22 pages ⢠44-minute read
Octavio PazA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The wave is one of two main characters of the story, and its largest symbol. Paz personifies the wave as a woman in love who starts an impulsive affair with the narrator after his visit to the sea. A wave can be both a gentle and a deadly force, which is exactly how Paz describes the pairâs love. At the start, she is bright and sweet, literally bringing light and joy to all things she touchesâthe excitement and delight of a burgeoning love. As the narrator becomes more familiar with his lover, he can see through her âtransparentâ water. When the wave grows bored, though, she seeks excitement from the fish (symbolic of other lovers) and becomes inconsolable. As the pairâs passion dies, so does the waveâs human qualitiesâshe turns into a statue of ice, an inanimate object the narrator no longer feels anything towards.
Paz uses a vast variety of imagery to immerse readers in this transformation, and the immense power he gives the wave underscores just how powerful love and infatuation can be. In one instance, the narrator feels nearly drowned by the wave, demonstrating how consuming a relationship (especially an abusive one) can become. Paz suggests that love can be the source of lifeâs greatest joys but also its greatest pains.
Like the wave, the fish are both a character and a symbol in the story. When the wave becomes lonely, the narrator brings her gifts from the sea to console her. Among them is a school of fish; the lovers have either left or neglected all the other relationships in their lives, and the fish are an attempt to bring the wave company, something familiar from her previous life in the sea. The narratorâs plan backfires, however, as the wave then devotes all her time to them, and they effectively become her new love interests. The narrator jealously watches them âcaressing her breasts, sleeping between her legs, adorning her hair with little flashes of colorâ (31). These fish are a symbolic threat to the narratorâs relationship with the wave, evident in the way he perceives them: A few are âparticularly repulsive and ferocious,â with âjagged and bloodthirsty mouthsâ (31). Overcome with jealousy, the narrator tries to attack them, but they slip away and remain with the wave until the narrator finally leaves, maliciously laughing at him when he does (32). The fish are not mentioned at the end of the story once the wave has turned to ice; it is not known what happened to them, but they are no longer a threat to the narrator because the relationship has ended.
Among the rich imagery Paz utilizes to personify the wave, he employs a motif of cosmic elements to invoke how vast and unknown the wave is to the narrator. The wave is âinfinite as the horizonâ (30), and her âsensibilityâ spreads in eccentric ripples that âtouch other galaxiesâ (30). The narrator feels that âto love her was to extend to remote contacts, to vibrate with far-off stars we never suspectâ (30). To him, this love is otherworldly, as incomprehensible as the universe. The narrator believes she has no emotional core or âcenter,â âjust an emptiness like a whirlwind that sucked me in and smothered meâ (30), just as a black hole would. This kind of cosmic love is beautiful but also dangerous. Even outside the sea, the wave is affected by the moonâa blurring of the line between scientific fact and this surrealist world. These cosmic pulls not only change her tides, but also drastically affect her moods and appearance. While the narrator first finds this phenomenon âfantastic,â he soon learns how âfatalâ this unpredictability is for their relationship.
When the narrator returns from his month away in the mountains, he finds that the wave has turned into a âstatue of iceâ (33). Paz uses this transformation as a direct symbol of their love, which has gone cold and hard. In a solid form, the wave no longer possesses any of the qualities that once made her so human-like; she cannot move, speak, or feel. The abuse in the relationship and the opportunity to reflect on it also leave the narrator indifferent; without any emotion, he disposes of her and expresses no feeling at the thought of her destruction. He no longer regards her as a living being, treating her as a commodity to be sold and used. Pazâs allegory prompts readers to consider how an emotional, passionate relationship can suddenly freeze and disappear.



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