Mother Mary Comes to Me

Arundhati Roy

61 pages 2-hour read

Arundhati Roy

Mother Mary Comes to Me

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Chapters 32-42Chapter Summaries & Analyses

Content Warning: This section contains discussion of child abuse, sexual violence, substance use disorders, and state-sponsored, Islamophobic violence.

Chapter 32 Summary: “Rally For the Valley”

Arundhati becomes part of a protest movement against the construction of the Sardar Sarovar Dam in the Narmada Valley. She is drawn to the movement because it is women-run and because its leaders reach out to her after reading The God of Small Things. The movement is not successful and the dam is built, destroying old-growth jungle and displacing a large group of villagers, but Arundhati is grateful to have been part of the fight.


She publishes an essay, “The Greater Common Good,” which garners a massive response for its controversial subject and tone. She argues against the construction of the dam, but does so using language that male academics, politicians, and journalists object to for its lack of conformity to one particular genre. She is criticized for writing a piece that isn’t quite academic but doesn’t quite fit within the framework of journalistic writing either.


She is tried for contempt by India’s supreme court, but let go with a warning. She begins to be called a “writer-activist,” and is irked because to her the label implies writers shouldn’t write about topics that truly matter to society (233). The God of Small Things continues to earn money, and she establishes a trust so that she can give some of it away to worthy causes.

Chapter 33 Summary: “More Trouble with the Law”

In 2001, Arundhati is again charged with contempt of court for writing deemed anti-India by the authorities. American Islamophobia in the wake of the 9/11 attacks sweeps the world like wildfire, and the Hindu nationalists in India are happy to join in. Since Arundhati’s writing criticizes sectarian violence and Hindu nationalism in particular, she is often the target of criticism. She writes a piece that contextualizes the 9/11 attacks within the broader scope of western intervention in eastern politics, and ends up especially reviled by members of the government and Hindu nationalists, both those in politics and ordinary Indians.


Her mother follows her writing closely and, although she is not always kind in their interactions, is clearly proud of her daughter. She asks Arundhati to come speak with the students at her school about her writing and her political positions. At this same time, Micky Roy disappears. Arundhati finds him and pays for an eight-week rehab program. He does quit drinking and, after he leaves rehab, again goes to live with his sister.

Chapter 34 Summary: “Jailbird”

Arundhati is found guilty of contempt of court and sentenced to pay a fine and serve one day in jail. If she fails to pay the fine, the sentence will be increased to six months.


During her day in jail she meets a Kashmiri woman accused of being part of a terrorist attack on India’s parliament. She is sure that this woman is innocent and tries to help her. The attack was terrible, but its scale was small, Arundhati thinks, and it is being used to justify an increasing number of killings of innocent Muslim men. Tit-for-tat violence has become commonplace, and Hindu nationalists murder Muslims with impunity, knowing that they have governmental support for their crimes. One of India’s rising stars at this time, a Hindu nationalist himself, is Narenda Modi, who will one day become India’s prime minister.

Chapter 35 Summary: “My Seditious Heart”

Kashmir remains the site of India’s worst Islamophobic violence. As it is the only Muslim-majority province, it is the sole place in India that truly mounts a resistance to the Hindu nationalist government and anti-Muslim legislation. The Kashmiri residents are a tightly knit, family-oriented group, and often when one man from a family is arrested for fighting back against governmental oppression, India’s corrupt military punishes the entire family violently. Arundhati is reviled by Hindu nationalists for her support of the Kashmiri people, but she cannot observe the violence that happens there and remain silent.

Chapter 36 Summary: “A Home of My Own”

Arundhati is increasingly under fire for her public stance on Kashmir, Pakistan, and Islamophobic violence in India. She purchases an apartment of her own, which Pradip helps her decorate. His daughters, whom she considers partially her own, are now in their mid- and late-20s. They still live at home.


Her mother never comes to visit her at the apartment because Delhi’s air has become too toxic for someone with terrible asthma. Micky doesn’t visit either, but G. Isaac does. He is upset that she no longer lives with Pradip and finds their relationship too unorthodox, but she is still happy that he comes to see her.

Chapter 37 Summary: “Utmost Happiness”

Arundhati begins writing her second novel, The Ministry of Utmost Happiness, in her new apartment. Its heroine is an intersex Shia Muslim who, raised as a boy, transitions as an adult and opens a guest house in a graveyard. The novel takes 10 years to write. She immerses herself in the writing process and is happy to have finally been inspired to tell another story.

Chapter 38 Summary: “Madam Houdini and the Nothing Man”

Mrs. Roy’s health worsens. Her asthma causes infections that impact her blood oxygen levels so dramatically that each one has the potential to be fatal. She is hospitalized and put on a ventilator. Mickey Roy is also hospitalized. After a lifetime of substance abuse, his body is unable to withstand intestinal damage caused by a bad batch of bootleg alcohol.


Arundhati is in the hospital with Mickey while her brother accompanies their mother into a different hospital, but she makes the difficult choice to go see her mother when it seems that her mother is nearing death. Mickey dies, but Mrs. Roy makes a miraculous recovery. She is furious with Arundhati for putting her on a ventilator: Unbeknownst to Arundhati, Mrs. Roy once wrote her a letter asking not to be put on life support.


Mrs. Roy remains in critical condition for some time, and both Arundhati and LKC tend to her. She is sent home from the hospital, but her behavior becomes increasingly volatile, and she returns to the hospital. Eventually, she is sent home for good. She will live for 15 years after this attack, and Arundhati will be grateful that she never read her mother’s letter and didn’t know that she wasn’t supposed to put Mrs. Roy on a ventilator.

Chapter 39 Summary: “Walking with the Comrades”

Arundhati receives a letter from the Naxalites, the Maoist party in India, to visit the Dandakaranya forest where a battle rages between a mining company, the government, and a paramilitary group and the local residents whose land has been deemed attractive for development. The article that she writes after visiting the Maoist guerilla group, “Walking with the Comrades,” garners as much criticism as her article about the dam had, and Arundhati is once again the target of widespread scorn.


The Naxalites are unsuccessful in their fight, and in 2014 Narendra Modi is sworn in as prime minister. He makes a point to travel to Delhi after the election in a jet belonging to a prominent mining company. Arundhati reflects that Hindu nationalism has now joined forces with “corporate capitalism” and that a new era has begun in India (295).


Arundhati writes another essay, about an incarcerated intellectual, that once again catapults her into the spotlight and results in calls for violence against her. Although this man will eventually be exonerated, because he is a Muslim, Arundhati is fiercely criticized for defending him. The political violence in India once again reaches a record high, and again Arundhati is chagrined to see more widespread violence against innocent people. The calls for violent punishment or her arrest increase just as Arundhati finishes The Ministry of Utmost Happiness. She flees the country for her safety, but returns almost immediately after. Although she is ashamed of her country, she knows that she is a part of it and that she must remain there.

Chapter 40 Summary: “Her Birth Certificate Was an Apology from God”

Not long after The Ministry of Utmost Happiness’s publication, a local official calls for Arundhati to be tied to an army vehicle and used as a human shield. Since this punishment was once meted out to a Kashmiri man, a heated public debate ensues in which various factions argue about whether or not this official had the right to express such a sentiment.


Modi’s government continues its nationalistic crusade against Indian Muslims, and Arundhati’s hope that her country’s violence will abate dwindles. Mrs. Roy’s health declines further. She hands over operations of the school to a former student and spends less and less time with people. Even her house falls into a state of disrepair, but nothing can be done about the cracks in the concrete or the termite-riddled wood because Mrs. Roy will not tolerate noise, and could not breathe the dust that construction would generate.

Chapter 41 Summary: “Retreat”

Mrs. Roy now has round-the-clock care from a team of women. Her health continues to decline, and although the school is running smoothly, Mrs. Roy is agitated and upset because she is no longer at its helm. When Covid-19 hits India, Arundhati is stuck in Delhi and cannot go to see her mother. She is sure that Mrs. Roy will succumb to the virus, but she miraculously does not catch it. She remains as intractable as ever, and she is often unkind to Arundhati in spite of Arundhati’s kindness towards her.

Chapter 42 Summary: “A Declaration of Love”

When Arundhati receives a text from Mrs. Roy expressing love for her, she knows that her mother is near death. Arundhati goes to see her mother, and they share one final meal together before Mrs. Roy dies. Her death is peaceful: She bathes, puts on a fresh set of clothing, lies down on her bed, and she is gone.


She wanted to be cremated, and Arundhati and her brother honor her wishes. Her memorial is large, and although Arundhati knew that her mother was influential, she is surprised by how many people attend. Arundhati had wanted to be distanced from her mother’s estate: She was worried that if she became part-owner of any of it, the school would be targeted. However, upon finding out that she now owns her mother’s house, she decides to repair it. She enlists the help of an old friend from architecture school, and they spend a year restoring the home to its former glory.


Arundhati remains consumed by grief, but in her mind’s eye she can see her mother walking the earth and knows that she is no longer suffering.

Chapters 32-42 Analysis

The Links Between Creativity and Identity Development remain at the forefront of these final chapters as Arundhati discusses her further development as a writer. Her political writing, although often categorized as essays, reflects her own unique style, and it does not go without notice or criticism by the Indian press. When she begins to write about politics, academics argue that her writing lacks the rigor to be called academic, and journalists note that she fails to follow proper journalistic convention. Arundhati, trained as she has been by Mary to ignore the public’s criticism, responds to the condemnation of her work with a calm circumspection: She is perfectly happy to write at the intersection of multiple disciplines, and the fact her writing is so tricky to define is a sign that she has truly found her voice. That she spends so much time detailing this portion of her career in her memoir is important, as western audiences know her primarily as a fiction writer. In her native India, however, she is known as much for her activism as she is for her writing. The title of “writer-activist” that she initially balked at, truly becomes the best way to describe her during this era of her life.


Arundhati’s political writing and activism both reflect the values that she has developed over the course of her lifetime. The work that she does to halt the progress of the Sardar Sarovar dam speaks to her interest in class and caste, and the project is ultimately a battle between the empowered and the disempowered. The mining company that hopes to build the dam has the backing of India’s nationalist government, and Arundhati is especially chagrined to note its full-throated embrace of corporate capitalism. The writing she produces in the wake of the 9/11 attacks that prompt so much vitriol from the public and the press speak to her nuanced understanding of race and colonialism: She argues that the West became the target of violence for its longstanding history of intervening in the affairs of various eastern countries, many of them former colonies. Here, she expands on lessons about race and colonialism that she learned as a girl in Kerala, when her mother struggles to open a school without the help of a white westerner.


Arundhati also continues to shape the course of her personal life during this time, always mindful of The Battle Against Sexism and Gender Inequality. She marries Pradip, but often chooses to live alone. She is unwilling to share space when doing so would impact her writing, and she has found a partner who is happy to have an unorthodox marriage. Although Mary herself never finds such a partner (in part because of her vitriolic personality) Arundhati’s romantic choices still reflect Mary’s values: Mary taught Arundhati to prioritize her career and not to enter into a relationship in which she would be subservient. That Mary warns Arundhati of this during a period in which she and Pradip do cohabitate speaks to the nature of Mary’s parenting project: She wants her daughter to succeed in a nation in which women are still encouraged not to work outside of the home.


Both Mickey and Mary die at the end of the memoir, and a general spirit of understanding and forgiveness characterizes Arundhati’s response to both losses. She recognizes Mickey’s lifelong battle with substance dependency and feels bad that he succumbed to it. However, she also understands how full her father’s life was. Always a kind and genial man, he had many friends and was popular with his neighbors. Arundhati does not reduce the entire sum of his years to his alcohol dependency and gives him credit for his positive attributes.


That Mary remains angry and verbally abusive until the end of her life does not shock Arundhati, who has made her peace with The Tension Between Public Legacy and Private Identity. As she does with Mickey, Arundhati tries to focus on her mother’s legacy rather than on the worst aspects of her character. Her mother’s funeral is widely attended, and the scene in which Arundhati describes it encapsulates much of her ultimate response to her mother: She acknowledges how damaging her mother’s abuse was, especially during her formative years, but also respects her mother for her activism and finds pride in her public legacy.

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