63 pages • 2-hour read
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Victorian poetry functions as a recurring motif throughout My Oxford Year, symbolizing the tension between intellect and emotion that defines both Ella’s studies and her relationship with Jamie. Ella arrives at Oxford determined to approach literature with the same analytical skills that have made her successful in politics, but Jamie challenges her to move beyond detached analysis and instead feel what poetry evokes. Their first real connection occurs when Jamie has Ella read Matthew Arnold’s “Dover Beach” aloud, pushing her to admit that the poem makes her feel “lonely” rather than asking her to interpret its meaning. This moment reveals how Victorian poetry becomes a bridge between Ella’s guarded intellectualism and the vulnerability she resists.
Other poems throughout the novel reinforce this dynamic. Ella chooses Elizabeth Barrett Browning’s “A Man’s Requirements” for her first essay, a choice that mocks Jamie’s reputation for short-lived affairs but also shows her discomfort in revealing her own emotions through poetry. Later, Jamie turns repeatedly to Tennyson, whose lifelong grief over losing his friend Hallam mirrors Jamie’s own confrontation with mortality. His attachment to Tennyson’s In Memoriam and his “Oxenford” metaphor frames poetry as a language for articulating loss, transition, and death. Finally, Jamie’s private gift to Ella—a journal of poems he wrote about their relationship—cements Victorian poetry as not just an academic subject but as the medium through which intimacy, grief, and love are expressed in the novel.
As a motif, Victorian poetry situates Ella’s Oxford year within a tradition of literature that grapples with love, loss, and mortality. Just as the Victorians sought meaning in an uncertain world, Ella uses poetry to confront her own fears of death and grief, ultimately embracing Jamie and their relationship despite knowing its likely end.
Hot chocolate emerges as a recurring symbol of love, memory, and grief in My Oxford Year. When Ella was 13, her father died in a car accident while going out during a storm to get her birthday hot chocolate. The drink thus becomes forever tied to the trauma of his death, standing in for both Ella’s innocence and the rupture that ended it. Rather than grieving directly, Ella fixated on the hot chocolate she never received, which allowed her to channel unbearable loss into a more tangible absence.
Later in the novel, hot chocolate resurfaces when Jamie offers it to Ella during their punting trip. The gesture prompts Ella to disclose the truth about her father’s death, marking one of the first times she shares her grief with someone else. In this moment, hot chocolate becomes a bridge between Ella’s guarded self and Jamie, a symbol of the vulnerability she had long repressed. By the end of the novel, hot chocolate embodies Ella’s movement from avoidance to intimacy, shifting from a symbol of grief avoided to one of connection embraced.
As a motif, hot chocolate reminds readers how ordinary objects can carry extraordinary emotional weight. For Ella, the drink represents not just her father’s death but the beginning of her ability to confront grief and accept love.
At the beginning of the novel, Ella holds up the customs line at Heathrow Airport because of a call from Gavin Brookdale, as he offers her a consulting position with Janet Wilkes’s campaign. This moment starts a motif of Gavin’s calls and emails interfering with Ella’s life in Oxford, reminding her of her obligations in the US. Ella misses the beginning of the Rhodes orientation; has to pause conversations with Jamie, her friends, and William to take Gavin’s calls; and regularly works on Janet’s campaign instead of focusing on her education and social life. These interruptions are a motif that reminds Ella and the reader of the conflict between Ella’s career and her desire to stay at Oxford with Jamie. In the end, Ella ignores a call from Gavin, calling him back to quit her job. This break in the motif of Ella pausing her life to answer Gavin’s calls signals the reader to see that a major change has happened in Ella’s character. She ignores the call because she finally realizes that her own desires are more important than her obligation to Gavin and Janet.
In addition to Gavin’s calls and emails, Ella’s treatment of her mother’s calls and emails is the exact opposite. Instead of dropping everything to answer her mother, Ella ignores her, putting off the inevitable discussion of her time in Oxford until Thanksgiving. Ella’s responses to her mother’s emails are short are rarely move beyond mundane discussions, but Ella answering her mother’s call at Thanksgiving prompts Ella to reevaluate her life with Jamie. Like ignoring Gavin’s call, Ella answering her mother’s call signals to the reader that Ella is changing and growing as a character. After getting off the phone with her mother, Ella leaves Connor and starts her path toward committing to her relationship with Jamie.



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