67 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child abuse, physical abuse, emotional abuse, graphic violence, and racism.
Amber Cloud receives certificates revealing that her sons have a different “degree of Indian blood” from each other (67). Sammy, whose father is not Indigenous, is only 1/8 Indigenous while his younger half-brother, Grayson, is 5/16. Amber worries about her boys’ futures. Grayson will qualify for the tribal rolls, guaranteeing him money from the casino, while Sammy will not. David, Grayson’s father, tells Amber she cannot do anything about it.
Dave hangs a dreamcatcher over Grayson’s crib to ward off evil in the night, and Amber wonders if they should put one over Sammy’s bed. She begins to think that Sammy was a mistake even as he smiles up at her. One night, Dave shares the news that Big John LaBarge died. Amber considers Big John “the last of the tribe’s old-school Indians” and is saddened to learn of his loss (70). Amber holds Grayson in her arms as she and Dave talk but treats Sammy like a pet, yelling “down” when he tugs on her leg. Amber feeds Grayson, and when he is done, Amber throws the food on the ground for Sammy.
At the park, Amber runs into an old friend named Claudia. As Amber shows off Grayson, Claudia’s dog plays with Sammy. Claudia struggles with her blood sugar, pausing to inject insulin. When Claudia leaves, she forgets the bag with her insulin, and Amber takes the empty syringe.
At Big John’s funeral, Amber leaves Sammy outside while Dave shows Grayson off. Meanwhile, Amber kneels before Big John and tries to use the syringe to extract some of his blood. The funeral director stops her, but Amber explains that she wanted to preserve his blood, as he “was more Indian than the rest of [the tribe]” (80). The funeral director questions if it was blood that made Big John who he was.
That night, Amber hears scratching at the door. Amber questions whether they have a dog and goes to the front door to find Sammy, who is dirty, weak, and animal-like in appearance. Amber considers what the funeral director said and brings Sammy to his crib. She takes the dream catcher from Grayson’s crib and hangs it over Sammy.
The Wehtigo is a spirit that hungers. Before the Other People (i.e., white colonizers) came, the People (i.e., Indigenous Americans) were scared of it. However, the Other People erased the People’s stories. Now, it lures Empty People, who are missing something inside, whispering to them until they let it in.
The Wehtigo finds a fraternity party and whispers to a young man until he lets it in. A woman of the People then arrives, drawing the Wehtigo’s attention. She glances at the young man possessed by the Wehtigo, and the Wehtigo’s hunger grows. It can feel its host’s own violent, sexual impulses toward the young woman. The woman, Summer, talks to the man. The Wehtigo speaks through him, but she finds the conversation odd and leaves. She steps outside to call her cousin, saying she is coming home. The Wehtigo follows her through the city, into a park.
The Wehtigo believes Summer is scared. She stops in the park, but just before the Wehtigo can grab her, it hears a whistle. Summer turns around to face it and greets the Wehtigo fearlessly. The Wehtigo smells sage and realizes Summer “has been cleansed in the smoke of the sacred medicine” (90). Summer blows powdered medicine at the Wehtigo and touches it with a cedar branch, burning it. The Wehtigo screams. Summer is joined by her cousin, Rain, and they trap the Wehtigo between cedar branches.
As they prepare to banish the Wehtigo from its host, the Wehtigo feels fear for the first time. The women light their cedar on fire, and the smoke drives the Wehtigo into the sky. The young man wakes up confused and accuses Summer of “Indian voodoo shit” (93), telling her not to come to his parties anymore. In the sky, the Wehtigo pieces itself together, preparing to hunt again.
Son grows up in Toronto but moves to Florida the first chance he has. He eventually settles in New Orleans, working service jobs until the death of his mother brings him home. After the funeral, a cousin suggests Son visit his father, who lives alone to the north. Son stays with his father, often in silence, through the winter into fall. Son’s father constantly suggests they go hunting, but Son refuses.
Only when Son’s father dies peacefully in his sleep does Son finally pack up his gear and head out to the family cabin to hunt. On his first morning, Son spends hours in the forest but sees no animals. He returns to the cabin and sleeps. When he wakes, it is night and he is hot. He peels his clothing off, disgusted to find a tick embedded in his stomach, slowly growing. Son rushes around the cabin trying to find something to remove it with. He plans to cut it out, but as he reaches for his knife, he falls and hits his head.
While Son is unconscious, his father visits him in a dream. Coyotes howl and Son’s father tells him that animals come for those who forget, not those already dead. When Son wakes, the tick is the size of a softball. Son makes two small incisions in his stomach with his knife and begins to pull the tick out. When Son succeeds, he loses his grip and the tick flies across the room. Weakened by blood loss, Son struggles to make it to his truck outside. Before leaving, Son reflects that with his father is gone, he has no one left to remind him of what he forgets. As he starts the car, the tick crawls into the bed of the truck, unseen.
The disembodied voices of murdered Cherokee men from Tenkiller wander. They look for the ones who killed them and their own missing women. They come to a barn and find a sick horse, Gray Horse. They take him into the night and encounter their killers near the river. The ghosts want to attack but are shocked when their killers invite them over. Discomforted that their killers do not cower, the ghosts nevertheless join them and wait for the right moment to attack. The killers joke and laugh, drinking. They do not seem to remember or care about the atrocities committed against those they killed. The ghosts are shocked that their killers do not sense their intentions and can ignore the history that has led them all here.
The general of the killers speaks of peace but soon passes out drunk, mumbling about how he was the true mastermind behind the killings at Tenkiller. The moment approaches for the ghosts to attack, and their killers sense it. Suddenly, the missing women appear from the trees and join the men. They feel the generations of terror and pain inflicted upon them by the killers and, along with Gray Horse, attack. The ghosts drive the killers into the river and watch as they drown, comforted even though they will eventually meet the killers’ ghosts.
Peter, who is of Indigenous Alaskan descent, is hiking with his cousin Maddie and her boyfriend, Adam, when they find some sandstone red rocks covered in petroglyphs. When Adam and Maddie reach out to touch them, Peter yells at them, explaining that the oil on their hands is destructive. Adam scoffs, refusing to listen, and starts scraping the petroglyphs with his car keys. Peter tackles him, and Adam loses the keys. As he and Maddie search for them, Peter makes an offering with ground corn. When they cannot find the keys, Peter suggests they walk back to the car before it gets dark.
Darkness falls and Maddie complains that her feet hurt. Adam seems to be hallucinating, thinking he is at the beach. Maddie notices sores oozing green pus all over her body, while Peter notices that Adam’s stomach is swelling. Adam appears pregnant, something clearly moving inside him. Maddie begs Peter to do something, accusing him of putting some kind of curse on them. Maddie and Peter watch as a rattlesnake bursts through Adam’s stomach. Adam reaches down and takes the snake in his arms, calling it his son.
Peter manages to rouse Maddie and convince Adam to follow him. Dawn arrives and the trio meets Maddie’s father (Peter’s uncle) and two park rangers on the path. Maddie’s father is horrified, and when the park rangers take Adam by the arms, the snake jumps out of his pocket and bites one of them. They rush back to the road to call an ambulance, leaving Peter with his uncle. Peter’s uncle admonishes him for using magic. Peter initially denies it but eventually admits he did so because Adam and Maddie disrespected his ancestors.
“Hunger” is a unique story in Never Whistle at Night because it is told from the perspective of a spirit, the Wehtigo, who plays the role of a villain. Traditionally, the Wehtigo hunts for people to feast on, possessing the bodies of others to do so. The Wehtigo now struggles to do so, however, because of the ways in which colonization and modernization have changed the Americas: “Of course, it has been one long desolation, one long hungry season since the Other People came and took the land and the language and the very lives of the People. A hungry season even for it. That never happened in the time Before. It had never starved then” (84). Boudreau here plays on the wiindigoo’s traditional association with hardship and privation, suggesting that the destruction of Indigenous languages and beliefs—including belief in the Wehtigo—has caused a new kind of starvation. The Wehtigo’s struggles thus reflect The Intersection of Tradition and Modernity: With traditions no longer observed and with language and knowledge lost, the Wehtigo’s hunting grounds are completely changed, and its style of hunting must adapt. By exploring this notion through the perspective of the Wehtigo, “Hunger” shows the consequences of colonization of the spiritual world.
Like many stories in the collection, “The Ones Who Killed Us” features ghosts. These ghosts confront their killers and reflect on the cascading, multigenerational impact of the killers’ actions. When they interact with their killers, their killers show no empathy or guilt, embodying the US’s failure to engage meaningfully with its history of Indigenous genocide by acknowledging the crime and its consequences: The narrators speak of “the startling revelation that their rapacious crimes would affect us for many years and generations without any empathy or confirmation that these nightmarish catastrophes would even be discussed outside the mere listing of historical data” (115). This passage encapsulates Intergenerational Trauma as the Legacy of Colonization. The killing and displacement of Indigenous Americans impact not only those affected at the moment but also those who come after, in part because they result in disconnected communities, loss of tradition and language, and poverty. These combine to perpetuate the original trauma as well as to create new trauma.
Resistance Through the Preservation of Cultural Identity is central to “Snakes Are Born in the Dark.” When Peter brings his cousin and her boyfriend to see petroglyphs in the American Southwest, he finds himself defending the petroglyphs from destruction. Adam’s attitude toward these is that of a colonizer, as he treats them as a curiosity with no cultural significance that he has a right to do what he wants with. Peter, by contrast, not only wants to preserve the petroglyphs but also their status as an important cultural site: “These petroglyphs have survived for so long because strangers weren’t coming here and touching them all over. We didn’t have this problem until petroglyphs became a tourist spot” (122). His assertion implies a link between modern tourism and colonialism and tacitly argues for preserving the traditional function of such sites. Indeed, Peter himself makes an offering at the petroglyphs, creating contrast with Adam (who disrespects and mocks the petroglyphs and their creators) while also embracing the petroglyphs’ historical purpose.



Unlock all 67 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.