42 pages • 1 hour read
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Content Warning: This section of the guide includes discussion of disordered eating, gender discrimination, graphic violence, physical abuse, emotional abuse, and child abuse.
“‘You expect me to do this for a lifetime? I didn’t leave Afghanistan just to live in mud!’ She flung her arms at the mud walls surrounding the Widows’ Compound, knowing that on the other side of them in the regular part of the refugee camp were more mud walls. Maybe the whole world was mud walls now, and she’d never get away from them.”
This quote establishes the walls motif, which represents Shauzia’s sense of confinement and hopelessness. The mud walls of the camp are a physical manifestation of the poverty and lack of a future she perceives, fueling her desperate desire for escape. Her hyperbolic fear that “the whole world was mud walls” illustrates the psychological weight of her displacement and frames her journey as a search for a world without barriers, tying into the theme of The Search for Home in a State of Displacement.
“As an adult, make your choice. If you decide to stay here, you stay without complaint. […] If you decide that life here is not for you, you know where the main gate of the camp is. We have enough problems helping those who want our help.”
Mrs. Weera’s ultimatum frames the novel’s central conflict between communal obligation and individual freedom. The stark, binary choice she presents forces Shauzia to act on her desire for autonomy, setting the plot in motion. This dialogue articulates the core argument of the theme The Illusory Nature of Complete Independence by presenting the camp as a place of difficult but real interdependence, which Shauzia rejects for a theoretical, and ultimately more dangerous, self-reliance.
“She remembered her first day at the Widows’ Compound. […] ‘I’d rather keep looking like a boy,’ Shauzia said. ‘If I look like a girl, I can’t do anything.’
‘Nonsense,’ Mrs. Weera said. It was a word Shauzia was to hear her use many times. ‘The Taliban are not in charge here. I am.’”
This flashback reveals the fundamental disagreement between Shauzia and Mrs. Weera regarding female identity and power. Shauzia sees her male disguise as a practical tool for survival and freedom in a patriarchal world.


