67 pages • 2-hour read
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Hannah Andrews’s fictional role as the so-called “Midnight Rider” reflects the crucial importance of communication networks in pre-revolutionary America. Historical dispatch riders like Paul Revere, William Dawes, and Israel Bissell formed the backbone of colonial resistance, carrying warnings and intelligence across great distances to prepare for the inevitable confrontation with Britain. The novel accurately depicts the fact that these riders operated through established networks such as the Committees of Correspondence and Safety, which coordinated information between towns and colonies. In reality, Revere’s famous April 18, 1775, ride to Lexington was just one mission among hundreds undertaken by similar riders who risked capture, imprisonment, or death with every mission in order to maintain vital communications between Patriot communities.
The text demonstrates how successful these networks were at gathering intelligence from within British ranks. Historical records confirm that American Patriots had informants close to General Thomas Gage, just as Hannah overhears his plans in the novel. When Hannah brings warnings about the British expedition to Salem, she participates in the actual historical event known as Leslie’s Retreat, which took place on February 26, 1775. This failed British mission to seize colonial weapons occurred exactly as Harlow describes it; Colonel Alexander Leslie’s troops were thwarted by raised drawbridges and hidden munitions. With these and other details, the novel captures the fact that advance-warning systems allowed colonial communities to respond rapidly to British movements. Similarly, Hannah’s dangerous ride to Salem through winter storms mirrors the real hardships faced by the intrepid riders depicted in such classic literary works as Henry Wadsworth Longfellow’s poem “Paul Revere’s Ride.”
Hannah’s position as an indentured servant reflects a widespread labor system that bound approximately half of all those who lived in colonial America. Under this arrangement, people worked for a fixed period—typically four to seven years—to repay the cost of their passage to the Americas (or, in Hannah’s case, to provide for their living costs after becoming orphaned). The novel accurately portrays the fact that guardians could legally bind minors without their consent, as Aunt Phoebe does when she signs Hannah’s seven-year contract with the Gages in exchange for £50. Historical records show that such business transactions were common and were often conducted with little regard for the servant’s wishes.
The text reveals both the protections and vulnerabilities inherent in indentured servitude. While Hannah receives “sufficient meat, drink, clothing, lodging” (31), as her contract guarantees, she also faces the constant threat of punishment, extended service, or sale to someone else. Hannah’s fear of the skeleton in the gibbet and of Miss Lydia’s threats of flogging exemplifies the fact that indentured servants possessed few legal rights, and many of the scenes that Harlow crafts are designed to demonstrate the complex loyalties and moral dilemmas that arise from the injustices of indentured servitude. As Hannah follows her patriotic passions and engages in calculated espionage against the British, her activities place her in an impossible position; although she is legally bound to serve General Gage faithfully, her conscience compels her to betray his plans. When she declares, “No one has the right to give me to anyone. I don’t belong to anyone but myself” (235), she articulates the fundamental contradiction between indentured servitude and the emerging American ideal of individual liberty that galvanized colonists into fighting the Revolutionary War.



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