She then reveals that she only has “about a year” left to live (124). Michael is so shocked that he excuses himself to the bathroom to vomit. Madeleine apologizes for being cryptic, having believed that Michael understood her situation.


Afterward, Michael realizes that he never turned off the camera and got their whole conversation on tape. Finally, they return to the formal interview.

Part 5, Chapter 13 Summary: “Part of the Foundation of the House He Built”

Madeleine conducts Michael’s interview for the documentary. Michael details what happened to him when he was seven. He describes his time at the hospital and his transition to foster care. Finally, he reveals his body for the camera. Suddenly, he bursts into tears. He speaks directly about his anger and frustration. Afterward, Madeleine convinces him to keep these sequences in the film.


After he completes the filming, Michael individually asks Mr. Dunning and Madeleine if he should include his and Madeleine’s intimate conversation in the final project. They both think he should. At the end of his conversation with Madeleine, she professes her love for Michael.

Part 5 Analysis

Over the course of Part 5, Michael’s continued work on Here I Am—Get Used to It helps him understand his new Community and Friends as a Source of Strength. Prior to beginning his documentary project, Michael lived a relatively isolated life. He didn’t spend time with his peers and avoided dating. He moved back and forth between home and school, only conversing with his parents.


The documentary project for his film class ushers him into a new social sphere where he begins to make connections with people like him. Rex Aronfeld, Tim, Tanya, Mr. Dunning, and Madeleine each have distinct identities, but their experiences all complement Michael’s experiences with insecurity and help him feel less alone. With Rex’s, Tim’s, Tanya’s, Dunning’s, and Madeleine’s help, he begins to foster a like-minded and accepting community. This social sphere offers him emotional and psychological strength as he faces life’s ongoing challenges.


Michael’s documentary project deepens the novel’s examination of Healing From Trauma Via Artistic Creation. Each of his interview subjects shares their personal trauma, sorrow, or shame for the camera—displays of vulnerability that help Michael understand the far-reaching possibilities of his work. The way he responds to Tim’s questions about the purpose and future of Here I Am provides insight into Michael’s artistic vision:


I don’t know. But at least it’s a try at making a difference. Everybody wants the world to be different, but most people don’t do much of anything to try to change it. I mean, it’s one thing to try and get nowhere. I can live with that. But I can’t be very happy with myself if I don’t try (116).


Michael is still conceptualizing the efficacy, reach, and possibilities of his project, but this scene of dialogue conveys his heartfelt desire to use his work for good. He wants the documentary to communicate a meaningful truth about self-acceptance and healing to his audience. The documentary also teaches these lessons to Michael amid the interviewing and filming process. He not only learns about others’ encounters with trauma but also creates an outlet for himself.


In the scene where Madeleine interviews him, he starts crying, which is a significant turning point for his character arc, as he is embracing vulnerability instead of hiding from it. His emotionality is a vital part of his healing process. He is trying to make change for others but is meanwhile undergoing internal change himself. He is learning that healing is an ongoing process that requires community support, personal honesty, and a great deal of risk and vulnerability. By channeling these complex emotions into his art, he is able to make sense of his past in new ways. When suffering is shared, healing is more accessible.


Michael’s interactions with his interview subjects also teach him more about The Ongoing Struggle for Self-Acceptance. Michael has always believed that his past, his scars, and his idiosyncrasies make him unlikable and undeserving of happiness and experimentation. Via Here I Am, he discovers that most people have similar trouble accepting who they are. The film gives Michael and his subjects the chance to claim their unique identities without shame. Upon completing the project, Michael reflects on the film’s meaning, deciding that “[i]t’s not about being sorry about how you look or how you feel about how you look, or how you think you mishandled a tough emotional situation”; instead, “[i]t’s about being unapologetic” (128).


Accepting himself for who he is and what he’s experienced is a life-long journey for Michael. However, this journey feels more bearable now that he understands self-acceptance as a fundamental aspect of the contemporary human experience. Helping others navigate the journey via his experiences and art also empowers and motivates Michael, imbuing his life and his suffering with new meaning.

blurred text
blurred text
blurred text

Unlock all 45 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs