59 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of animal death.
Ken, Howard, McLaughlin, Tim, and Gus gather with Dr. Hicks in the Six-Foot Pasture, so named because of its large, barbed wire fence. McLaughlin sends Ken to get a bucket of oats. He stands by the gate with the bucket, preparing to let each colt through after it is castrated. With Tim and Gus’s help, Dr. Hicks ties each colt, one by one, and operates on them. When they are untied, McLaughlin lures them to the gate with oats, comforting each one.
Ken watches everything unfold. He is overwhelmed by the blood and the sight of the colts after they are castrated. They are downtrodden and quiet, often isolating themselves from the others, with blood running down their legs. The entire time, he thinks of his colt undergoing the process a year from now.
After the last colt, which is a struggle for Dr. Hicks, Ken flees the gate and runs up into the pines. He sobs, lying on the ground. After a while, he hears his father approach. He calls to Ken and reaches out, hugging him as Ken sobs against him.
Ken does not eat dinner that night. His mother sends him out to hang her hammock, which gives him time to himself. After a while, Nell joins him. She assures Ken that gelding the horses is better for them and that they will forget about it soon. She tells him that part of growing up is learning to “take the bad with the good” (90).
Eventually, McLaughlin comes out and feeds oats to the horses. He then starts with the newborn colts. As he does so, he explains to Ken and Howard that this is the first step in getting the colts used to human beings. They have spent the spring alone since birth, but now McLaughlin can begin to train them.
After, McLaughlin tells his wife that he is going to town for supplies. Ken and Howard excitedly get into the car. However, McLaughlin points to Highboy, Howard’s colt. His lower legs are dirty from riding the day before. McLaughlin lectures Howard about grooming him properly. To Howard’s disappointment, McLaughlin makes him get out of the car and groom him, not allowing him to go into town.
On the way to the store, McLaughlin tells Ken that he is giving him a colt as part of a “bargain.” He wants Ken to be responsible and learn from caring for it. Ken promises his father that he will continue to fulfill his responsibilities on the ranch while also raising the colt. He feels more deeply connected to his father than he has before as a result of the conversation.
In town, McLaughlin stops to fill up gas and visit the store. The neighbor from nearby, Reuben Dale, asks if they have seen any wildcats. He warns them that he has lost two calves near Castle Rock Meadow.
On the way home, McLaughlin informs Ken that he is going down to Castle Rock to look for a missing colt. Rocket had one with her before, but now it’s gone. He assures Ken that he will take a gun with him in case he sees a wildcat, but he is sure he won’t need it.
That afternoon, as they search Castle Rock, Howard finds the foal dead in a cave. McLaughlin tells them it was a large mountain lion, judging by the size of its tracks. The boys ask if the horses are still in danger. McLaughlin explains that, now that they are on the range, they will be more protected. The lion will likely stay near Castle Rock. The range is also more open, not giving the lion a chance to hide and attack. He’s confident that Banner will help protect them as well.
McLaughlin drives around the land looking for Rocket. When he can’t find her, he recruits Tim and Gus to help. A storm comes and it rains throughout. After hours of searching, they give up for the day. McLaughlin is insistent that they find Rocket soon so that she can be bred again. He thinks she managed to jump the fence.
That night, McLaughlin and Nell lie in bed. She asks what his plan is for the mountain lion. He is hopeful that it stays near Castle Rock. He does not want to scare the boys. He is certain they will be fine as long as they are on horseback when they go out. He warns Nell about going off on her own. She promises to stay away from Deercreek, which is surrounded by trees; lions often use the trees as cover to pounce on prey.
Over the next week, it rains regularly on the ranch. Everyone continues to search for Rocket, but they have no luck finding her.
A buyer from Colorado, Joe Williams, comes to purchase older horses to sell at auction. Although McLaughlin hates the idea of giving up his horses for much less money than they’re worth, Nell encourages him to do so or else he may never be able to sell them. McLaughlin promises Williams that he will have some horses for him the next time he comes back.
Another man, Ross Buckley, shows up at the farm. He is a bronco-buster who is in the area waiting for a rodeo. He hopes to ride some of the three-year-old horses for practice, in turn breaking them for McLaughlin. McLaughlin agrees, and Buckley stays in the bunk house for several days.
Near the end of the week, Ken knows that he only has a day or two left to choose his colt. He has decided that he is going to pick a filly, partially so that he does not have to see her castrated. He feels as though something is changing within him, as he is treated differently by his father and his brother now. He spends less time daydreaming and more working, a thought which makes him feel partially sad for what he is losing in his changing. He wakes up early and rides through the meadows, searching for the pack of colts.
As Ken rides, he suddenly comes across Rocket. She has a filly at her side. Banner, nearby with the brood mares, approaches her and tries to corral her. However, Rocket’s filly takes off, running away from the group.
As the filly runs by Ken, he is struck by the overwhelming urge to follow her. He sees it almost as a plea for “help.” He chases after her on horseback. Eventually, she comes to the other colts, excitedly greeting them all. In that moment, Ken feels a monumental change, as if he has become “something entirely new” (130). He is certain that he will choose this filly.
When Ken gets back to the house, he decides to keep the colt a secret until the next day, when his week for choosing is up. Instead, he excitedly tells his family about finding Rocket. His parents express how proud they are of him.
After breakfast, McLaughlin asks Nell to go up and help break one of the three-year-old horses. Although Buckley has been riding three of them, the fourth, Rumba, is too small and delicate for him.
The family walks up to the stables together, with Nell dressed in her riding gear. Buckley greets her, calling her “Missus,” which Nell thinks of as “a royal title in the West” (136). The idea partially annoys her, as everyone treats her as though she is too delicate to do anything but housework. Unsurprisingly, Buckley is adamant that Nell does not need to ride Rumba, but McLaughlin insists.
Nell carefully approaches Rumba, who initially reacts with fear. However, standing near the horse, Nell talks with Buckley and McLaughlin and pretends to ignore Rumba. Slowly, Rumba warms to her, eventually allowing her to mount. Nell rides out of the stables to the practice field with McLaughlin and Buckley following on two of the other houses.
That night, Ken gets into bed still thinking about his colt. He went up to visit her again that afternoon, marveling at her speed. He realizes that her grandsire is likely the horse Albino, a fact that will make his father unhappy. However, Ken is hopeful that she will take after her sire, Banner. He remembers seeing his colt the year before, when she was born. They saw Rocket standing over her protectively. Gus, who is Swedish, referred to her as “flicka,” explaining to Ken that it is “Swedish for little gurl” (143).
The next morning, Ken tells his family his decision at the breakfast table. He has decided on the name Flicka for her. McLaughlin tries to talk him out of it, insisting that all the horses from Albino’s line are untamable. However, Ken is adamant that he can do it. His father warns him that he will not allow Ken to cost him extra time or money in doing so.
McLaughlin takes Ken and Gus up to the ridge to find the colts. He makes Ken take the lead on bringing them all into the corral. They are all branded and sent back out the gate one by one, except for Flicka. Gus leads them up the Saddle Back, the large hill behind the ranch.
When Ken is alone with Flicka in the corral, she refuses to calm down. She desperately tries to jump the large fence and get out the gate. After slamming into the walls several times, she knocks a few bars loose. She then squeezes through the hole, bleeding from the effort, and takes off out the gate before Gus has returned to close it. Ken watches the entire time, fearing that Flicka will injure herself.
That afternoon, McLaughlin suggests again that Ken change his mind. However, he is adamant that he still chooses Flicka.
A man who owns a ranch up north, Charley Sargent, comes for dinner. He is selling several of his horses to a man from Los Angeles; he plans to make them into polo horses. He wants McLaughlin to send four of his horses as well so that they can share in the profits. McLaughlin readily agrees.
After dinner, as Sargent and McLaughlin talk, McLaughlin begins bragging about how fast Rocket is. He claims that she can ride over 30 miles per hour. When Sargent expresses his disbelief, McLaughlin offers to sell her for $500. Sargent agrees if she truly is that fast.
McLaughlin, Sargent, Ken, Howard, and Gus go out into the pasture to bring in the horses. With Banner’s help, they manage to get Rocket isolated. Sargent points out a piece of rope hanging around her neck. McLaughlin insists that he plans to take it off; he has just struggled to do so because of how wild she is.
Rocket takes off running, so the men get into the car to follow her. She makes her way up to Castle Rock Meadow, breaking straight through a fence to do so. McLaughlin points out that she is likely returning to where she lost her colt.
The men drive up to Castle Rock where they find Rocket trotting through the meadow. McLaughlin pulls the car up behind her, then honks, sending Rocket running toward home. McLaughlin follows in the car. To Sargent’s excitement, the car tops 30 miles per hour. He happily agrees to buy Rocket, with McLaughlin promising to deliver her to his ranch.
That night, Ken and Howard stay out late. When they come home, they tell their father that they went back to the cave where they found Rocket’s colt. More of her carcass is gone, with McLaughlin guessing that the lion returned to feed on her.
In this section of the text, Ken begins to change as he matures and becomes more responsible. As a bildungsroman, the novel explores Ken’s growth and development as he learns to fit into the society that he is a part of. After McLaughlin finally relents and tells Ken that he can have a colt of his own, Ken begins to help more on the farm and take his responsibilities more seriously. His father also trusts him with more, believing that Ken will finally begin to understand the values he believes are necessary for life on the ranch.
With this growth, however, comes a sense of loss for Ken. As he matures, he finds that he spends less time getting distracted and more time thinking about the mechanisms of the ranch. As he thinks to himself:
But something had gone out of him, too; and sometimes he wanted it so that he was in a panic. It was a place he used to play and be happy in: quite secret, no one knew he was there; and safe, because he had everything his own way; pleasant, because there were no unhappy endings. (123)
These thoughts are a metaphorical embodiment of the threshold on which Ken finds himself. Due to the severity of life on the farm, he is forced to abandon his immaturity and—by extension—his “place” he could “be happy in.” In his father’s eyes, there is no room for this type of life in the harshness of the ranch, thereby creating a necessity for Ken to choose one or the other. With this decision comes a sense of loss that is identified almost subconsciously by Ken.
Despite this maturation, however, Ken desperately tries to hold onto his carefree life through his decision to choose the free-spirited Flicka, introducing the theme of The Power of Human-Animal Relationships. This choice creates the primary conflict in the novel: Ken wants Flicka as his colt while McLaughlin believes it is a futile choice because of Flicka’s bloodline. After McLaughlin fails to convince Ken to change his mind, he takes a hardline stance, insisting that it’s Ken’s “funeral” and that he is “not going to be out of pocket on account of this” (145). Here, the differences between Ken and McLaughlin are underscored. While Ken is maturing, he also sees value in Flicka because of her heart, beauty, and speed, ignoring the practicality of taking a more reliable horse. Conversely, McLaughlin sees only the financial value in a horse, believing that Flicka will not be worth the energy it takes to train her—if it is even possible at all.
Ken’s struggle for growth is best reflected through the gelding scene that impacts him so immensely, reflecting The Clash Between Romanticism and Realism. While he understands the importance of castrating the horses, it does little to soothe his reaction and discomfort in the act. This moment is a microcosm of what Ken will undergo throughout the text: He sees castration as a necessary part of maturation, yet still sympathizes with the horses and sees it from an emotional point of view. Nell’s words in response to Ken’s struggles articulate the internal conflict that Ken faces as he grows up. As she explains, life will require him to “take the bad with the good” (90), both in accepting the brutality of the castration and in his loss of innocence through maturation. While Ken dreams of the “good,” which is the beauty and adventure of ranch life, he is forced to also confront the “bad”—the reality of gelding horses and domesticating them.
The novel creates a sense of growing dread and danger in this section of the text by introducing the mountain lion. Although it has been repeatedly made clear that life on the farm is dangerous, this danger is physically embodied by the presence of the mountain lion on Goose Bar Ranch. Although McLaughlin dismisses the idea, Nell’s fear and understanding of the danger it could pose foreshadows its imminent threat. The novel hints toward the future confrontation with the mountain lion, as it hides in the background of the story and presents an ever-present (if downplayed) threat.
Along with the mountain lion, the desperate search for Rocket after the discovery of her dead filly continues to develop the theme of Humanity’s Struggle to Control Nature. While the mountain lion is a dangerous aspect of nature that threatens life on the ranch, so, too, is Rocket’s unwillingness to be tamed. The hours that McLaughlin and the other workers spend looking for Rocket are spent in harsh storms and rain, a motif in the novel that often reflects the mood and tension of the characters (which is a literary device known as “pathetic fallacy”). Despite McLaughlin’s best efforts, Rocket is untamable, instead repeatedly escaping to mourn her dead filly and protect her other one, Flicka. This wildness is reflected in the weather, as it storms relentlessly throughout McLaughlin’s pursuit. Ultimately, these scenes underscore the power of nature, both through the weather and through Rocket’s independence.



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