51 pages 1-hour read

More Days at the Morisaki Bookshop

Fiction | Novel | Adult | Published in 2011

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Chapters 11-16Chapter Summaries & Analyses

Chapter 11 Summary

Content Warning: This section of the guide includes discussion of illness and death.


Takako and Wada meet, and Wada asks why she is acting strangely. She admits that she saw Wada with his ex-girlfriend, and he begins to explain himself, saying that she called him, wanting to return a book. Takako stops Wada and tells him that he does not need to explain himself. The sight of them together shocked her, but the greater struggle was the realization that she does not trust him. She explains that she does not open herself up to him because she does not want to be hurt.


Afterward, they take a walk, and Wada admits that he is jealous of all the people Takako has who support her because she supports them. Takako realizes that she only has these people in her life because of her heartbreak and time at the Morisaki Bookshop. When she suggests that Wada has people too, he disagrees, saying that people believe he is too serious and that growing up in an emotionally indifferent family makes it difficult for him to connect with others. He tells Takako that what he craves is to be a part of a family like hers and that knowing them inspires him to write his novel. Takako realizes that he is opening up to her and feels their relationship strengthen. They walk back to his apartment.

Chapter 12 Summary

In the middle of December, Satoru tells Takako that he must tell her something. They close the shop and go for a walk. They stop at the Imperial Palace, and Satoru tells Takako that the trip he and Momoko took was nice. Takako is glad and reaffirms that it was meant as a gift of thanks for all Satoru does for her. They reminisce about their bond, discussing how once Takako became a teenager, they drifted apart. When Takako reminds Satoru that he needs to tell her something, Satoru reveals that Momoko is sick again. Her cancer is back, and though she found out a while ago, it is terminal, and she cannot fight it. Takako feels crushed and is in disbelief. She tells Satoru that Momoko seems and looks fine, meaning that she cannot be sick, but the pained look on Satoru’s face confirms her fears.

Chapter 13 Summary

Takako visits Momoko in the hospital, worried for her aunt. Momoko knits her a pair of gloves and assures Takako that she is fine. She sends Takako home, saying that she does not need the constant attention. As Takako leaves, she believes that Momoko looks healthy and normal. On the night when Satoru told Takako about Momoko’s illness, he revealed that she told him on the trip. Takako was shocked to find out that her cancer is advanced and that Momoko opted out of surgery. Satoru explained that Momoko would die.


At first, Momoko continues to work and act like everything is normal. As her illness advances, she takes time off from her job at the restaurant and spends her time at the Morisaki Bookshop instead. One day, as she has tea with Wada and Takako, she asks Wada to take care of Takako. Though Satoru and Takako know that Momoko is sick, she insists that they treat her normally—as though nothing is wrong. During this time, Satoru is melancholic, though he keeps the Morisaki Bookshop open.


In February, Momoko is admitted to the hospital, and the doctor tells Satoru and Takako that she has six months left to live. Takako does not believe it, as Momoko seems healthy and happy. She believes that her aunt can avoid death if she wants. One day, as she visits, Takako suggests that she and Momoko take another hiking trip to Mount Mitake, like they did years ago, but Momoko laughs it off, reminiscing about how Takako complained the whole time. Momoko does not say if she will go or not.

Chapter 14 Summary

Summer arrives, and Momoko still seems healthy, alternating between time in the hospital and at home. When summer turns to fall, Momoko collapses and is admitted to the hospital for the final time. Satoru calls Takako and tells her to visit Momoko and prepare to say goodbye. This time, when Takako visits, Momoko asks her to come back and visit again. Satoru spends more time at the hospital, and the Morisaki Bookshop is infrequently open. He is distracted and losing weight, and Takako worries for him. She tells him that he is doing too much, but he insists that he wants to be with Momoko as much as possible.


The last time Takako sees Momoko, Momoko asks her to share a story. Takako tells her aunt about a time when she was a child and Satoru brought her to a summer festival, even though it was closing down. Momoko tells Takako that she wishes she went with them. She says that she is happy that she came back to Satoru and got to know Takako. She asks Takako for one final favor, expressing her worries that Satoru will suffer greatly without her. She is afraid her husband will not move on unless he cries. She believes that he will hold his emotions in. Momoko asks Takako to force Satoru to cry and move on from his grief. Takako promises, and they cry together.

Chapter 15 Summary

Momoko’s funeral is held at Satoru’s house, and Takako is glad to see how many people attend. Everyone agrees that Momoko was a warm presence in their lives, and the funeral is a celebration of her life. Despite this, Takako stresses over Satoru, who does not show any emotion or shed any tears.


After the funeral, Satoru tells Takako that he is closing the Morisaki Bookshop for a while, and though she believes that it will only be for a short time, it turns into weeks. Satoru does not leave his house, and Takako worries about him, convinced that he is not taking care of himself and is wallowing in grief. Sabu even calls Takako one day, asking how long the shop will be closed and saying that he hopes Satoru will open it so that he and other customers can brighten his day. Finally, Takako decides to visit Satoru and cook for him. When she arrives at his house, he doesn’t come to the door, and she finds it messy. Satoru is isolated in his dark bedroom. As they eat dinner, Takako remembers her promise to Momoko and asks Satoru whether he will reopen the Morisaki Bookshop or not. He is hesitant, saying that he started working there with Momoko. He does not want his memories of her there to fade. She reminds him that time will continue to march on, even without Momoko, and that he has to continue his life.


Satoru keeps the shop closed, and Takako begins visiting to clean it. She airs out the shop and waters Momoko’s flowers on the second floor, withered from neglect. Wada tells Takako that it is good that she is encouraging Satoru to move on and heal and that he likely needs time. He believes that Satoru will one day love the Morisaki Bookshop even more because of the memories of Momoko that hurt him so much now. As weeks pass, Takako continues to care for the Morisaki Bookshop, and one night, Tomo helps her. While they work, Tomo tells Takako that she is going to meet her late sister’s boyfriend after all these years, believing that she owes him an apology. Tomo feels ready to move on and thanks Takako for her and Takano’s support.


Near Christmas, Takako visits the shop and stays late into the night. As she sits at the counter, she finds an old account book and opens it to find notes from Momoko, detailing the everyday events of the bookshop. She is startled when Satoru walks in. He saw the lights but seems disappointed that Takako is there. She realizes that he hoped Momoko was somehow back. She shows him the account book, and as he flips through it, he finds a note addressed to him from Momoko, dated only days before her final trip to the hospital. In it, she thanks him for being there for her and encourages him to revel in their happy memories. She wants him to lean on those around him to move past his grief. She even pleads with him to keep the Morisaki Bookshop open, as it is where so many of their memories are. Satoru shows Takako the note, and after she reads it, she admits to him that Momoko asked her to make him cry so that he could move in. Satoru finally lets his grief out, sobbing. Takako joins him, and they grieve together.


The next day, Wada calls Takako and tells her that the Morisaki Bookshop is open again. He walked by it after work and saw the lights on. He went inside, and he and Satoru had tea. Satoru thanked him for attending the funeral, and Wada, excited to be there, told Satoru about his novel set in the Morisaki Bookshop. Takako is relieved to hear that Satoru is opening up.

Chapter 16 Summary

On a day off from work, Takako visits the Morisaki Bookshop. It remains open. When Satoru reopened the shop, he worried that business would be bad, but his regulars returned in force, happy to see him and the shop. When Takako saw Satoru greeting his customers, she knew that he would eventually be himself again. Takako and Wada’s relationship flourishes, and they are engaged, even introducing each other to their families.


Satoru and Takako sit down to tea and reminisce about the night they went to the summer festival. Takako tells Satoru that Momoko told her she wished she went with them. They are interrupted when the “paper bag man” walks into the store. He has a new sweater, and when he comes to the register, Takako hears him speak for the first time. He tells Satoru that he had believed that the Morisaki Bookshop had closed; he then leaves without saying another word. Satoru and Takako follow him outside and watch as he walks away.

Chapters 11-16 Analysis

Takako’s transformation from a person who needed the support of others into a person who serves as a foundation for her loved ones is key to the novel. As she reflects on her time at the Morisaki Bookshop, Takako understands how The Impact of Time on Healing From Grief changed her life completely: “If not for my pathetic broken heart, I never would’ve come to the Morisaki Bookshop, and I would still be estranged from my uncle, and I probably would never have met Wada” (113). Takako sees a connection between her heartbreak and the supportive and valuable relationships she now has with both Satoru and Takako. Satoru takes her in and helps her undo the damage her ex-boyfriend did, strengthening their bond. Meanwhile, Satoru’s advice helps Takako open herself to being with Wada, who offers a more meaningful and constructive romantic relationship. These developments only occur because Takako moves on from her grief and works toward nurturing these relationships. Her time at the Morisaki Bookshop helps her stop wallowing in her sadness, making her realize that the heartbreak, and the need to move on from it, resulted in positive developments over time. Yagisawa illustrates that emotional transformation often originates in rupture but blossoms through attention, vulnerability, and sustained human connection.


Through the Morisaki Bookshop, both Satoru and Takako create a larger community. This community, comprised of customers and customers-turned-friends, supports them through emotionally difficult times. When Momoko dies and Satoru refuses to grieve, instead shutting down the bookshop and shutting himself away, Sabu, a regular who was fond of Momoko and close with Satoru, encourages Takako to help Satoru open the shop. He believes that if Satoru does this, the community can come and help him process his grief: “I understand the feeling, but I still want Satoru to open the shop. We might not be much, but as regular customers, we can support him. But if he isn’t around, then there’s no way we can cheer him up” (141). Sabu’s assertion that he and other customers can help Satoru through his grief demonstrates Growth Through Friendship and Familial Relationships. Sabu knows that Satoru is struggling to overcome his grief from Momoko’s loss and understands that he cannot do that alone. He wants to support Satoru by helping him reestablish his routine and life at the Morisaki Bookshop, hoping to show him that life continues. Satoru and the Morisaki Bookshop act as a pillar in his local community, and when it closes following Momoko’s death, the loss is deeply felt. This serves as a reminder of the small, intricate ways that communities operate; no matter how quiet, the Morisaki Bookshop is a local favorite spot with devoted regulars who grieve Momoko and worry for Satoru. It is through the relationships that Satoru has with people who care for him that he can begin to heal from the loss. From interactions with Takako, Sabu, and others, Satoru sees that his life does not end alongside Momoko’s and that she didn’t want it to. The Morisaki Bookshop itself becomes a symbol of communal healing—its reopening marks not just a business decision but a spiritual reentry into life after profound loss.


Both Satoru and Takako struggle with the loss of Momoko and are wary of the Morisaki Bookshop, as it has so many memories of her tied to it. However, when Takako finds a journal that Momoko left for Satoru, the healing process truly begins. With a message encouraging Satoru to find happiness despite the tragedy of the loss, Momoko pushes Satoru forward. As Takako reflects on what the discovery of this writing will do, she realizes how unique this text is to her and Satoru: 


Momoko’s thoughts were still here in these pages. The days she spent with my uncle and me were inscribed in this book. It might not be a masterpiece to be read for generations, or a text left by a great writer, but for my uncle and me it was precious (152). 


Momoko’s note is not a novel or a poem, but it is one of the most impactful pieces of writing that either Takako or Satoru will ever read. It reflects the theme of The Personal Nature of Reading by demonstrating how the unique experiences and memories that readers bring to a work influence their relationship with it. As Takako explains, Momoko’s writing is not the work of a master author meant for the world but instead a personal account left behind for her loved ones. Despite its relative banality, this journal is a work of art and a treasure to Satoru and Takako because it keeps Momoko with them, preserving not only their love for her but also her love for them. Yagisawa uses this moment to blur the boundary between literature and lived experience—showing how even the simplest writing can become sacred when it is tied to love, memory, and loss.


By the end of the novel, Takako’s relationship with Wada has both endured but deepened—culminating in their engagement and Wada’s growing closeness with Satoru. What began as a tentative romance becomes a meaningful, reciprocal bond, strengthened by Takako’s willingness to be open and vulnerable. In turn, Wada offers emotional steadiness and sincere admiration, even drawing creative inspiration from the Morisaki Bookshop and its community. This emotional maturity mirrors Takako’s evolving role with Satoru; where once he lifted her out of grief, she now becomes his partner in it. This reversal of roles underscores the novel’s quiet but powerful belief that reciprocity is the cornerstone of loving relationships. Moreover, Takako becomes a catalyst for healing far beyond herself. Her strength and compassion help Tomo face her past and reach out to her late sister’s boyfriend—a gesture that symbolizes the novel’s broader message: that emotional growth ripples outward, transforming not just individuals but the communities they hold close. The Morisaki Bookshop endures not only as a physical place but also as an emotional legacy—one that binds a found family together across time, loss, and healing.

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