45 pages 1-hour read

Michael Without Apology

Fiction | Novel | Adult | Published in 2025

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Parts 6-7Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness and death.

Part 6: “Michael, Age Nineteen and a Half” - Part 7: “Michael, Age Twenty”

Part 6, Chapter 14 Summary: “When You Can Do That, You Will Have Arrived”

Mr. Dunning shows Michael’s documentary to the class. He then opens a discussion on Michael’s film. The students share their impressions, remarking on how much Michael’s film has changed how they see themselves. They also ask about Madeleine and how she’s doing.


After class, Michael and Mr. Dunning discuss the possibility of submitting Here I Am to film festivals. Dunning conveys how proud he is of Michael. This is the first time in his teaching career that he’s “ever suggested to any student that their work [i]s submission quality” (147).


That evening, Michael shares the news with Madeleine. He’s excited but hesitant to go through with submitting the film. Madeleine infers that Michael is afraid to do so because he doesn’t want her to die while he’s traveling for the film. She assures him that it’s okay; she’s counting on him to memorialize her before she passes away.

Part 6, Chapter 15 Summary: “It’s All About Exposure, in Just So Many Ways”

While waiting for Mr. Dunning at the student union, Michael texts Madeleine. They make arrangements to see each other that evening. Dunning arrives, and they discuss Michael’s submission process. Dunning offers to contact some friends in the industry to help Michael.


A week later, Michael receives a call from Jonah Levy at Netflix. Netflix is interested in buying and streaming his documentary short. It won’t pay much, but it would give Michael the exposure he needs.


At Madeleine’s that evening, Michael is surprised to meet Madeleine’s sister Patricia. Patricia is cold toward Michael but gives him and Madeleine space to talk. The couple discuss the possibility of accepting the Netflix offer, which Madeleine encourages. She assures him that Patricia will stay with her while he travels to Los Angeles, California.

Part 6, Chapter 16 Summary: “Borrowed Swim Trunks and a Special Kind of Freedom”

Michael travels to LA and works with Jonah on his film. Jonah and his husband, Dennis, invite Michael to stay with them, too. Jonah discusses the upcoming process with Netflix, and they review their edits of the film before sending the final submission. That evening, Michael and Jonah talk, take a swim, and share dinner with Dennis. Jonah reflects on his career, friendship with Dunning, and excitement over Michael’s film.


The next day, Jonah informs Michael that his film will be streaming within the month. Michael calls Madeleine with the news, but Patricia says she’s asleep. Then, he sends the film to his mother so that she can watch it before it goes up on the site. The next day, Michael returns home. His parents greet him warmly. Judy congratulates Michael and expresses her pride in him.

Part 7, Chapter 17 Summary: “All Kinds of News in the Wrong Order”

Michael receives word of press releases for his film. He soon discovers that he’s been accepted into several festivals and that the LA Times, San Francisco Chronicle, and Santa Barbara Independent want to interview him. One newspaper suggests that they want to include Mr. Dunning in a press release and question-and-answer session. Dunning insists that Michael do the interview and session himself, as it’s his work and accomplishment.


Michael visits Madeleine. He is surprised to run into her mother, who treats him coldly. She saw his film and accuses him of exploiting Madeleine’s story. Michael argues otherwise, and Madeleine’s mother leaves. Alone, the couple discuss the film, newspaper interviews, and the future. Madeleine agrees to be interviewed but wants it to be short since her strength is waning. Then, she encourages Michael to “find a nice girl who [he] can love, and trust” after she dies (181). An uncomfortable Michael promises to try.

Part 7, Chapter 18 Summary: “He Really Only Kept His Shirt on So No One Would See His Wings”

LA Times reporter Zach Brownstein conducts interviews with Michael and Madeleine. Zach remarks on his emotional response to the film and what good care Michael is taking of Madeleine. After he leaves, Michael and Madeleine lie in bed together. Madeleine drifts in and out of consciousness, asking questions about their relationship. She falls asleep and doesn’t wake up again.


After her memorial, Michael reads Zach’s interview. He pours over Madeleine’s portion through tears.

Part 7, Chapter 19 Summary: “Blood Brothers”

The college shows Michael’s film and hosts a question-and-answer session afterward. Michael is shocked when the firefighter who reported to his fireworks incident stands up from the audience and speaks. He explains his role in the event, insisting on his own culpability. He scared Michael, which caused him to jump on top of the rocket. Then, Jeffrey emerges from the audience and shares his response to the film. Michael is moved, as he hasn’t heard from him since he was seven.


Outside afterward, an attractive young woman named Caroline approaches Michael about his film. She expresses her condolences over Madeleine’s death and gives him her number if he ever wants to talk.


On the drive home, Michael has a conversation with his parents about Madeleine. He explains that he needs time to grieve. In his room, he rewatches Madeleine’s portion of the documentary. He crumples up Caroline’s number and tosses it. Then, remembering his promise to Madeleine to date again, he retrieves the number.

Part 7, Chapter 20 Summary: “What Other People Think He’ll Want, Given Time”

Three weeks later, Michael receives a letter in the mail from his birth parents. They saw his film and now want the chance to explain what “really” happened when he was a child. They reference the letter they wrote Michael years prior.


A furious Michael confronts Judy and Charles about the matter. They insist that they don’t know what happened to the Costas’ original letter because they gave it to Michael. Michael suddenly remembers ripping up and flushing the letter when he was a kid. Afterward, Judy joins Michael in his bedroom and asks him if he’s going to contact the Costas. She encourages him to think about it.


Michael tells Mr. Dunning about the Costas’ letter and his confusion over the past. Dunning encourages him to try contacting Thomas first. In the days following, Michael considers calling the Costas for Thomas’s number. Instead, he writes them a letter requesting to talk to Thomas before talking to them.


Three months after Madeleine’s death, Patricia calls Michael to see if he is dating. She promised her sister that she would check in about his relationship status every three months.

Parts 6-7 Analysis

The more strides that Michael makes in his personal life, the better able he is to face The Ongoing Struggle for Self-Acceptance. Throughout Parts 6 and 7, Michael not only turns in his documentary short to Mr. Dunning for class but also submits the film to film festivals, travels to LA to work on the film with Netflix, gives interviews, and appears at public showings of the film. These are risks that Michael is able to take now that he feels more comfortable with who he is. Prior to working on Here I Am, Michael was awkward, self-conscious, and self-doubting. He didn’t believe in his artistic capacities, was uncomfortable talking about his past, and shied away from intimate relationships. Since finishing the film, he has gained self-confidence.


The overwhelmingly positive response to the film helps Michael understand the value of his identity and voice. For example, one of his classmates remarks that his film changed how she feels “about being a person” (144). Mr. Dunning informs Michael that his is the first student film he’s ever seen fit for festival submission. Madeleine insists that the film is Michael’s opportunity to live “like living means something” (149). Jonah Levy tells Michael that the film is Netflix worthy and that it changed his outlook on humanity, too. Even Michael’s mother Judy congratulates him on the documentary and apologizes for her skepticism when he first began the project. His friends’ and family’s affirmation of the film in turn makes Michael feel validated as a person. The film helps him see that he deserves the same grace and understanding that he wants to extend to others.


Michael leans into his Community and Friends as a Source of Strength leading up to and in the wake of Madeleine’s death. Throughout the chapters preceding Madeleine’s passing, Michael lives in constant fear of losing her. He is “afraid [Madeleine is] going to die while [he’s] away” working on the film and considers forsaking his film opportunities to stay by her side (159). Michael soon reconciles with the fact that he can’t stop Madeleine’s death and that, in the meantime, he must seek out support. He finds comfort in his conversations with both Jonah and Mr. Dunning. He also discovers that his new viewership supports him, too. The people who attend the film festivals and question-and-answer sessions are interested in Michael not just as a documentarian but as a person. In their remarks to Michael, they address his bravery, his challenges, and his grief. Michael doesn’t have to face his loss and sorrow alone. His found family and newfound community remind him that he is a member of the human race and is never alone.


The letter that Michael receives from his birth parents at the end of Part 7 is a plot twist that reignites the narrative tension. Livie, Miles, and Thomas Costa have remained at the margins of the narrative since the flashback to Michael’s childhood in Part 4. Although he has referenced his childhood trauma and adoption to Madeleine and in his documentary, his biological family hasn’t been at the forefront of Michael’s mind in some time, suggesting that he has suppressed his frustration and hurt. A symbol of the past, Livie and Miles’s letter reawakens this pain within Michael’s present reality and destabilizes him psychologically.


Michael immediately becomes upset by the letter and distraught over whether or not to contact his birth parents. He has been Healing From Trauma Via Artistic Creation, but this same artistic endeavor has also roused reminders of his fraught childhood. The Costas’ renewed presence—although only in epistolary form—foreshadows further internal conflicts for Michael as he continues his healing and self-acceptance journeys. His and Judy’s conversation about the matter suggests that Michael has a big decision to make in his future. Judy asserts that the way Michael talked about his biological parents “in [his] film was just so hard to hear, because it showed [them] [he] still ha[s] so much anger and so much hurt that [he’s] having to deal with” (205).


Judy thus suggests that Michael use this opportunity to contact his parents and work through his residual hurt over the past. The film has been cathartic for Michael, but it has also exposed how much he still has to heal from. Artistic creation, the novel suggests, may initiate the healing process and inspire an individual to take great leaps of faith as they pursue personal change and reconciliation, but that process must sometimes continue in ways outside of the safety of the artistic medium as well.

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