More or Less Maddy: A Novel

Lisa Genova

48 pages 1-hour read

Lisa Genova

More or Less Maddy: A Novel

Fiction | Novel | Adult | Published in 2025

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of mental illness, suicidal ideation, self-harm, cursing, and substance use.

Part 3: “Fall”

Part 3, Chapter 7 Summary

Emily comes to visit Maddy at her dorm and brings her a potted succulent. Maddy and Emily were close growing up, despite being five years apart, but now Maddy feels as though Emily lives in an entirely different world. She used to idolize her sister and wanted to be just like her, but the two have grown apart. Emily asks Maddy if she’s made any friends, and pressures her to branch out. She drags Maddy across the hall and knocks on the door of the people living there, inviting herself in. Maddy marvels at how easy everything is for her sister, because while it once felt easy for Maddy, that is no longer the case. Now, Maddy is starting to suspect that something is actually wrong.

Part 3, Chapter 8 Summary

Maddy compares herself to her roommate Manoush, who wakes up early and stays up late studying for her sciences degree, while Maddy sleeps in, often misses classes, and has no idea what she wants to major in. Today, Maddy has one philosophy class, and it takes her an hour just to get out of bed. It leaves her no time to shower or eat, but she heads out the door and walks down the street. On the way, she starts to cry, and realizes she can’t make it to class after all. She walks back to her dorm in shame and sits down in the bathroom. There, she cuts herself for the first time and finds it to be such a powerful source of relief that she knows there is no turning back.

Part 3, Chapter 9 Summary

Maddy spends the weekend with Adam but finds herself uninterested in him, sexually or otherwise. She goes through the motions and attends a dorm room party with him but thinks about cutting herself the entire time. The following day, Maddy goes to the library to catch up on reading and write a paper due in two days, but she becomes overwhelmed by stress when she finds an email from the school threatening to expel her if her grades do not improve. Maddy rushes to the Student Health Center and gets an extension, citing unbearable stress.

Part 3, Chapter 10 Summary

Maddy fills her prescription for an SSRI (anti-depressant) and within weeks she feels as though she’s soaring. She gets ahead in her classes, starts dreaming of becoming Taylor Swift’s biographer, and even has the energy to walk to class instead of taking the subway. On the way, Maddy tries a New York hot dog and finds it to be the best thing she’s ever eaten. She continues riding the high and stops in a luxury boutique to purchase a blazer that catches her eye. When she sees that it costs $4,000, she justifies using her mother’s credit card as a reward for improving her grades. Maddy feels like she’s living life fully and doesn’t want to stop.


A man named Max stops Maddy on the street and invites her to a local comedy show, and she immediately heads to the club. She watches several mediocre performers, but when Max gets on stage, he makes everyone laugh and truly commands his audience. Maddy instantly wants the same thing, and she approaches Max after his show. She flirts with him, telling him how amazing he is, and claims that she could be the next great female comedian. When Max invites Maddy to the back room, she thinks about Adam but tells herself she deserves to do what she wants.

Part 3, Chapter 11 Summary

In a long series of texts in the middle of the night, Maddy talks to Emily with no response. She texts her endless lines about her plans to be a star comedian, how she has already written a Netflix special, and how she wants Emily to come see her perform. She goes on about the falseness of the world and how comedy is “real” and honest, adding that she’s still writing Taylor Swift’s biography. Maddy also sends Taylor Swift several messages on Instagram, claiming to be her biggest fan and wanting to chronicle her life. By five o’clock in the morning, Emily still hasn’t replied, and Maddy takes offense to this. She starts insulting Emily, accusing her of being a “Stepford wife” and not caring about Maddy, and threatening never to forget Emily’s “betrayal.” Maddy also gets a text from her mom asking if she’s been charging the card with thousands of dollars in clothing purchases, but Maddy doesn’t answer.

Part 3, Chapter 12 Summary

On Thanksgiving, Maddy shows up late with all her family waiting for her and the food getting cold. Rather than acknowledge this, she bowls through the kitchen in search of her mother’s car keys so she can go (supposedly) meet Taylor Swift. Maddy’s family sits in stunned silence as she takes her mother’s purse and dumps it on the counter. The car keys land in the gravy, and Maddy grabs them. Her mother tries to wrestle with her, so Maddy slaps her, and then Phil steps in to protect Maddy’s mother. Maddy grabs a knife and threatens her mother, so she is handed the keys, and goes to the garage to start the car. When she discovers that her brother’s car is behind her, she rams it multiple times in an attempt to get out. The police are called, and Maddy is taken to the ER.

Part 3, Chapter 13 Summary

Maddy wakes up strapped to a hospital bed and starts screaming for help. She feels like she has to leave urgently and that Taylor Swift must be waiting for her. A doctor comes in and introduces himself, asking Maddy questions about what she did and the marks on her arm. Maddy denies being in any trouble and admits to being on antidepressants for about a month, which she has since stopped using. Her doctor stares at her, knowing she isn’t revealing everything she has been going through. He gives her some pills meant to calm her down and promises that she will get to leave the ER soon. Maddy feels as though she is being dehumanized and discredited for being a woman. She doesn’t think she needs help at all.

Part 3, Chapter 14 Summary

Maddy is transferred to a mental hospital and loses track of how long she has been there. When she wakes up, she can hardly tell if she is dreaming or awake, and at one point thinks she sees her mother and sister sitting nearby. When they disappear, Maddy realizes she has no way of knowing what is real and what isn’t.

Part 3, Chapter 15 Summary

Maddy and her mother meet with a psychiatrist named Dr. Weaver, whom Maddy finds slightly more trustworthy than previous doctors because she is a woman. Maddy is in haze and can hardly react or answer, but she does her best to give answers to Dr. Weaver’s long list of questions about her symptoms. Dr. Weaver diagnoses Maddy with bipolar I, which confuses Maddy’s mother, who only wants her daughter to get better. Dr. Weaver assures Maddy and her mother that with proper medication and monitoring, Maddy should stabilize and no longer experience manic episodes or depression. She prescribes lithium and reveals the difficult truth that Maddy will have to live with this condition for the rest of her life, though it can be managed. Maddy can tell her mother is trying not to cry as she carefully wipes her eye with a tissue. When Maddy’s mother says she wants Maddy to have a “normal” life, Maddy believes that the possibility of a “normal” life is no longer within her grasp.

Part 3 Analysis

A major motif in the novel is pop star Taylor Swift, whom Maddy idolizes; during a manic episode, she even decides that she will become Taylor’s biographer. The intensity of this fixation becomes part of her illness, feeding delusions such as believing that Taylor is sending her secret messages through Instagram posts. Comedy emerges as a parallel motif. When Maddy finally visits the comedy club and sees Max making a whole room laugh, she longs for that same sense of power and fulfillment: “I want to do something that makes me feel as good as listening to her Red album” (87). In addition, Maddy often interprets her experiences through the lens of gender. She expresses frustration at how women are treated and reflects that “All she needs is what every woman since the beginning of time has needed. Autonomy over her own body” (112). She is also acutely aware of gender disparities in fields such as comedy, noticing how few famous female comedians there are. Together, these motifs illuminate both her internal struggles and her broader criticism of the world around her.


The plot’s tension intensifies as Maddy’s first year unfolds and she begins to sense that something is fundamentally off, recognizing that she no longer has the effortless life she once enjoyed. She used to long to be like Emily, admiring the seemingly perfect life Emily represented, but now she begins to see through that façade and realizes that this perfect life is an unattainable and hollow ideal. This is the beginning of Maddy’s grappling with The Impossible Expectation of Normalcy, as she recognizes that the life she wants is not the one she has been told she should want. Her anxiety escalates when she goes to the student health center seeking an academic extension and unexpectedly leaves with a prescription for antidepressants.


As her symptoms intensify, Maddy begins to recognize that something is seriously wrong, a realization that marks the start of her psychological descent. She starts cutting herself, discovering that the physical pain provides a temporary relief from her emotional suffering, a sensation that quickly becomes addictive. This behavior “unlocks” something in her, sending her down a path that feels like a point of no return as she begins contemplating suicide and imagining the methods she might use. Her impulses become increasingly reckless: She buys a $4,000 blazer on a whim and cheats on Adam, both choices that reflect the impulsivity associated with manic states. Simultaneously, her mother remains focused on maintaining an image of perfection, slipping immediately into denial about Maddy’s mental state and showing more concern for appearances than for the serious mental health crisis unfolding in front of her.


The tension reaches a breaking point during Thanksgiving when Maddy ruins the holiday, threatening her mother with a knife, hitting her, and then stealing her mother’s car and repeatedly crashing it into her brother’s car in a spiral of distress. This results in her being admitted to the ER, where she has no choice but to acknowledge her diagnosis and accept The Importance of Support in Managing Mental Health. Through these events, the plot builds emotional and psychological tension that mirrors Maddy’s mental state.


Genova intensifies the sense of instability and fragmentation in Chapter 11 by presenting it entirely as a series of text messages, many of them sent by Maddy to Emily or even to Taylor Swift, reflecting her mania and spiraling thought patterns. The structure itself becomes a literary device as the rapid, disjointed messages reveal how quickly her emotional state shifts. She begins texting Emily at 2:00 am with excitement, saying things like, “Need to see if all my punches land and make sure every joke makes the audience LOL irl and that audience right now is you Em” (93), imagining herself as a comedian whose material requires instant validation. By 5:00 am, after receiving no response, her thinking flips abruptly into anger, paranoia, and rejection, culminating in the message, “You won’t waste your precious time on me. Well FUCK YOU EMILY” (99). This tonal shift mirrors Maddy’s manic thought process and allows Genova to explore how digital communication can exacerbate the symptoms of bipolar disorder and other mental health conditions. The blank spaces that form a normal part of any text conversation—the lack of visual or auditory cues, the unexplained silences between messages—are filled in by Maddy’s imagination, fueling paranoia and anger. Similarly, the illusion of accessibility that celebrities cultivate on social media platforms allows Maddy to believe she is communicating directly with Taylor Swift.

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