48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of mental illness, suicidal ideation, self-harm, and substance use.
The first weeks of being on lithium are like a prison for Maddy. She is constantly exhausted no matter how much she sleeps, and she cannot eat because of both nausea and a metallic taste in her mouth that never goes away. Maddy’s bathroom door was taken off and her cupboards emptied of anything she might be able to use to harm herself, and she was taken out of school to move back home. Maddy hardly has the energy to get up to use the bathroom, and when she does, she searches desperately for something to cut herself with, finding nothing. Her mother brings her pills with some waffles, and Maddy reluctantly takes the pills but refuses the food. Adam comes by later, expressing sympathy for Maddy but breaking up with her at the same time. Maddy no longer recognizes herself or feels she has anything to look forward to, and she finally finds the strength to cry.
The family gets together on Christmas Eve, which is a yearly tradition for them. Jack is absent, but everyone else is in attendance, and Maddy’s grandmother is on her way. Maddy is wearing long sleeves to cover up her cut marks, and her mother tells her not to mention her diagnosis to Grandma. Maddy has fond memories of helping her grandma cook and garden when she was little, and she remembers her as someone who is always busy. When Grandma arrives, everyone has dinner together, with Jack participating via video call. Afterward, they exchange gifts, and Maddy’s grandma gives her a diamond heart bracelet. To avoid Grandma seeing the scars or Maddy’s trembling hands, Emily comes over to help Maddy try it on. Her grandma looks at her like she is perfect, and Maddy wishes that were really the case.
Later, Emily comes to check on Maddy and brings her favorite movie to watch. Maddy isn’t in the mood but doesn’t have the strength to object. She confesses that she thinks her mother is ashamed of her, but Emily thinks she’s just scared. Emily explains that their dad had bipolar as well, and it thus makes sense why their mother would be afraid for Maddy to go down a similar path. Maddy thinks about her father and how not everyone gets a happy ending in life, and wonders if that will be her fate, too.
It’s the start of second semester, but Maddy is on leave until next fall because of her mental health crisis. She can’t bring herself to text Sofia and tell her what happened, so she doesn’t text her back at all. Maddy avoids listening to Taylor Swift or looking at pictures of her, terrified of triggering another episode. She looks through her notebooks from school, many of which are filled with class notes or musings about Taylor Swift, but then she finds six notebooks dedicated to comedy material, all of which are full. She reads through them and finds that much of it is nonsensical or unfunny, but to her surprise, much of it actually makes her laugh. She starts to doubt her own judgment immediately, but she wonders if perhaps she has a talent she never knew about before. Maddy decides to highlight all the lines she thinks are good and compile them into a new notebook.
Some time later, Maddy’s mother bursts into her room, grabs her arm, and rolls up her sleeves. She says she found out Maddy has been cutting again by the bandage wrappers in the garbage. Maddy assures her mother she isn’t trying to end her life, but Maddy’s mother calls Dr. Weaver to schedule an appointment.
Three weeks later, Maddy has been on a new, second medication, quetiapine, an antipsychotic intended to counteract the depressive symptoms of the lithium. She feels better and wants to move to her sister’s apartment in the city. A meeting is called to see if Dr. Weaver thinks Maddy is ready, and Maddy attends along with her mother and sister. Throughout the meeting, Emily defends Maddy and confirms her belief that Maddy is ready to move out. Dr. Weaver agrees that Maddy is improving and thinks it is time for her to get back to living a normal life. Maddy’s mother objects several times, but eventually agrees when Dr. Weaver makes it clear that her approach (like taking away Maddy’s bathroom door) isn’t working.
A month into life with Emily and her fiancé, Maddy is thriving on the routine and structured days. She doesn’t appreciate the way her mother continues to check in with her constantly, and she resents being treated like a child, but she does her best not to lash out at her mother regardless. Maddy works at Starbucks nearby, and on the way to work one day, she stops at NYU to watch the passing students. She sees a woman yelling at pigeons and starts thinking about the possibility of ending up like her one day. Distracted by this thought, Maddy accidentally walks under the arch at Washington Square, an act rumored to destine freshmen not to graduate in four years.
Maddy is at work when one of her co-workers, Simone, comments on Maddy’s constant writing in her notebook. Maddy admits she’s writing comedy, and Simone encourages her to sign up for an open mic night. Maddy isn’t sure of herself or her talent, but Simone assures Maddy that she will need to fail many times before she succeeds. Maddy notices that Simone has a tattoo that says “WORTHY” on it, and she wants to feel that she is worthy of such a dream. Simone heads off to an acting audition, leaving Maddy with her thoughts. At home later, Maddy wants to tell Emily about her comedy plans, but she refrains, fearing that Emily will turn her away from the idea. Maddy’s mother checks on her before bed, and Maddy fills out her daily mood tracking app, which includes a question that monitors “unrealistic thoughts about writing comedy” (188).
Simone refuses to let Maddy back out of her first stand-up performance, and Maddy listens to recordings of her bits all day to prepare. She heads to the comedy club, turning off her location so her mother and sister won’t know where she is. After listening to several painfully dull routines, Maddy gets up on stage and receives nothing but silence for the first three minutes. Afterward, though, some of her jokes about wearing a thong begin to land, and the thrill of making someone laugh fuels her to continue.
Maddy finishes her five-minute set, and Simone congratulates her. Maddy agrees to go with Simone to the bar, even though she knows she isn’t supposed to drink. She has a drink and is approached by Max, the same man who originally invited her to the comedy club. He congratulates her on her first set, and Maddy sticks around to have another drink with him. When she gets back to Emily’s apartment, it appears nobody suspected she was anywhere but at work. Maddy spends the night thinking about all the best moments from her set, her thoughts racing faster and faster. Her mood tracker indicates that both her anxiety and her elevated moods are increasing.
In this section, Maddy is newly aware of her diagnosis. She contemplates what that diagnosis means for her identity and future while trying to adjust to the effects of medication. The novel uses free-indirect style to emphasize Maddy’s inner conflict. For example, in a moment of happiness, she expresses frustration with the way her medication blunts her ability to express emotion: “She can’t say what her face is doing, but she knows she’s smiling on the inside” (184). She hides her interest in comedy because she fears people will discourage her, sensing that she is at a turning point in her life: “She’s standing atop the rim of a volcano, toes curled over the edge, ready to jump into the fire” (186). Maddy’s character development centers on deepening hopelessness and complicated family dynamics related to The Impossible Expectation of Normalcy. Her mother inadvertently shames her, even avoiding telling Maddy’s grandmother about the diagnosis because it would “kill her” to find out. Maddy realizes not everyone gets a happy ending; her father didn’t, and he likely struggled with bipolar disorder as well. Emily serves as Maddy’s foil; she seems to effortlessly live up to their mother’s expectations of the “perfect” life, and her marriage, career success, and material comfort intensify Maddy’s sense of inadequacy. When Maddy’s mother discovers that she is still engaging in self-harm, she reacts harshly, grabbing her arms and berating her, remaining overbearing even later when Maddy lives with Emily. The medication also strips away parts of Maddy’s identity: “She misses her favorite jeans, her clear face, her steady hands. She misses who she was before her diagnosis. She misses herself” (179). Because mental illnesses like bipolar disorder directly impact the personality, it can become difficult to disentangle illness from identity. As Maddy grapples with her illness, she fears losing her sense of who she is.
Despite these internal and external conflicts, there are moments of hope in this section. Performing at a comedy club becomes empowering for Maddy, giving her a rare sense of alignment: “For that half minute, everything in her broken universe clicked into perfect place, whole” (195). Though she is never sure whether to trust her self-image, Maddy discovers a genuine talent for comedy, and the stage becomes a forum in which she can define herself in her own terms. She mines her difficult recent experiences for comic material, highlighting the theme of Personal Challenges as a Source of Strength. Simone, a pivotal minor character, encourages her to try open mic night and reassures her that failing at first is okay. Simone’s “WORTHY” tattoo inspires Maddy, who longs to feel worthy of something great herself. Simone is an early example of the role of informal support networks, evidence that The Importance of Support in Managing Mental Health extends beyond the clinical realm to include friends and loved ones.
Symbols and motifs emphasize the tension between Maddy’s desire to preserve her emotional equilibrium and her desire to pursue a creative life. She avoids anything related to Taylor Swift, afraid it might trigger mania, and turns to her comedy books, which inspire her to pursue comedy as a career. She knows that comedy, like any creative pursuit, will bring soaring highs and crushing lows, but she chooses to follow her passion despite the risk—a choice that puts her at odds with her protective mother and even with Dr. Weaver. Battling with the knowledge that her judgment is not always accurate, she constantly questions whether she’s genuinely funny or simply “crazy,” especially as she writes: “Writing comedy in this state, assuming that of course she could and in fact totally should, tapped into a skill she didn’t know she had, a passion she’d never dared to dream, never mind feed” (162). Her mood-tracking app reinforces this tension by asking about Taylor Swift triggers and “unrealistic thoughts about writing comedy” (188), demonstrating the undefined line between genuine passion and potential instability. Tension builds within her as Maddy’s life on lithium becomes a kind of prison. She is exhausted, numb, unable to taste food, restricted from being alone, forced to leave school, and abandoned by Adam. She also hides her true condition from her grandmother due to her mother’s shame, wishing she could be the version of herself her grandmother believes in. A major turning point comes when Maddy and Emily fight for Maddy to move to the city with Emily, and, after the doctor’s approval, her mother reluctantly agrees.



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