65 pages • 2-hour read
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Chapter Warning: This section of the guide includes discussion of death, graphic violence, sexual violence and harassment, physical abuse, emotional abuse, and cursing.
Milda’s suspicion that the sounds of the shower would be picked up by surveillance artificial intelligence proves correct. In Vienna, Austria, Karol Dvorak gets a call that artificial intelligence has detected a “pattern-of-life deviance” from the house of their Latvian target. Subsequent investigation from surveillance cameras reveals a man in black entering Milda’s apartment through the fire-escape window minutes before the shower was turned on. Dvorak instructs his local unit, half an hour from Milda’s house, to leave for Old Riga at once.
At Milda’s house, Court keeps a watch for an attack as he talks to her. He learns that Milda, a former professor, was approached during the Cold War to smuggle CIA and other Western operatives in and out of Russia. Recently, she has been in touch with people critical of the Peskov regime, which is why she may be on the GRU watch list. Milda does not want to help Court get into Russia because she thinks that will be akin to sending him to his death.
Court, who lost his mother when he was very young, is unnerved by Milda’s maternal concern. He asks her again to show him the way into Russia; he promises that he will survive—he has skills unlike the usual operative. Milda relents and tells Court that she is in touch with an old colleague in Moscow, whose granddaughter Katarina Orlova, a political dissident, now works for the Freedom of Russia Legion. Milda will arrange safe harbor for Court and a meeting with Katarina. Court thanks Milda and waits to see if cars are headed toward Milda’s apartment. When Milda seems out of danger, Court leaves.
However, while crossing the lane in front of Milda’s building, Court notices agents watching her apartment from parked cars, as if waiting for incoming assistance. He also spots black Volvo cars waiting in the alleys. Court senses that something is wrong and heads back to Milda’s apartment, keeping himself hidden. He enters her home through a different point (realizing that his previous entry was in a surveillance zone) and manages to communicate to Milda that they need to leave immediately.
Court and Milda take the stairs to her apartment building’s basement parking lot. Just as Court drives away, they hear a cavalcade arrive at the building’s front. Court races out to the highway, expecting a volley of bullets, but no one shoots at them. As the Volvos tail them, Court makes a turn toward the woods to shake them off. However, it soon becomes clear that an escape is impossible, and their car is surrounded by the cavalcade.
Lasers are trained on their car, and a voice commands Court and Milda to step out. Court pulls over and shouts that he is surrendering his weapon. He asks the agents to let Milda go, but he is told, “Nobody goes home tonight” (143).
As Court’s eyes adjust in the headlight beams, he makes out six agents. One of the men walks toward Court; Court tries to engage the man in conversation to buy some time, and he learns that the man is an Austrian working for the GRU. The man trains his gun on Court, but before he can fire, there is gunfire from behind Court. The GRU men are all shot down in an instant. Court yells “Cease fire!” at the unknown people who killed the GRU men and hears an American voice from behind him.
Zack Hightower emerges and jokes that he has saved Court once again. When he got a call from Hanley earlier that evening, Zack went to Riga with his team to keep an eye on Court. Zack brings the baffled Court up to speed about the reasons for his presence in the Baltics. The plan now is to drop off Court and Milda at a safe house in Tallinn, Estonia. However, Court tells Zack that Milda should be taken to the US embassy in Tallinn, where safe passage will be arranged for her. Meanwhile, he is going to Helsinki, Finland, to meet Milda’s contact. Zack tells Court that he will follow because Court is bound to attract GRU men in Helsinki.
In the CIA’s headquarters in Virginia, Gina Peters, a young translations officer, is writing transcripts from video feeds hacked from Russian courtrooms. The task is boring, but Gina, a bright officer fluent in Russian, tries to give it her best. One video catches Gina’s attention because the woman is sentenced to the same prison as Nadia Yarovaya, the wife of famous dissident Natan Yarovoy. The anomaly in the hearing is that the woman’s name is not read out, which indicates that she may be a high-level political prisoner.
Gina zooms in, hoping that the woman looks up so that her face will be caught by the CIA’s facial recognition system. The woman keeps her head bowed until she is nearly out of the courthouse, looking up deliberately at the last moment. The recognition system identifies her as Zoya Zakhorova, an ex-SVR member now working covertly with the Americans.
Recognizing that Zoya is an important political prisoner, Gina calls Angela Lacy to inform her about her findings. Lacy is shocked to know that the video dates from September 7, just two months ago, indicating that Zoya is alive.
A snowstorm is wracking Yavas, and most of the guards are huddled indoors. Zoya decides that it’s a good day to attempt escape. Before the workday ends, she filches a pencil, some glue, and a couple of sewing pins from the workstations, hiding them in her hair scarf. She deliberately bumps into a female guard, removing the woman’s name tag in the process and hiding it in her hair scarf. Zoya knows that she’ll be searched by a guard on her way out of the work building but hopes that the search won’t extend to her head. The male guard on duty gropes Zoya inappropriately on the pretext of searching her—a common practice—but Zoya manages to distract him from touching her scarf.
Falling out of the queue of prisoners going to the living quarters, Zoya makes her way to a warehouse, the layout of which she has memorized. She picks out a guard’s uniform and pastes the guard’s name tag on her shirt. Zoya walks out of the building and joins a group of guards leaving the compound. She hopes that the pitch darkness means she can get out undetected. She finds a car in the lot and opens it with the sewing pin. Just as she is about to start the ignition, floodlights come on, and she is discovered.
Zoya is surprised to see Baronov walk to her car. She steps out and is immediately seized by guards. Baronov directs them to search Zoya roughly before she is brought to him in the meeting room.
In the meeting room, Baronov tells Zoya that he was visiting Yarovoy in the men’s prison when news broke out of her escape attempt. For his amusement, Baronov directed the prison officials to let Zoya think she was undetected. He also casually informs Zoya that Yarovoy is dying; Baronov has instructed the prisoner’s workload to be increased to hasten his death. Disgusted, Zoya calls him a “psychopath.” Baronov informs her that he is letting her live because he has a plan for her to serve Russia. Time will reveal the role.
Court is on the ferry to Finland when he gets a call from Hanley saying that “Anthem”—Zoya’s code name—is alive and being held in a prison in Mordovia. Court weeps in relief. Hanley shares more information: Yavas is 400 miles away from both Ukraine-controlled territory and Kazakhstan, increasing the chances of an escape from Russian land. Further, since Yarovoy and Nadia are also being held at Yavas, Court can leverage the help of the Russian resistance in breaking out the political prisoners.
In Vienna, Dvorak receives information that the GRU team in Riga is dead and that Milda and the man known as Chayka have gone missing. He tells his team to move resources to the north because it is likely that Chayka may try to approach Russia from Finland.
Meanwhile, Dvorak gets a call from Baronov. Baronov introduces himself, regretting that Russian intelligence agencies do not work in tandem as they did in the past. Baronov wants to rectify that error and pass on valuable information to Dvorak: Baronov has identified Zack Hightower as the man behind the Riga massacre. They know that Zack is on his way to Helsinki, and once they discover his Helsinki location, Baronov will share it with Dvorak. All Baronov wants in return is that Dvorak share his progress since they have a common enemy.
Before Helsinki, Court stops in Pori, a city on Finland’s west coast, where the warehouse of Austmarr Marine Salvage is located (marine salvage companies save or recover cargo from endangered or wrecked ships). Court sneaks into the warehouse to steal scuba diving gear and then speeds away in a stolen car.
In Virginia, Hanley visits Trey Watkins, the CIA’s new deputy director of operations. The position was held by Hanley until the events of Relentless (2021), in which Hanley was reassigned to Papua New Guinea for his unapproved directive to Court to assassinate the prince of Dubai. Because of these developments, there is awkwardness between Watkins and Hanley.
Hanley tells Watkins about Court’s plan to infiltrate Russia, and he advises him that he can leverage Court to break Yarovoy out of prison, scoring a major victory against the Russians. Though Watkins admires the ingenuity of Hanley’s plan, he flatly refuses to play any part in it, advising Hanley to stick to his job in Colombia.
In Moscow, Denis Maskaev and his team are scouting their high-profile target, former-general-turned-TV-show-host Vadim Trifonov. Trifonov is a huge supporter of President Vitaly Peskov “and a rabble-rousing mouthpiece” (210). As Trifonov crosses a busy street with his bodyguard, Maks, Legion members pull up in a gray van. They open fire on Trifonov’s waiting car, killing the driver and Trifonov’s security team. Maks pulls Trifonov away from the car and into the crowd as more members of the Legion appear on the scene.
Denis ambushes Maks in a nearby alley, killing him. He manages to shoot Trifonov three times before a bus blocks his view. As the bus drives away, Denis watches Trifonov hobble away. He gets into the gray van, which has returned for him, and tells the team that Trifonov is mortally wounded and not long for the world.
After her botched escape attempt, Zoya is assigned to the claustrophobic confinement wing, where the work hours are even worse, and her cell is dark and tiny. Before the workday begins, Zoya is strip-searched by a guard, a process that invariably turns into sexual groping. At the workstation, Zoya and her fellow prisoners sew belts, the toughest sewing assignment in Yavas. As Zoya sits at her station, she takes notice of Nadia, Yarovoy’s wife, among the prisoners and is shocked.
As the plot progresses, themes such as The Importance of Courage and Resilience to Survival are developed further, particularly in Court and Zoya’s point-of-view sections. Both characters are driven by desperation: Court is desperate to get to Zoya, and Zoya is desperate to escape the punishing conditions of the penal colony. Court’s relentless drive to get to Zoya is presented not merely as romantic but also as an archetypal quest. More than being Court’s lover, Zoya is the sacred object of his heroic quest, representing an ideal that gives his existence meaning. Court’s archetypal love for Zoya is mirrored in the idealism of characters like Milda, Denis, and other Legion members, all of whom endanger themselves to support their ideals.
These chapters also delve further into Zoya’s everyday experiences at the prison, demonstrating the importance of getting her out as soon as possible. Zoya’s escape attempt illustrates the extreme conditions of IK-2 Yavas, the women’s prison in the penal colony. Sexual harassment of female prisoners is rampant in the colony, as seen when a guard frisks Zoya outside the sewing room. The man “rub[s] her all over; he [i]s into it, and like most every day, he trie[s] to make eye contact while he searche[s] her. Zoya normally just stare[s] off into space, thinking any interaction with the guard whatsoever would just prolong the miserable ordeal” (169). The food that prisoners are served is mostly gristle, with inmates losing pounds of weight within a few months of being at the prison, further illustrating the inhuman conditions of the former gulag.
The colony also works on the model of punishing people through labor; Baronov sadistically tells Zoya that he has cleared Natan Yarovoy to work precisely because the man is so ill that he may be dying. Work at the lumber mill will ensure that Yarovoy is “dead inside a week” (181). For Zoya, the most excruciating aspect of life in Yavas is not back-breaking labor or harassment but the helplessness that Baronov wants her to feel. This helplessness is exacerbated by the sense that the older man is toying with her as if she were a fly. His move to let her believe that she has escaped before capturing her at the last minute is an example of the game he is playing with her. Zoya survives these extreme conditions through resilience and a refusal to give up. Even though she feels the embers of hope “extinguished to black” when she is arrested by the guards (179), a few pages later, she tells Baronov to “go fuck [himself]” (182), disgusted by his sadism. What she goes through in these chapters continues to develop the theme of The Human Cost of War and Espionage.
This section highlights Greaney’s cinematic writing style, in which he creates dramatic set pieces with tense twists to fulfill the conventions of the espionage genre. Court and Milda’s escape into the forest near Old Riga and Zoya’s attempted breakout exemplify this technique. Further, the narrative also uses suspense and thriller tropes, such as red herrings, cliffhangers, and deus ex machina, to keep the plot momentum up. An example of a red herring occurs in Chapter 20 when Denis’s decision to leave Tifornov wounded, instead of dead, briefly casts a shadow of suspicion on him. In later chapters, Denis’s loyalty will show that the suggestion was a feint or a trick. Zack’s arrival in the forest, just as GRB closes in on Court and Milda, is an example of a deus ex machina (an “act of God” or miraculous rescue).
The world building in this section involves putting together the intricacies of the complex espionage machine of the novel, which involves many different groups. In the novel, Russian intelligence agencies like the FSB and GRU are shown to be suspicious and even hostile to each other, operating independently in silos. The internecine battles of these agencies are juxtaposed against the CIA’s relatively more unified operations, though even Hanley and Watkins are at odds with each other. An important aspect of the novel’s espionage is the use of off-the-grid operatives like Court, who cannot necessarily be traced back to their parent country or organization. Espionage is thus shown to have ethically gray areas since the individual is expendable; if Court is found in Russia, for instance, the CIA can deny any link to him. The dehumanizing nature of espionage is also established by the use of objectifying terms, like “assets,” used for operatives. The crimes committed by spies, freelance assets, and military personnel are described through impersonal terms as well: murder, for example, is often called liquidation or elimination.
These details paint the picture of a vast, twisted world operating alongside the everyday, in which the line between truth and lies, loyalty and betrayal, is often blurred. However, the novel explores its inherent paradox that most of the people operating in the novel’s world are driven by very personal loyalties, whether it be that between Court and Zoya, Hanley and Zack’s loyalty to Court, or Denis’s loyalty to the Russian people. Thus, the text emphasizes the theme of The Power of Love and Loyalty in an impersonal, fragmented world.



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