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It is July 1995, and April Carter and her husband, Eddie, are on their honeymoon, driving to a small lake resort in rural Michigan. April is 26, and Eddie is 27, and they have saved up for this trip while working in Ann Arbor—she as a server in a bowling alley and he as a mechanic. Even though it is late at night, Eddie, who is driving, is not tired—after his time in the military, Eddie can sleep whenever he wants.
When they see a girl stumbling down the side of the road, they stop to help her, and she reluctantly accepts a ride. Her name is Rhonda Jean, and she is going to a town called Coldlake Falls, which they have never heard of. April notices that Rhonda Jean is holding her stomach and discovers that her shirt is soaked in blood. Rhonda Jean apologizes and says, “He’s coming.”
Eddie speeds towards Coldlake Falls, hoping the town has a hospital. April questions Rhonda, who will only say that a man is following them. Headlights appear in their rearview mirror, and as Eddie speeds up, so does the truck behind them. When Eddie sees a sign for Coldlake Falls, he turns rapidly. The truck goes past, continuing down the road.
At the hospital, Rhonda is taken into an exam room. April and Eddie are covered in her blood from carrying her inside. April worries that it looks like they hurt Rhonda and begins planning their escape. Before she can decide whether to act or not, the police arrive.
April’s childhood was traumatic, characterized by constant fear as her father physically abused her and her mother. When she was 12 years old, she and her mother left that life behind. Soon after, April began managing their life together. By 15, she learned to blend in with girls her age, even though she knew things they didn’t, like how to leave her current life at a moment’s notice and without a trace. By the time she was 18, she was alone and continued living in much the same way—staying anonymous, ready to leave her life at any time.
In Ann Arbor, Michigan, she got a job as a server in a bowling alley and rented a room in a house filled with kids her age. One February day, thinking she was alone in the house, she came out of her bedroom in her bra and jeans. She was startled to find a man in the hallway. It turned out that the man, Eddie Carter, was a friend of her roommates, recently returned from Iraq. He apologized for scaring her and then asked her out. She said yes, and by July, they were married. April is still amazed that she is married.
Now, at the hospital, they watch a police officer approach. Eddie tells her not to say anything about the truck that followed them. Officer Syed introduces himself, but before he can question them, two police detectives arrive—one in a rumpled suit and the other in a pristine tracksuit. April immediately recognizes the man in the tracksuit as dangerous. They send Syed away and tell April and Eddie that Rhonda has just died, making this a murder case.
The detectives introduce themselves—the one in the suit is Detective Beam, and the one in the tracksuit is Detective Quentin. When April asks to see their badges, Quentin becomes confrontational, asking what he’d find if he ran her name through the system. April reflects that “he’d find nothing. My mother had made sure of it, and so had I” (26).
Quentin tells them their car will be impounded and examined. The next day, he will take them out to the road where they found Rhonda so that they can walk him through the interaction. In the meantime, they take April and Eddie to a local bed-and-breakfast. The owner, Rose Jones, is rude and abrupt with them and the police alike. She mentions that she was married to a police officer before showing them to their room.
In bed, Eddie tells April that when the truck passed them, he saw a girl sitting in the pickup’s bed, staring at him. Eddie has post-traumatic stress disorder (PTSD) from his military service in Iraq and sometimes has hallucinations. He doesn’t know if the girl was real.
April comments on how quickly the detectives arrived at the hospital, and they conclude that this must have happened before. Eddie remarks on how calm and collected April was when she saw that Rhonda Jean was bleeding, and she tells him that there are things other than war that prepare people for trauma. Although Eddie knows some of the truth of her history, he doesn’t know everything.
The next morning, April notices how cluttered Rose’s house is, filled with figurines and prominent pictures of Princess Diana. Two new officers pick them up to take them to the station, and one shares the local gossip that Rose killed her husband—a neighbor claims to have seen his body in the grass while Rose dug in the garden. The other officer says it isn’t true—Rose’s husband died of a heart attack. When they pass a police car going the other way, Eddie tells April that they are probably going to Rose’s to search their luggage.
April’s life changed the summer that she was 12 years old, and she thinks about the trauma every summer. Since then, she’d moved through life anonymously and invisibly until Eddie noticed her. On their fourth date, she’d told him some of what had happened to her. He reacted by kissing her hand. This tender moment merged with her memories of that earlier, traumatic summer, changing how she felt about the season.
The police car stops in a parking lot where Quentin and Beam are already parked along with Syed and his partner. Quentin spreads a map on the hood of his car, and together he and Eddie trace their route to the road they found Rhonda Jean on—Atticus Line. Eddie explains again that they were lost—he got off the interstate by accident. April hopes that Eddie follows her lead, as she is sure she has more experience with the police than he has.
Quentin has done background checks and was surprised to find very little on April—only a driver’s license. She can tell that he suspects that there is more to her past. Eddie points out that their marriage and honeymoon reservations are verifiable, and it would be ridiculous to arrange all that just to kill a girl and take her to the hospital.
Quentin drives them out to Atticus Line, and they point out where they picked up Rhonda Jean. April remembers seeing a light in the trees that night, but she doesn’t mention it. While the police question Eddie, April walks around the area. The road feels strange and abandoned, and she wonders why Rhonda Jean was there in the middle of the night.
Syed approaches April and warns her not to make Quentin angry. He also tells her that most locals avoid Atticus Line, which leads to a private home called Hunter Beach. The owner allows kids to camp there for free, and as a result, there are often hitchhikers along Atticus Line. Since Rhonda Jean wasn’t a local, he guesses that she was either going to or leaving Hunter Beach.
April sees Quentin watching her while Eddie talks to Beam. As she and Syed walk back to the cars in the July heat, she wonders why Rhonda was wearing a jacket. Just then, she feels a blast of cold and then becomes so dizzy that she crouches down. Peeking out of the leaves at her feet, she sees a faded cloth flower and a card that says, “In memory of Katharine O’Conner. March 2, 1993” (53).
Quentin and Beam take April and Eddie to the police station for questioning. They are interviewed separately, and neither of them says anything about the truck. Afterward, the police leave them at Rose’s house, where lunch is waiting for them. April believes that she is bad luck and feels bad for dragging Eddie into something. He reminds her that until he was adopted at the age of six, he’d had bad luck, too.
After they eat, Eddie goes for a run and April finds a novel to read: Flowers in the Attic. She falls asleep, and when she wakes up, Rose is sitting beside the bed watching her. She asks if they have heard the gossip that she murdered her husband, Robbie. When April says yes, Rose tells her that the officers are jealous because Robbie was the best cop on the force, but never got promoted because he was Black. She offers to make dinner for April and Eddie, and April asks if this means that Rose doesn’t believe they murdered Rhonda Jean. Rose replies that she’s not sure about April, but Eddie couldn’t kill anyone. Rose wants to know what happened with Rhonda Jean, and April agrees to tell her if Rose shares information about the town, and especially the police.
Rose tells April that people won’t like her because she is too pretty. April changes the subject and asks about Katharine O’Connor. Rose tells her that Katharine was a hitchhiker from Hunter Beach who was strangled several years ago. April tells Rose everything she told the police, but Rose can tell she is holding back. Finally, April admits they think someone was following them but doesn’t give Rose specifics. Rose tells them they should investigate Rhonda Jean’s death to get ahead of the police, and she offers to lend them Robbie’s old car.
Rose gives them directions to Hunter Beach and comments that even if the police went there, the kids living there wouldn’t tell them the truth, but they might talk to Eddie and April. Eddie is hesitant about trusting Rose, but April points out that they need help—whoever was following them might be coming after them. Eddie tells her that he saw a man in Rose’s backyard and is worried it was a hallucination.
At Hunter Beach, they see only one vehicle—an old van. Down by the beach, they find a cabin surrounded by tents, and April and Eddie approach some kids sitting around a firepit. Eddie asks if one of them owns the place, and they laugh. April realizes that he is playing dumb to get information and plays along. When they ask about Rhonda Jean, she can tell from the kids’ reactions that the police haven’t been there. They go into the house, whose posters and sagging furniture remind April of many places she’s lived before.
They tell the kids about Rhonda Jean’s murder, and one of the girls, Gretchen, begins to cry. They tell April and Eddie that Rhonda was only there a few weeks and had left home because of her father’s abuse. Rhonda left Hunter Beach late one night, hoping to sleep at the bus station until morning. Gretchen says that Todd, the owner of the old van, should’ve given her a ride, but he replies that no one saw her leave. Gretchen says the Lost Girl got her and tells them the local story about a “girl haunting Atticus Line, killing hitchhikers” (79). April remembers the blast of cold air before she found Katharine O’Connor’s memorial on Atticus Line. Finally, one of the boys, Mitchell, admits that he saw Rhonda Jean leave that night.
This story is told from April Carter’s first-person point of view, a perspective that offers an immediate connection between narrator and reader, but also means that events and other characters can be seen only as April sees them. This perspective emphasizes The Difference Between Appearance and Reality, as April’s initial impressions of her new husband and, later, of detectives Quentin and Beam, must shift to accommodate new information.
In the first chapter, St. James uses the immediacy of first person to quickly draw the reader into the scene. The opening scene is a classic convention of the horror genre: the protagonist and her husband are lost on an abandoned road in the middle of the night, and they stop to help a seemingly helpless girl. Rhonda Jean’s behavior lends extra tension and ambiguity to the scene—she is reluctant to take the ride and says very little, when one might reasonably expect that she would be grateful to April and Eddie. Because of the context of the “hitchhiker on a lonely road” horror genre trope, it is unclear at this point whether Rhonda is a victim or a threat. However, at the end of Chapter 1, Rhonda Jean herself makes it clear when she says, “He’s coming”—a cryptic but ominous declaration that serves to increase suspense heading into the next chapter.
In these early chapters, April faces a decision that will return over and over again throughout the novel: whether to run. In Chapter 2, April’s first instinct is to leave the hospital, and this will continue to be characteristic of April. She will be given many opportunities to run from her problems throughout the novel, but this first moment represents the beginning of her character arc. Running is April’s initial answer to everything—as she tells the reader, is the way her mother trained her and has been her modus operandi throughout her life. Her childhood necessitated this instinct, as she and her mother fled from her abusive father and then were often on the run from the law. Her character arc will involve Overcoming Past Trauma and learning that sometimes staying takes more courage and resourcefulness than running away.
In this early section, April refers to her childhood only obliquely as a “nightmare,” comparing it to the film Rosemary’s Baby, another nod to the horror genre. In Chapter 3, with the introduction of Detective Quentin, however, St. James offers the reader another clue to April. Her reaction to Quentin is instinctual and immediate, as her “gut gave a familiar squeeze,” and she “felt spiky sweat on the back of [her] neck” (24). She confides that her fight or flight instinct is “particularly honed,” and it is telling her, “Beware of this one. Get away if you can” (24). Although April’s story is still unclear, St. James has offered hints that build a picture of possible abuse in her past, explaining the reason her instincts about dangerous men are so “honed.”
April’s instant connection to Rhonda Jean illustrates the significance of Finding Connection in Common Experience. When she learns from the kids at Hunter’s Beach that Rhonda Jean left home because of her father’s abuse, April is unsurprised, commenting, “Women like us recognized each other all the time” (8). April too suffered abuse at the hands of her father, and the shared experience is an instant bond between her and the young woman whose murder she is trying to solve. Throughout the novel, April meets or hears about many women who have been victims of male violence, and the prevalence of violence against women becomes a source of community and solidarity between women.
April’s traumatic past explains her instinctive reaction to the intimidating figure of Detective Quentin. When she remarks to herself that Quentin won’t be able to find any information in the system about her because she and her mother “made sure of it” (26), it becomes clear that disappearance has been at the core of her strategy for survival—one of the instincts she will have to unlearn if she wants to live a fulfilling life. When Eddie comments on April’s calm in the face of Rhonda Jean’s injuries, April again shows a familiarity with violence and abuse when she reflects that she “should have panicked at the time. A normal woman would have” (32). April’s history has left her feeling like she is not a “normal woman” and needs to fake her reactions to trauma. St. James also offers another nod to the theme of Finding Connection in Common Experience through Rose’s fascination with Princess Diana. The novel takes place in 1995, two years before Diana died in a car crash, and at this point in history, the public knows little about the difficulties she faces. Here, St. James uses dramatic irony, as the reader knows Diana’s fate and all the revelations that followed about her difficult life, to draw this global celebrity into the circle of women who have been harmed by patriarchal abuse—a community that includes April and nearly all the women in the novel.
This section also shows how everyone, including April, underestimates Eddie, illustrating The Difference Between Appearance and Reality. April is sure that she knows more about how to handle the police than her new husband and hopes Eddie will follow her lead, but over the following chapters, he will show himself to be much more capable than she initially believes. St. James offers an early hint of Eddie’s insightfulness with his immediate suggestion that they not tell the police about the truck. April doesn’t understand why but trusts him enough to follow his lead, showing that even though she might consciously think that she knows more than he does, her trust in his instincts is implicit. In Chapter 11, this trust is supported by Eddie’s act at Hunter Beach—he sets the tone of playing dumb “so that he wouldn’t seem like a threat,” and April reflects on how “Everyone underestimated my husband” (73), a statement that will echo throughout the novel.



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