63 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of physical abuse, substance use, death, graphic violence, mental illness, addiction, child abuse, and pregnancy termination.
Tom and Izzy investigate a domestic violence case, and Izzy is irritated that the state police and FBI have taken over the Surrogate Juror Murder investigation. Lewis calls Izzy into his office and schedules her to practice with the Guns team every day.
John goes to The Flame café after an AA meeting and asks about Trig. A woman named Cathy 2-Tone remembers him as a white businessman in his thirties and notes a scar on Trig’s jaw.
Jerome finds out about many churches accused of criminal activity, all using scripture to justify abuse and violence.
After the show in Madison, Holly hurries Kate and Corrie through a tunnel, only to find more fans waiting outside.
Holly passes on John’s information to Izzy and goes to bed, worried about Kate’s confidence despite the threats.
Trig wanders Buckeye City until he finds a drunk man dancing by some dumpsters. Trig kills him and plants the name Andrew Groves. Another man approaches but does not see Trig, and a camera overlooking the lot is broken. Trig’s father’s voice criticizes Trig, who responds that he did not flinch.
Izzy tells Holly about the drunk man’s death, and Holly tells John to talk to Izzy. John warns that Trig might avoid meetings if police get involved or if he starts drinking again.
Barbara practices choreography with Sista Bessie and the Dixie Crystals, loving how it feels to perform with them.
Trig listens to a police press conference on the radio. Chief Patmore reveals that they know the murderer goes by “Trig,” which makes Trig panic, but they do not know what he looks like. They do not intend to cancel the Guns and Hoses game, which is a relief to Trig. Trig worries because his picture appeared in the paper related to Duffrey’s case, and he has met Izzy and Tom. Trig thinks he needs four days, after which he will kill two more people, at least.
In Chicago, Kate, Corrie, and Holly are greeted by protesters throwing blood-covered dolls. Holly fails to convince Kate to cancel the tour, and Corrie goes out to check the venue. Holly thinks about Trig and tries to figure out the “central question” of the case. Holly resolves that the question is why Trig cares enough about Duffrey to kill people.
Chrissy drives to Chicago but tells Fallowes that she cannot kill Kate there because of the police. Chrissy plans to kill Kate in Buckeye City, where Holly might let her guard down.
Tones, Betty’s tour manager, calls Jerome and asks him to act as Betty’s security to and from Dingley Park for the Guns and Hoses game. Jerome accepts, and Tones agrees to pay him $600 for the job and reserve a row of seats for Barbara’s family. Jerome invites John, splitting the $600 evenly.
Kate lectures in Chicago, emphasizing the importance of separating church and state, which upsets someone in the audience. After the speech, Holly reassures Kate that it was a good performance, thinking Kate is asking to be assassinated.
John updates Holly on his search for Trig, and Jerome tells Holly about the security job for Betty.
In Toledo, the police cancel Kate’s performance over an anonymous threat of a mass shooting. Kate is livid, but Corrie and Holly try to convince her it is for the best. Kate plans to criticize the police at her press conference, telling Corrie to invite the media and schedule interviews for the following morning. Kate considers holding an impromptu rally elsewhere.
Trig goes to check the ice rink, remembering how pleasant his father was after the Buckeye Bullets won a game. When the Bullets lost, Trig’s father became abusive. Trig hardly remembers his mother, whom his father said “quit” the family. After checking the rink, Trig considers killing a young woman he finds in the woods, but a man joins her and asks for money. Trig gives them $5 and leaves.
Holly brings Kate to three morning shows, where Kate spreads the message that cancelling her event is ludicrous.
Kate makes calls to news shows on the road, and Holly investigates Real Christ Holy from Jerome’s list of churches. Four Real Christ Holy members were charged with assault after throwing fake acid, which sparks Holly’s interest. Of the four members, only Christopher Stewart could fit Corrie’s description, but Corrie is unsure.
Holly calls Jerome, who is at Sista Bessie’s rehearsal, and asks him to do something for her.
Though Holly would prefer to go home, their first stop in Buckeye City is the hotel where Kate greets her fans. Holly wonders if she would take a bullet for Kate, whom she dislikes.
Chris checks into the hotel as William Fergusson and sees Kate, Corrie, and Holly. Chris takes a nap and remembers his mother’s acceptance of his dual nature. Fallowes used the Bible to justify Chrissy’s existence, though Chris does not feel any justification is needed.
After the nap, Chris checks out the Mingo.
Trig wonders why he wants the finale to be at the ice rink, remembering the good and bad times with his father. Maisie tells Trig he has a call, addressing him as Don. Trig is Donald Gibson, the program director for the Mingo Auditorium, and he is also “Juror 9” from Duffrey’s trial. Trig’s mother called him Donnie, but then she was gone. Trig’s father called him “Trigger” after Roy Roger’s horse, and Trig keeps a ceramic horse, which his father gave him, on his desk. The call is from Corrie, who is making sure everything is set for Kate’s lecture. Trig asks her to come to the auditorium at noon the next day to sign papers, but it is a trap.
Jerome visits Holly’s hotel room with blown-up pictures of Fallowes and Chris, including one from when Chris forgot to put his hand down during Kate’s show, confirming that Chris is following them. Kate comes in, and Holly explains the situation. Corrie comes in and identifies Chris as the woman who splashed her with bleach once Holly draws bangs on the photo. Kate refuses to allow Holly to alert the news but allows Holly and Jerome to circulate Chris’s image with the police and Mingo staff.
Jerome prints flyers with Chris’s face and brings some to the Guns and Hoses practice game. Tom takes some pictures and agrees to spread the word, while Izzy practices pitching. George heckles her as her first few pitches fall short.
While Kate swims, Holly calls Fallowes, who deliberately mispronounces Holly’s name as “Gibley.” Holly concludes that Fallowes knows who Holly is and does not want her to know that, meaning he likely knows what Chris is doing. Fallowes denies any connection to the crimes Holly claims Chris committed and hangs up.
Fallowes calls Chris and tells him that his identity is compromised. Fallowes orders Chris to come home, but Chris refuses, demanding that Fallowes find him abandoned buildings to hide in. Fallowes knows Chris’s actions will look bad for the church, but Chris resents Fallowes’s selfishness.
Chris becomes Chrissy and waits for Fallowes to call back, asking a passerby where she can go to relax. He suggests Dingley Park, where the Guns and Hoses game will be played.
The hotel passes out pictures of Chris for Kate’s press conference. At the press conference, Buckeye Brandon questions the safety of Kate’s lecture, and Kate retorts that what is truly unsafe is the closure of abortion clinics after the Supreme Court’s decision in Dobbs v. Jackson Women’s Health. She ignores any further questions that blame her for other people’s violence.
Kate invites Holly for dinner, and Izzy calls to congratulate Holly on identifying Chris. Izzy justifies allowing the Guns and Hoses game to go on despite the security risk because it is for charity. Holly pushes Izzy on why anyone would kill people to avenge Duffrey, but neither she nor Izzy can think of anyone who would have sufficient motive to do so.
Tom calls Real Christ Holy but gets no information. He tells Holly a town clerk in Baraboo Junction, where Real Christ Holy is located, noted that Chris got in trouble for dressing in women’s clothing years prior.
Fallowes calls Chrissy, addressing her as “Chris,” and insists she come home. Chrissy refuses, and Fallowes lists abandoned buildings, including the ice rink in Dingley Park, the Holman Rink.
Chrissy gets into the rink by using the same code Trig found. Inside, she finds a woman’s body. She assumes the juror’s name in her hand is the woman’s name, calling her Corinna.
Barbara invites Holly out, and Kate agrees, noting that she wanted to be a singer when she was younger. Holly tells Kate and Corrie to keep the door locked and reminds them that Chris might be dressed as a woman.
Holly meets Tones and Donald Gibson behind the Mingo, and they lead her to the stage where Barbara is performing with Sista Bessie. Holly cannot place why Gibson seems familiar, but she is distracted when Barbara runs to greet her. Barbara introduces Holly to Betty, and Holly watches Barbara and Betty perform.
Chrissy reads Buckeye Brandon’s transcripts and learns that the dead woman is one of the Surrogate Juror Murderer’s victims. Chrissy thinks the murderer is horrible and hopes she gets the chance to kill him.
Trig feels addicted to murder but wants to finish his mission. He sets a new electronic sign message for the front of the Mingo that lists the remaining jurors, ADA Allen, and Judge Witterson’s names paired with Kate, Corrie, Betty, and Barbara, ending with his own name, and he sets the sign to change just after Sista Bessie sings the National Anthem at the Guns and Hoses game.
At an AA meeting, John finds someone who remembers Trig going by another name: Trigger, John, Ron, or Vaughn, but he is not sure.
Barbara texts Jerome with Betty’s schedule for the next day, which Jerome passes on to John. Jerome will ride with Betty, and John will drive Jerome’s car to the field.
John texts Holly about Trig’s aliases, noting that “Trigger” is the name of Roy Roger’s horse. Holly gets coffee, then walks to Dingley Park and buys a newspaper. After leaving Dingley Park, Holly goes to the Mingo and meets Maisie, who shows Holly a possible exit route for after Kate’s show.
Corrie reports a successful booking for the next week and commiserates with Holly over Kate’s disinterest. Holly has no news about Chris or the Surrogate Juror Murderer, and Corrie leaves to sign papers at the Mingo.
Izzy practices pitching while members of the firefighters’ team look on. Izzy intentionally pitches more slowly than she will in the game to throw off the firefighters. Holly calls, but neither of them have any news.
When Corrie arrives at the Mingo, Trig injects her with a sedative, binds her hands and feet, and puts her in the back of a van. Betty arrives with her costume designer, Alberta, and they talk to Trig about the weather. Trig ushers them inside, then finds Corrie waking up in the van. Trig threatens Corrie, tapes her mouth, and demands her phone’s passcode. Trig’s father’s voice criticizes him for assaulting Corrie.
Holly visits her apartment for lunch and feels like she missed something important at the Mingo.
Chrissy wakes up when someone opens the rink’s doors. She sees a man carrying a woman to a post, where he tapes her neck and legs. Chrissy recognizes Corrie, who sees Chrissy and panics. The man does not see Chrissy and leaves.
John serves a man at the bar, and his AA contact calls to tell a joke Trig told at a meeting about hiring someone to clean elephant poop at 10 o’clock in the morning.
Off the phone, the AA contact remembers that Trig’s name is Don.
Never Flinch follows a pattern common to thrillers and suspense novels, in which the various characters gradually converge on the same location. In this case, the location is Buckeye City, and Chris/Chrissy, Holly, Kate, and Corrie join Trig, Izzy, Tom, Sista Bessie, and Barbara, as well as side characters John and Jerome, in anticipation of the Guns and Hoses game, Kate’s lecture, and Sista Bessie’s show. All these seemingly distinct plots and events combine to form a dramatic increase in tension. King uses dramatic irony to heighten this tension: Since readers are privy to Trig and Chris/Chrissy’s perspectives, they know much more than Holly, Kate, Barbara, and Corrie do about the schemes that Chris/Chrissy and Trig are actively executing. The action begins in Chapter 20, when Trig sedates Corrie and brings her to Holman Rink, where Chrissy is already waiting. King sets up this chapter section to speed up the events of the novel, foreshadowing a rapid conclusion in which the various plans will clash, and someone will need to die.
A critical development for Trig’s character is the revelation that he is Donald Gibson, “Juror 9” in Duffrey’s case. His role as a juror in this case explains the intense guilt he feels about its unjust outcome, and descriptions of his childhood contextualize his destructive response to this guilt. Trig frames himself as a tragic individual, doomed to repeat destructive cycles until his death. As the culmination of his scheme approaches, he admits to himself that it was always about personal satisfaction and not justice: “It was never about creating guilt in those that caused Alan Duffrey’s death; that was just an excuse. It was killing for the sake of killing, and since there is no Murderers Anonymous, there’s only one way he can stop” (308). All along, Trig justified his actions through his surrogate murder plan, but that scheme falls away in this passage, as Trig instead reframes murder as another addiction, much like his addiction to alcohol. When he was drinking, he took risks, told himself he would stop the next day, and ultimately had to hit rock bottom, as many survivors of addiction do, to stop. With murder, though, rock bottom is prison, and Trig has already resolved to take his own life before that can happen. Nonetheless, Trig’s involvement in the death of Alan Duffrey still impacts his decision to end his own life. Even if Duffrey’s death was only an initial excuse to start killing people, Trig plans to take his own life as a result, meaning he is still ultimately acting out of his own guilt for pressuring the other jurors into voting to convict Duffrey.
As Kate delivers a press conference regarding her lecture in Buckeye City, the novel’s violent events force her to confront The Challenges of Maintaining Authenticity in Activism. A reporter asks: “The question is how do you justify the risk not only to yourself but to your audience?” (294), and Kate’s response provides the framework of the importance of activism in the face of possible danger: “Those closed centers provided many services other than abortion—pap smears, birth control, mammograms, adoption services. How do you justify that?” (294). King is addressing one of the critical elements of protest and activism, which is that activists must take risks and make noise in order to make change. Kate’s question essentially asks how one can see injustice and choose to do nothing, preferring oppression to action, when inaction can never bring about change. Even though Kate and her fans are at risk, she notes the active damage already done by the Dobbs v. Jackson Women’s Health decision, pointing out how doing nothing does not stop the active danger that already exists.



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