My Friends

Fredrik Backman

57 pages 1-hour read

Fredrik Backman

My Friends

Fiction | Novel | Adult | Published in 2025

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Character Analysis

Content Warning: This section of the guide describes bullying, child abuse, substance use, and death.

Louisa

Louisa is one of the protagonists of the novel. At the outset, she is 17 and on the run from her foster home since her best friend Fish died. Louisa is characterized as creative, rebellious, and suspicious of all adults. For most of her life, Louisa has carried around a postcard with an image of a famous painting called The One of the Sea. Because Louisa has been let down by every adult system meant to protect her, the painting has been her one constant and the one beautiful thing she can cling to in a chaotic world, a haven of beauty and safety that she has never known. Over the course of the novel, Louisa seeks the safety and support she observes in the painting, and her meeting with Kimkim instigates both the plot and her eventual accomplishment of that goal. As she runs from the police, she meets the artist who created her beloved painting, a moment that changes her life as Kimkim becomes a living symbol of possibility. The encounter affirms for Louisa that she is not invisible, and that beauty can still find her even when she feels lost. Kimkim saw her pain, her passion, and her potential and deemed them worthy of the most valuable thing he could give. Ted understands this, commenting that “the artist didn’t give her the painting because it was his inheritance, he gave it to her because he realized that she was the inheritance” (134). With the artist’s death, Louisa is now the one to carry the story forward.


When Louisa meets Ted, she is alone, exhausted by grief, and on the run. Her character arc involves dismantling the emotional armor that she has built for her survival. Louisa’s rootless life has taught her not to trust easily. Ted is gentle, but dealing with grief, too. Though he reluctantly takes her on, his patience and care allow Louisa to be herself, and through his story about his friends, Louisa feels less alone in the world. Ted becomes the first adult in a long time who offers Louisa consistency, and he creates space for her to feel safe enough to begin believing in herself. 


Through their connection with the artist, Ted and Louisa form at first a circumstantial family, thrown together for a shared purpose of fulfilling Kimkim’s final wishes. However, over time, their relationship grows into chosen family as Louisa learns to receive care and give it in return. Ted’s belief in her slowly helps her find a way forward as he encourages her creativity, listens to her thoughts, and honors her intelligence, which gradually affirms her sense of agency and self-worth. By the end of the novel, Louisa is no longer the girl on the run who clings only to a postcard of a painting, but the owner of the painting, and through Art and Human Connection, has found a place to begin again. Through Kimkim’s gift, Ted’s friendship, and Christian’s mother’s help, Louisa finds a new way to live and heal.

Kimkim

Known as “the artist” for much of the story, Kimkim is the creator of the famous painting, The One of the Sea. Also known as “C. Jat,” a name he created from the initials of his friend group and a loving tribute to those who made him, the artist dies in the early part of the novel, but through Ted’s storytelling, he is brought back to life. Kimkim’s character is pieced together through Ted’s perspective, an intimate portrayal that reveals a boy shaped by friendship, pain, and shared creativity, all of which lay the foundation for the artist and human he becomes. 


Kimkim also acts as a foil for Louisa—like her, he is artistic and sensitive but neglected and abused. Kimkim’s character illustrates the invisible wounds carried by sensitive children in harsh environments. Through the love of his chosen family and the refuge of art, he not only survives in memory and his art but transcends it: “[I]n an ugly place, he was born with so much beauty inside him that it was like an act of rebellion. In a world full of sledgehammers, his art was a declaration of war” (20). He becomes an artist and a symbol of what can grow when love and loyalty prevail over cruelty and shame, signaling both the possibilities and dangers that lie ahead for Louisa.


Kimkim is a sensitive, emotionally attuned child in a world that doesn’t make space for him. His parents reject him as “abnormal,” and he faces relentless bullying at school for being different. Through the protection of his friends and drawing, Kimkim finds refuge. Art becomes the only language available to him when words fail or are used against him. His sketches are his shelter and his voice in a world that silences him. 


Kimkim’s friends devote themselves to protecting and uplifting him, and Joar dedicates his life to helping Kimkim escape the town. He sees the genius in his friend and makes it his mission to showcase it to the world. Through unwavering support and sacrifice, Ted, Joar, and Ali help Kimkim step into his calling and achieve greatness as they believed in him when no one else did. Their belief becomes a foundation on which he can stand, and in turn, his work and death become what draws them back together. When Kimkim gives his painting to Louisa, the act signifies that he sees himself reflected in her. He knows what it is to be rescued by love, and he passes it forward.

Ted

Ted is another of the main characters in My Friends. In the present timeline, he is nearly 40, while in the past timeline, he is 14 years old. When Ted meets Louisa, he is wounded physically and emotionally as he recovers from a stabbing and dealing with the loss of Kimkim, the love of his life. Having lost his career and his friends, Ted’s remaining purpose in life is to find Louisa and fulfill Kimkim’s last wishes in gifting her the painting


Ted thinks that giving Louisa the painting is the end of the story, but it becomes a posthumous fulfillment of the friends’ love story and the start of a new beginning for Ted. Meeting Louisa cracks Ted open in a new way, and his character arc, like Louisa’s, involves coming to terms with his grief and reopening himself to the world. Louisa is also grieving, angry, and adrift, and in her, Ted sees a younger version of himself and his friends, someone who understands what it is to hurt deeply and feel lost. He steps into the role of guide for Louisa, helping her through her own grief as he deals with his own. Though separated by age, experience, and personality, Ted and Louisa are mirrors for each other, wounded and struggling to find a place in a world that has not always been kind. Kimkim’s request allows Ted to stop living only in memory and begin engaging in the present through his relationship with Louisa. Because Louisa shares Kimkim’s emotional intensity and artistic soul, Ted feels like he is continuing to love Kimkim by caring for her. Ted’s love for Kimkim is deep and life-defining, but it is unrequited. He therefore mourns not only the loss of a person but also the loss of the life they never got to have together. 


Ted’s journey home is an emotional, spiritual, and relational reckoning. The town is filled with the ghosts of his younger self, his friends, and their shared memories, as well as those he has lost. Ted’s return also forces him to confront Joar. There’s been distance and pain between them, but mourning Kimkim’s death and Louisa’s arrival open the door to reconnection. Caring for Louisa and returning home forces Ted to deal with all the unseen emotional injuries he has sustained in his life: “Getting stabbed with a knife is a trauma for the whole body, his leg was probably the part that healed quickest, it was other parts of Ted that were limping. Slowly, slowly he’s daring to be a person again” (430). Through daring to love again, Ted undergoes a profound transformation in his journey, from despair to finding joy and purpose in life once more.

Joar

Joar is Kimkim’s oldest friend, loyal and willing to protect his friends, no matter the cost. From childhood, Joar takes it upon himself to shield Kimkim from the cruelty of their environment despite facing abuse from his father. He sees that Kimkim’s sensitivity and artistic nature are not weaknesses but rare and beautiful qualities, illustrating that although he isn’t seen as the sensitive one in their group, he is highly emotionally intelligent. For one summer, Joar centers his life around helping Kimkim escape the town that tried to crush him. However, Joar never escapes the city and becomes a victim himself of the forces from which he tried to save his friends, such as substance use and violence, literally forced to remain at his home due to house arrest. Joar is the friend who is left behind, remaining in the town that caused them all so much pain, and through his journey, Backman examines another path toward healing as he is forced to confront the forces that hurt him as a child and come to terms with them.


Along with caring for his friend, Joar’s life mission is to protect his mother from his abusive father. While Joar admires Kimkim, his mother is his hero, as even after being severely beaten, she quietly cleans her wounds and continues to live and work to care for and support Joar: “He had always assumed her goodness made her light, and the world isn’t built for light people, the planet spins and they keep getting thrown into walls and fists” (379). With Joar’s character, Backman explores the life of a child forced into an adult role far too early. In his mind, love equals protection, and if protection requires violence, then so be it. This survival instinct follows him into adulthood, where an act of violence meant to protect someone lands him in jail. Ultimately, Joar finds closure and relief in his relationship with his father through his care for him after the injury. Though Joar has made mistakes, Ted and Louisa’s arrival offers him the chance for redemption. Louisa carries Kimkim’s spirit and his capacity for feeling, seeing, and transforming pain into art. She sees Joar not only for who he was, but for who he might still become.

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