39 pages 1-hour read

Mont Blanc: Lines Written in the Vale of Chamouni

Fiction | Poem | Adult | Published in 1817

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Themes

All Things Are Interconnected

One of the main messages of Shelley’s text is that nothing in the universe stands independent from one another. This is evident from the very first stanza, where the entire “universe of things” (Line 1) immediately connects with the “mind” (Line 2). As the speaker continues with their descriptions of the Ravine of Arve and Mont Blanc, they show how every landmark and physical feature of the landscape connects with one another. The pine trees cling to the river’s banks just as the “chainless” (Line 22) breeze blows through the trees. Nothing happens in the natural world that doesn’t have some sort of ripple effect because everything is connected in the endless cycle of life. This interconnection of all things is reinforced by the repeated references to “eternity” and aspects of nature being “eternal.” At one point in the speaker’s musings, they state “all seems eternal now” (Line 75). Everything in nature eventually merges into one cohesive whole, such as at the end of Stanza 4 when the melting glacial waters converge in “one majestic River” (Line 123) that meets the “ocean-waves” (Line 125) and subsequently evaporates into the “circling air” (Line 126). While humans may get caught up with the idea of progress and social and scientific developments, everyone needs to understand the interdependence of the animate and inanimate entities of the universe. Only then can the supreme power of nature be fully appreciated.

Nature is the Best Teacher

There are two specific points in Shelley’s poem where the speaker labels nature as a teacher. The first instance occurs in Section 3, where the “wilderness” (Line 76) uses its “mysterious tongue” (Line 76) as it “teaches awful doubt, or faith so mild” (Line 77). The second instance occurs in the Section 4, where the speaker acknowledges how the “primeval mountains / [t]each the adverting mind” (Lines 99-100). In the human quest for knowledge, it is often what remains unknown that acts as the driving force for human understanding and education. Even in Shelley’s time, academics felt the pressing need to delve into the secrets of the universe to explain as much of existence as possible. However, nature teaches by withholding information. The “mysterious tongue” (Line 76) is one that does not easily release details or secrets. Nature instructs the human mind by teaching it that there are some things that can and will never be understood. Humans can either accept this fact and live in “awful doubt” (Line 77) or they can accept this fact and move forward with “faith so mild” (Line 77). They can simply acknowledge that things will turn out the way they are supposed to be. By accepting that nature is incomprehensible and can never be truly and fully dissected, mankind can be by “such faith, with Nature reconcil’d” (Line 79). If an individual wants to live in harmony with nature, then they must listen and take its lessons to heart. However, “faith” implies trust, and completely trusting such a great, destructive force is easier said than done. At the very end of the poem, Shelley encourages the reader to reconsider their relationship with nature by urging them to consider what nature would look like if everything were just “vacancy” (Line 144). In that case, there would be no opportunity for mental exercise whatsoever.

Multiple Perceptions Exist

After the speaker details the physical landscape of the Arve and its ravine in section two of Shelley’s poem, they move more toward describing Mont Blanc itself. However, before they do so they state the many different layers of perception through which they can take in the landscape before them. They may be seeing a “remoter world” (Line 49) through dreaming, walking the tightrope between the worlds of “those who wake and live” (Line 52). They see through this “veil of life and death” (Line 54). The speaker seems to be unsure of their reality. They question whether they “lie / [i]n dream” (Lines 54-55). This conflict between reality and a dream-like world can be interpreted multiple ways. Firstly, it could denote that nature is so beautiful and sublime that one single interpretation isn’t possible. Multiple interpretations are available, with each individual taking away their own meaning from the landscapes surrounding them. Another interpretation is that the mind is so complex and nuanced that there are many different layers of knowing and seeing in which it operates. Just as the speaker describes the earth as “daedal” (Line 86), the mind is equally as intricate. The mind serves as a direct connection between nature and man as it “[n]ow renders and receives fast influencing” (Line 38) and holds an “unremitting interchange” (Line 39) with the universe. The mind is capable of simultaneously receiving the stimuli around them and continuously producing its own interpretations of those stimuli. Just as each human is physically unique so are they mentally idiosyncratic.

blurred text
blurred text
blurred text

Unlock every key theme and why it matters

Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.

  • Explore how themes develop throughout the text
  • Connect themes to characters, events, and symbols
  • Support essays and discussions with thematic evidence